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writers

Author Voice: Why AI Can’t Replace It

June 26, 2026 By LDSPMA Leave a Comment

Let’s talk about artificial intelligence (AI) and writing. It seems like every other day, there’s a new tool that promises to make writing faster, easier, and maybe even . . . automatic? It’s easy to see how many writers are pulled toward AI. Some people may even ask writers: Why spend days or months putting blood, sweat, and tears into something that AI can do in seconds?

Here’s the thing: No matter how impressive AI gets, it will never compare to the unique voice, experience, and, well, humanity that each writer brings to their work.

It’s true that AI can assist writers in getting through tricky passages and overcoming writer’s block. In later tips in this series about AI, we will discuss the benefits of using AI in your writing in greater detail. But in this article, we’ll focus on what AI can’t replace—your voice!

Voice vs. Style

Writing voice and style are two concepts that are often confused or conflated. There is a difference between the concepts, so let’s break them down:

Voice: The writer’s innate opinions, attitudes, and experiences.

Style: The writer’s word choices, sentence structures, and mechanical—or grammatical—patterns.

Tiffany Yates Martin, an established editor with over twenty years of professional experience, has a beautiful description of voice on her website Fox Print Editorial:

“Author voice, though, comes from the truest, most authentic heart of you. Your voice began to be formed even before you were born, and it has been shaped increment by increment by every single circumstance and element of your life since: where you were raised, by whom, how, in what circumstances; your socioeconomic level, your education, your frames of reference and your experiences; your personality, sensibilities, values, and passions.

“It can be affected by age and perspective, state of mind and mood. It encompasses your vocabulary, your phrasing and rhythm, your diction and word choice, your verbal tics and habits. It’s reflected in the speed at which you communicate, the way in which you find and express your thoughts, whether you are direct or circuitous, literal or figurative, humorous or serious, and every permutation of all the above.”

(Yates Martin, Tiffany. “What Is Author Voice and How Do You Find Yours,” Fox Print Editorial, October 8, 2024, https://foxprinteditorial.com/2023/08/10/what-is-author-voice-and-how-do-you-find-yours.)

Yates’s beautiful description of voice shows just how personal and unique it is. Voice reflects the soul of a writer—their innate perspective and personality—while style is the way ideas are expressed on the page with words.

Some writers have a writing style that is elaborate and embellished—meaning they love crafting long sentences full of imagery and metaphor. Other writers write short, punchy sentences. Some writers enjoy breaking conventional grammar rules, such as sentence fragments, run-on sentences, or omitting punctuation, and others write in sarcastic or mocking styles.

A writer’s style may adapt to suit different genres, tones, or audiences, but their voice remains a consistent reflection of their unique personality and perspective. And while AI can mimic certain writing styles by replicating patterns and techniques, it lacks its own innate personality, or voice.

Voice Is Personal

The stories you tell—whether they are fictional or not—are uniquely your own. No AI, no matter how advanced, can replicate the intricacies of your lived experience. Your life, your choices, and your perspective are shaped by countless factors: your upbringing, culture, relationships, failures, and triumphs. These experiences color the way you see the world and inform the stories you tell.

AI may be able to mimic style and structure, but it can’t capture the one thing that makes each writer unique—their individual way of writing stories and depicting complex human feelings. AI, by nature, uses algorithms to predict what should come next based on existing data, so its output often reads as generic.

Because voice is so uniquely human, we are good at picking up its subtle nuances in the things we read without realizing it. Consider the uncanny valley phenomenon, which is when a “computer-generated figure or humanoid robot bearing a near-identical resemblance to a human being arouses a sense of unease or revulsion in the person viewing it.” (“Uncanny Valley,” Oxford English Dictionary, accessed December 2024, https://www.oed.com/dictionary/uncanny-valley_n?tab=meaning_and_use.)

For example,  observe AI-generated photos of people that look extremely realistic—until you look closer and see hands with unnatural fingers or mouths with too many teeth. Similarly to this phenomenon, AI tools like ChatGPT can produce material mimicking different writing styles, but they can’t perfectly embody any author’s voice—or cultivate their own.

Below are three comparable passages from stories that each carry themes of nostalgia, permanent loss, and a painful sense of longing:

1. “Nick looked down into the pool from the bridge. It was a hot day. A kingfisher flew up the stream. It was a long time since Nick had looked into a stream and seen trout. They were very satisfactory. As the shadow of the kingfisher moved up the stream, a big trout shot upstream in a long angle, only his shadow marking the angle, then lost his shadow as he came through the surface of the water, caught the sun, and then, as he went back into the stream under the surface, his shadow seemed to float down the stream with the current, unresisting, to his post under the bridge where he tightened facing up into the current.

“Nick’s heart tightened as the trout moved. He felt all the old feeling.” 

(Hemingway, Ernest. Big Two-Hearted River. Scribner, 1925.)

2. “Once there were brook trout in the streams in the mountains. You could see them standing in the amber current where the white edges of their fins wimpled softly in the flow. They smelled of moss in your hand. Polished and muscular and torsional. On their backs were vermiculate patterns that were maps of the world in its becoming. Maps and mazes. Of a thing which could not be put back. Not be made right again. In the deep glens where they lived all things were older than man and they hummed of mystery.” 

(Cormac McCarthy, The Road. Alfred A. Knopf, 2006.)

3. “The trout dart through the clear, cold stream, their silver bodies flickering like fleeting memories beneath the surface. Time here seems to slow, as though the current itself carries echoes of a forgotten summer. Now, the current feels quieter, the air heavier with the weight of things that are no longer. Each ripple in the water seems to stir an old ache, a quiet sorrow that lingers in the spaces between the rocks, where the trout swim without ever looking back. The stream, once so full of life and laughter, now whispers only of what’s been lost.”

(ChatGPT. Prompt: “Write a paragraph about trout in a stream with these feelings: nostalgia, loss, and longing.”)

The differences between these three passages highlight the profound gap between human writing and AI-generated text, particularly when it comes to voice, authenticity, and emotional resonance.

Ernest Hemingway’s Big Two-Hearted River is marked by his distinctive, restrained style and voice that speaks volumes in what it leaves unsaid. The description of the trout’s shadow—rising, catching the sun, and then floating back into the current—reflects not just the fish’s physical movement but also Nick’s transient grasp of peace and the inescapable pull of memory. When Nick’s heart tightens, the reader feels the weight of his unspoken longing.

In contrast, Cormac McCarthy’s voice in The Road is lush and poetic, and he evokes awe and reverence for the natural world. His description of the trout doesn’t just show us fish in a stream—it turns them into symbols of something much bigger, something lost that can never be recovered. With lines like “vermiculate patterns . . . maps of the world in its becoming,” McCarthy transforms the details of the trout into a meditation on time and the fragility of existence—a product of a philosophical mind engaging with the world.

The AI-generated passage, while technically fine and polished, lacks the depth and authenticity of the human-authored examples. Descriptions like “their silver bodies flickering like fleeting memories” and “the air heavier with the weight of things that are no longer” attempt to evoke emotion but instead come across as formulaic and generic as if the AI is trying to fit some template of sentimentality. The passage feels like a compilation of poetic tropes, strung together without the lived experience or unique worldview that imbues an author’s voice with sincerity. As a result, the passage reads as imitative and hollow.

Voice Is Experiential

Writers draw from their personal histories—moments of joy, loss, struggle, and triumph—which shape how they perceive the world and how they choose to express it. Each character, scene, and narrative choice is made up of trinkets of the writer’s own life journey.

AI, while impressive in its ability to mimic writing styles, lacks this experiential foundation. It can replicate the mechanics of storytelling, but it cannot draw from a lived history. AI doesn’t know what it feels like to experience love or loss, to face the challenge of a difficult decision, or to observe the world with the nuance of human perception. As a result, AI-generated novels often lack the depth and emotional resonance that comes from the lived experiences of a human writer. It may produce coherent narratives, but without the personal imprint of a real life, the voice it generates remains hollow and detached.

Compare the following excerpts:

1. “Soldiers carry the weight of their weapons, tools of survival and destruction, each one a constant reminder of their purpose and the danger that lurks. Their packs are heavy with rations, medical supplies, and gear—necessary burdens that ground them in the brutal present, yet leave little room for escape. Tucked deep within, they carry the ghosts of past battles, the memories of comrades lost, and the quiet longing for home, all bound in the recesses of their minds. The weight of duty is palpable in every step, as they march forward, burdened by both the physical and emotional tolls of war.”

(ChatGPT. Prompt: “Write a paragraph about what soldiers carry in war.”)

“They took up what others could no longer bear. Often, they carried each other, the wounded or weak. They carried infections. They carried chess sets, basketballs, Vietnamese-English dictionaries, insignia of rank, Bronze Stars and Purple Hearts, plastic cards imprinted with the Code of Conduct. They carried diseases, among them malaria and dysentery. They carried lice and ringworm and leeches and paddy algae and various rots and molds. They carried the land itself—Vietnam, the place, the soil—a powdery orange-red dust that covered their boots and fatigues and faces. They carried the sky. The whole atmosphere, they carried it, the humidity, the monsoons, the stink of fungus and decay, all of it, they carried gravity.”

(O’Brien, Tim. The Things They Carried. Broadway, 1998.)

Severe trauma and war are examples of things that AI has never experienced and will never experience. For all of ChatGPT’s flowery language, its paragraph above rings incredibly hollow when compared to O’Brien’s excerpt, which draws from his lived experience of serving in the Vietnam war. O’Brien is not using generalizations to speak for every soldier who fought in Vietnam, and he is not even trying to recount every factual detail of his experience. Instead, he speaks about his personal perceptions and feelings developed through his experiences.

There are a huge number of life experiences—emotions felt, moments lived, and connections formed—that are uniquely human. Drawing from these experiences when writing connects writers with readers, even if they haven’t been through the same things, because they reflect the emotions and connections we all share. This connection is something AI may attempt but will likely never replicate.

Voice Is Cultural

Writers also draw from cultural and social dynamics—the gestures, tone, slang, vernacular, and unsaid meanings that make up human interaction. These nuances, shaped by culture, society, and history, enrich a writer’s voice, allowing it to capture the complexities of emotion and experience in ways that resonate with readers.

AI, though skilled at mimicking writing styles, lacks the ability to truly understand or engage with the social intricacies that define human communication. While it can replicate language patterns or historical references, it cannot grasp the deeper layers of meaning embedded in these elements.

In our interconnected and plugged-in modern culture, communication is becoming increasingly fluid. Slang, internet culture, and memes are playful, ever-evolving forms of communication that reflect shared humor, generational trends, and cultural moments. These quirks of language serve as social identity markers—the traits, symbols, and language that help people express who they are and where they come from.

Writers understand how these identity markers operate within communities and use them in novels to create authentic dialogue, relatable characters, and vivid settings. Identity markers in writing can be incredibly subtle. A character’s hesitation before choosing a word might reveal their insecurity or the unspoken weight of their relationship with the person they’re speaking to. The use of the word “demure” might suggest not just modesty but “mindfulness,” “very respectful,” and “not doing too much” to Gen Z readers. A passing mention of the smell of rented bowling shoes could evoke an entire childhood for a reader without being explicitly tied to any narrative arc. These subtleties—rooted in how humans assign meaning to the smallest interactions and details—give writing a depth and resonance that AI may struggle to replicate.

Voice is Irreplaceable

AI can copy certain styles, but it can’t capture you. Your unique way of putting things and the little surprises that come with it? That’s your voice, and that’s something only a real, live person can bring.

So, if you ever feel discouraged by the speed or apparent efficiency of AI, remember this: Your voice matters more than anything a machine could ever produce. Your stories, your emotions, your creativity—they are irreplaceable. Lean into your humanity, trust your unique perspective, and remember that the world is waiting for what only you can write. In the end, no machine can tell your story like you can.

This article was written by Amy Guan and was republished with permission from Ever Editing.

A headshot of Amy Guan

Amy Guan

Co-Owner and Managing Partner, Ever Editing

I edit because I love it. I love plotting outlines, treading through unfamiliar topics, and discovering misplaced modifiers. Editing is an adventure, and I wouldn’t give it up for anything. I love playing video games (open world only), eating whatever my husband grabs from the clearance section at Asian Mart, and being taken on walks by my two big dogs. I have a BA in English and a minor in editing.

    Filed Under: Articles, Craft Skills, Creativity, Cultural Diversity, Faith & Mindset, Professional Skills, Publishing, Writing Tagged With: AI, authors, culture, identity, style, voice, writers, Writing

    How to Approach Feedback on Your Writing

    April 19, 2026 By LDSPMA Leave a Comment

    Receiving edits from an editor, beta reader, or even a friend can be both exciting and daunting. It’s natural to feel a mix of emotions: nervousness to see what your reviewer thought about your manuscript, eagerness to dive into revisions, or apprehension about the work ahead. 

    Feedback can come in multiple forms. If it’s feedback from a beta reader, it might be a few paragraphs long and gloss over a handful of portions of your manuscript. If it’s from a copyeditor, you might get a style sheet and an entire manuscript’s worth of punctuation and grammar corrections. If it’s from a developmental editor, you’ll likely receive an editorial letter and pages of notes. No matter what kind of feedback you get, the following tips will help you interpret it and form a plan to revise your manuscript.

    Remember That Revisions Are Normal

    Going through feedback can be overwhelming. After all, you just handed off your book baby to a stranger! Receiving feedback that requires you to adjust a paragraph here and there may feel relatively easy, but it is another matter entirely to hear a suggestion that, if implemented, will require hours of planning and rewriting. Just take a breather and remind yourself that revisions are a normal step in the writing process.

    Recognize that feedback is not a critique of your writing abilities but a constructive assessment aimed at elevating your manuscript to its fullest potential. Every successful manuscript has been revised. It’s even safe to say that most manuscripts have gone through a plethora of revisions. Your manuscript is no different. Embrace the opportunity to learn and grow from the insights provided.

    Consider Others’ Perspectives

    Whether your reviewer is a professional in the publishing industry or a neighbor down the road, it’s important to consider his or her feedback, even if it differs from your own. One of the most valuable aspects of getting your manuscript reviewed is that there is distance between the novel and the reviewer. Unlike the writer of the manuscript, reviewers can look over the manuscript with fresh eyes. This means your reviewers are in a position to provide outside and objective insights that you as the creator may not be able to see. Their feedback will also reflect what other readers would notice as they read your book for the first time.

    Remember, reviewers provide feedback based on their expertise and experience. Editors have been specifically trained to learn how to make your manuscript successful. They bring a wealth of knowledge about what makes a story engaging and marketable to your target audience. Beta readers are avid readers who will recognize themes you should include in your novel. And perhaps a friend will give you some great pointers.

    No matter who your reviewers are, they will bring value to your manuscript.  It’s important to appreciate their time and effort and truly consider their feedback.

    Seek Clarity

    If you’re unsure about any aspect of the feedback, don’t hesitate to ask for clarification. When reaching out to your reviewer, be specific about the areas of the feedback that are unclear or require further explanation. This might involve asking for examples, elaboration on certain points, or additional context to better grasp the reviewer’s perspective.

    Once you clearly understand the feedback, you may want to brainstorm with the reviewer. Or perhaps you have implemented more changes and want his or her perspective on your next draft. Ask your reviewer if you can share new ideas with him or her based on his or her feedback. Going in a new direction with your manuscript or implementing a big change is scary, and receiving additional feedback and validation from another person so intimately acquainted with your work can be extremely motivating, spurring you to tackle the revision with a sense of purpose and confidence.

    Most reviewers are happy to provide more insight or look over your manuscript again. After all, they’re now invested in your story too. However, it is a good idea to check with reviewers to see when or if they have time to give more feedback. And if working with professionals, make sure to review your contract to see how many revisions are covered or if you will need to schedule and pay for a new round.

    Know What Your Feedback Will Look Like

    There are multiple kinds of feedback, and depending on what that feedback is will determine how you will implement it into your next draft. Let’s talk about a few kinds of revisions.

    Developmental Editing: Editors will indicate which big-picture aspects of your story need the most attention. They will provide detailed explanations of existing issues and how they can be changed. You may receive an editorial letter with a list of items to address or you may receive a document with comments in it or both. No matter what format the feedback comes in, it is important to read and digest all the feedback before you start revising. This way, you can get a clear picture of the reviewer’s overall assessment of your novel. From there, you can determine what changes you need to make and in what order they should be done. Then, you can start rewriting, cutting scenes, or shifting paragraphs around.

    Line Editing: Editors will use Track Changes, which is a feature in electronic documents that allows reviewers to track the changes they make so the writer can see what the reviewers do versus their original work. You will be able to accept or reject these changes in the document. If the changes are simple, like changing a word here and there, you can accept or reject them as you read them. But if the suggested changes affect the manuscript as a whole, it’s a good idea to read all the way through the document before accepting or rejecting changes.

    Copyediting: Editors also use Track Changes to make edits to the technical elements of your manuscript, such as punctuation, grammar, and stylistic consistency. Again, you will accept or reject these changes directly in the document. But since these are all changes that affect presentation and not the book overall, you can accept or reject them as you read.

    Proofreading: When editors look over your typeset document, they will either leave comments directly in the document that note the errors they’ve found, or they will send you an additional document containing a list that indicates the page, paragraph, and line of the error. If you typeset the document yourself, you can use these edits to update your document. If you hired a typesetter, forward this feedback on to the typesetter, and he or she will make sure the feedback is incorporated.

    It’s also important to note that there are no industry-standard ways to give feedback. So it may be smart to ask your editor what format he or she uses or to tell a beta reader that you prefer to review feedback in a specific format. Having proactive conversations like these can prepare you for the feedback you will receive.

    Choose Which Feedback to Implement

    Not all feedback needs to be accepted. In fact, you can choose to accept or reject whatever feedback you like. (This may not be true if you have a contract with a publishing firm. So make sure to double-check that.) However, even though you can choose how to shape your manuscript, it is important to consider the reviewer’s expertise and your publishing goals when deciding which revisions to implement.

    Consider the type of edit done. For example, copyediting adheres to established rules and industry standards, meaning these revisions should typically always be accepted. Developmental edits, on the other hand, may involve significant changes to plot, story structure, or character development, which means they are open to interpretation and should be weighed carefully.

    Next, think about what pros and cons come with accepting or rejecting feedback. For example, if your editor advises reducing the word count to meet industry standards, you can choose not to, but be aware that it may be more difficult to get your book traditionally published. On the other hand, if one out of ten of your beta readers has a negative reaction to a certain character and suggests changes to improve that character, you might not need to implement his or her feedback. But if the majority of your beta readers have a negative reaction to that character, implementing their feedback and changing that character may be in your best interest.

    When looking over feedback, you should also think about your reviewer’s background. Does your reviewer have any credentials that would make their feedback more credible? Is your reviewer familiar with the publishing industry and giving suggestions that will make your manuscript more successful in a particular genre? Or is his or her feedback based on personal preference? For example, let’s say your manuscript focuses on a particular culture, and your reviewer has given you feedback suggesting you make changes to the description of that culture. You should evaluate your reviewer’s expertise in this area. Is he or she making this suggestion because he or she wants the story to be more familiar to him or her? Or is he or she a sensitivity reader who is familiar with the culture? If the former, you most likely don’t need to implement the feedback; if the latter, you probably should.

    It’s also important to remember that your story is uniquely yours. If the feedback you receive doesn’t sit well with you, you do not have to incorporate it into your next draft. For instance, let’s say your story is about two sisters growing up on a potato farm in Idaho. Your reviewer suggests making your characters a brother and sister instead of two sisters. Your reviewer may have a list of good reasons behind this change, and these changes may make your book more marketable. However, you may choose not to accept this suggestion because you have tension with your own brother, which would make it difficult to write about a brother and sister in the manuscript. Or perhaps you’ve been envisioning this book being about two sisters for decades and simply can’t part with that idea. Either way, it’s also important to stay true to your own vision for your manuscript.

    Deciding which feedback to implement is a lot of work. Make sure to evaluate each recommendation in light of your creative vision and narrative goals while also accounting for your reviewers’ expertise and industry standards.

    Remember, the editorial process is a collaboration aimed at elevating your work to its fullest potential. Every piece of feedback is a valuable opportunity to enhance your writing skills and bring your manuscript closer to publication. By balancing your writing goals with constructive feedback, you can navigate the editing process and feel great about the story you put out into the world.

    This article was written by and republished with permission from Ever Editing.

    Filed Under: Articles, Craft Skills, Creativity, Editing, Productivity, Professional Skills, Uncategorized, Writing Tagged With: Author, critique, Editing, editors, feedback, improvement, Publishing, revision, writers, Writing

    LDSPMA Member Spotlight: Julie Spencer!

    August 14, 2021 By Trina Boice Leave a Comment

    What are some names of the books or other media you have created?

    I have over 30 publications, mostly romance and love stories. My most controversial novel is called Combustion, which is a powerful love story that readers have suggested should be on the required reading list for every high school in the world. In Combustion, readers see an emotional sexual assault through the eyes of the guy. My most popular fiction is a YA sports romance series is called All’s Fair in Love and Sports. I also have a romance/coming-of-age series called Rock Star Redemption, an action/adventure/romance series called Royal Family Saga, and several stand-alone romance/love stories that are LDS Christian fiction.

    What inspired you to become a creator of media?

    I’ve been writing and playacting since I was a little girl. I wrote my first novel in junior high but threw it away! What I wouldn’t give to have that manuscript back! My first published work was a poem in my junior high yearbook. My second published work was my master’s thesis. I didn’t write fiction again until I ran out of Twilight novels to read. Now I write the books I’d like to find on the shelves of bookstores and libraries. I love my characters and I love my readers.

    What has been the highlight of your career so far?

    Oddly, the highlights of my career so far come in the little moments. Every day, I publish a blog called Chapter-A-Day where I (courageously) publish unedited chapters from my current Work-in-Progress on my website and readers give me feedback. Sometimes, the feedback is critical. Usually, I’m told all the things my readers loved about the chapter and how they refresh the screen every little while, hoping the next chapter has been posted. The best compliments I receive are “I cried during chapter ten!” or “I didn’t see that twist coming!” or “I couldn’t put the book down!” Those are the highlights.

    What was the best advice you’ve ever been given in your creative journey?

    Get better covers for your books! People really do judge a book by its cover. My first published book was called The Cove and I found a beautiful photograph of the lake where I grew up with a pretty sunset. The book is not about the lake and the sunset. It’s a love story between the two main characters. Once I had a professional cover designed, the book started selling. Also, research the names of books and carefully select a title that conveys the genre. People search for books with keywords. Learn the keywords for your genre.

    What advice do you have for someone just starting out in your field?

    Write as much as you possibly can. Learn your craft. Don’t get distracted by the newest exciting thing but be open to new technology. Hire professionals to do the things you’re not good at or things that don’t have to be done by you. Anyone can do the dishes, mow the lawn, balance the checkbook, or shop for groceries. Only you can write the words in your head.

    What keeps you inspired in your daily creative work?

    My readers keep me inspired. I’ve had many readers tell me they refresh their screen hoping my next chapter has been posted. I can’t let them down. Receiving positive reviews buoys my resolve to put out the next book. Plus, I just love my own stories. I read back a particular passage and think, Dang, I’m a good writer! What the heck? Did I really write that? Yeah, I did. Vain? Maybe? Delusions of grandeur? Maybe. Do I care? No, not really. Go away, world. I’ve got more stories to write.

    What would you like others to know about you or your creative process?

    I write all day, every day, as much as I can fit into my day. I don’t find writing to be a job or inconvenience or a chore. My ideal vacation would be for everyone else to go away and let me write all day, every day. I have more stories in my head than I’ll ever be able to get on paper in my lifetime. Until the Lord intervenes and finds a way to force me to stop writing, you will continue to see content emerging from my brain. Writing is my happy place.

    In what ways do you feel you have been able to be a voice for good in your creative pursuits?

    My stories contain a lot of my religious convictions, including maintaining the laws of chastity and healthy living, such as avoiding drugs and alcohol. Although I don’t mean for my books to be preachy, my characters learn things the hard way and thus my readers learn the same lessons. As a convert to the gospel, I’ve seen the world outside the Church, and there are a lot of challenges, especially related to alcohol. A huge percentage of the world’s problems would go away by removing alcohol. I want to be a positive influence on the world.

    If you want your spotlight to link to your website or any of your social media platforms, include the URLs here.
    https://www.authorjuliespencer.com/

    Filed Under: Member Spotlight Tagged With: alcohol, All's Fair in Love and Sports, Author, Christian fiction, Combustion, Julie Spencer, Latter-day Saint Publishing and Media Association, Law of Chastity, LDS, LDS author, LDS fiction, love story, media, romance, romance books, romance genre, romance novels, romance writer, Royal Family Saga, Twilight, writers, YA

    Member Spotlight: Karlene Browning!

    June 12, 2021 By Trina Boice Leave a Comment

    Karlene Browning lives in Pleasant Grove, Utah.

    What are some names of the books or other media you have created?

    As a typesetter, editor, and formatter, I’ve worked on many books over the years, including HE DID DELIVER ME FROM BONDAGE by Colleen C. Harrison, a best-selling LDS 12-step recovery book; PIECE OF SKY by Ann Hunter, a middle-grade fairy tale retelling; and many more. As I recently returned to the publishing scene, I’ve released OMEGA ALPHA and LIFE IN THE PIT by Kristen Landon, and LIFELIKE by Sheila A. Nielson (a 14th annual Whitney Award finalist).

    What inspired you to become a creator of media?

    Since I learned to read at age 4, I’ve been fascinated with stories. I love words, I love stories. I was about 12 when I realized that people wrote books, and thought, maybe, I could write one too! I haven’t published a novel yet, but I’m still thinking about it. In the meantime, I play with words and story every day—reading, editing, typesetting, formatting, design, and marketing. I love taking a manuscript and making it shine!

    What has been the highlight of your career so far?

    That’s like asking which is your favorite child! I am very proud of my work with Hearthaven Publishing, getting the message of recovery through Jesus Christ out to the Latter-day Saint community. Their first book, HE DID DELIVER ME FROM BONDAGE, has sold over 200,000 copies. Another huge highlight is my most recent release, LIFELIKE, which is a Whitney finalist! There was much jumping and screaming and exaltation when that was announced.

    What was the best advice you’ve ever been given in your creative journey?

    Don’t ever tell yourself you can’t do something because you don’t know how. We have Google now. You can always learn how to do something. The more you use a tool or skill, the better you become. Also, a recent piece of advice that I use daily: “When one can see no future, all one can do is the next right thing.” – Pabbie from Frozen II

    What advice do you have for someone just starting out in your field?

    If you want to do something, keep learning and keep practicing. Network with people you know. Don’t be afraid to tell friends and family what you’re doing. Your excitement for what you do will inspire them—and they’ll tell others. Word of mouth is one of the best ways to establish yourself as a professional in any field—it’s how I got (still get) 95% of my work.

    What keeps you inspired in your daily creative work?

    I can see the end of the project from the beginning, in all it’s shining glory. That view keeps me going.

    What would you like others to know about you or your creative process?

    Book people are my people. I can talk with them for hours about books, authors, and other book-related things. It’s networking with others who love books that keeps my creative process going.

    You can find tips on the creative process on my “About” page on my website at: https://inksplasher.com/meet-inksplasher/

    In what ways do you feel you have been able to be a voice for good in your creative pursuits?

    I love doing workshops and presentations about creating and publishing books. I love sharing what I’ve learned over the past 40 years and encouraging others to keep trying, celebrating their successes. Years ago, author Josi S. Kilpack told me that I was the best book cheerleader ever and that has remained one of my most treasured compliments.

    If you want your spotlight to link to your website or any of your social media platforms, include the URLs here.

    http://inksplasher.com/

    Filed Under: Member Spotlight Tagged With: book design, book formatting, books, editors, Hearthaven Publishing, Josi S. Kilpack, Karlene Browning, Latter-day Saint, Latter-day Saint Publishing and Media Association, LDS, LDSPMA, LDSPMA Member Spotlight, Lifelike, publisher, Sheila A. Nielson, typesetting, Whitney Award, writers

    7 Ways To Help Readers Discover Your Books

    May 12, 2021 By LDSPMA 1 Comment

    By Karlene Browning

    When you publish your first book, you aren’t just putting a story out there. You are launching a brand and an identity that will travel with you over the course of your writing career. If you do it right, it will help lead readers to you in a natural and organic fashion. If you do it wrong, it will confuse readers and they will get lost on their way to finding you.

    While each of these tips has its own set of pros and cons, whys and wherefores, rules, and reasons to break the rules, this tip list will help your readers find YOU when they’re looking for a good book to read.

    1. Pick your name

    As your brand, your name needs to be unique enough to differentiate you from other authors with similar names. Do a Google search. If you happen to share a name with another author or a famous person, consider adding an initial, using a middle name, or using a less common pen name.

    When a reader finds an author they like, they will Google the name on the cover of the book. You want them to find you online wherever you are. Whether you’re Jane Doe, Jane S. Doe, or Jane Smith Doe, that is your brand and you need to use it on every book cover and on all your online author accounts.

    2. Claim your name

    Before your name is set in stone, make sure you can get it as a .com, a Google ID and gmail address, and on the social media platforms you prefer. You want identifiable and consistent name branding across as many platforms as possible.

    Here again, Google is your friend. If the .com is taken, adjust your name until you find a variation that you’re comfortable with, then grab the URL and social media account names as fast as you can. Even if you aren’t quite ready to publish, get them NOW!

    3. Avoid too many pen names

    There are several valid and legitimate reasons for having multiple pen names. Just know that for each name, you start all over from scratch to build a brand and platform. You’ll need a website, social media accounts, and emails for each one. Is it worth it?

    In most cases, differentiating genres is not a good reason to create a new pen name. Readers usually find you through the genre they like best. If they like you, they will give your other genres a try. A good website will let them know what to expect in each genre.

    The only time it truly serves you to use a second (or third) name is if one area of writing would offend established readers or damage your reputation. For example, if you write both Middle Grade and soft porn, use a pen name. Or if you write academic papers on quantum physics and Regency Romance, use a pen name or your academic peers will snicker behind your back.

    4. Get a website

    You need an online presence with a permanent URL and an easily searchable website or blog. (Facebook and Twitter are add-ons, not adequate author sites.) Unless you know you are only going to write one book, your URL should be your name (see tips 1 & 2), not your book title. Not only will a website help people find you, but it gives them something to link to when they want to share your books with their friends.

    While you can start with a free site, I recommend a hosted domain as soon as possible. Free sites can change policies or close down at any time. At the very least, point that URL from tip #2 to your free blog, and use that URL on business cards and book bios.

    5. Post your books on your site

    You would think this is one of those “duh” statements, but you would be surprised at how many author sites and blogs I go to that have absolutely no mention of their books. At all.

    Somewhere on your site, you need a tab or button that says BOOKS. A simple list of each book and/or series in suggested reading order is the minimum. Ideally, each book would have its own page with a large cover image, title, release date, publisher, ISBN #, genre category, description, and links to where the books can be purchased. Keep this information current!

    6. You need an About Page

    Readers want to know who you are, not just what you write. A good website always has an About page with a photo, a short professional bio that bloggers and news media can use, and perhaps a longer bio just for fun. It also needs to include links to all of your active social media sites and a way to contact you.

    Your photo should be a nice image that will clearly identify you everywhere. Use this same image on your Amazon, GoodReads, Facebook, Twitter, and all profiles where you are acting as your author identity. Even if you’re camera shy, you can come up with something.

    This isn’t to say you can’t change it up sometimes or use more casual photos on social media. The goal is to have your readers recognize you, no matter where they find you.

    7. Email

    You MUST have a way for people to contact you. I can’t tell you how many times I’ve tried to reach an author for an interview, presentation, or tell them they’ve won an award, only to discover there is no way to contact them.

    As to the email address itself, no self-respecting author would use missfancypants@whatever.com. If at all possible, it should be your name as it appears on your books, JaneDoe@whatever.com.

    These seven simple tips will make it easier for readers, new and old, to find your newest releases.

    Karlene Browning is a publisher, editor, typesetter, and book designer at www.Inksplasher.com

    Filed Under: Articles, Marketing, Professional Skills, Publishing Tagged With: authors, book, book marketing, Karlene Browning, Latter-day Saint Publishing and Media Association, LDS, LDSPMA, social media tips, writers

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