LDSPMA

Empowering Latter-day Saints to spread light and truth by connecting them at the intersection of faith, creativity, and professional skill

Gospel Principles

Religious Freedom: The Cornerstone of a Creative’s Work

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When Elder Ronald A. Rasband called for Latter-day Saints to “champion the cause of religious freedom,” it hit me with a ton of bricks. His words are still ringing in my ears because his message from the April 2022 General Conference landed a direct upper cut to LDSPMA artists to understand the issue of religious liberty and then apply our unique talents and voices in defending this god-given precept.

Today’s War over Religious Freedom

Elder Rasband is close to the fire of this conflict and feels the heat of contentious groups who are not merely seeking balance or equality in the discussion of rights but demand complete eradication of anything religious that stands in their way of living hwoever they choose.

We see various forms of this classic battle for religious freedom every day in the news, such as the bully leader of one country imposing its might on a defenseless neighbor through violence and raw brutality. 

Contentious groups…demand complete eradication of anything religious that stands in the way of living however they choose.

In Africa, we see the agony of millions who languish for want of food and security as their tyrannical leaders strip the once verdant farms of their resources for their gluttonous living.

We learn about the restriction of religious rights in high school classrooms where teachers use their authority to publicly humiliate and deride any student whose convictions vary from theirs.

Then there are those who are denied employment or career advancement because of Sabbath day worship. And there are many more stories we seldom hear about.

As I connect the dots of my life, I see that my passion for this issue began shortly after my mission in the mid-70s. The first incident was subtle, but on that day, lightening struck twice and left a mark.

My Discovery

I was going about my business in the production of my father’s newspaper when a news report on the radio quoted a particular politician in a European country who was red-in-the-face angry because the powerful economic engine of the U.S. was putting his country at a disadvantage. He demanded legislation to level the playing field.

I dismissed it. His comment didn’t deserve any further anxiety on my part.

A few minutes later, another news report described how the government of this same country was alarmed by possible threats from a growing minority population and was imposing religious restrictions to enforce their conformity to the country’s traditions.

On the surface these reports seem to have little in common. But with time and experience, I’ve come to see that religious freedom and a robust, safe society are two ends of the same stick. Mess with one, and you mess with the other.

The powerful economic engine this politician craved on the one hand was being suppressed by legislation that limited the rights of the people to innovate and create and aspire on the other.

Soon a new appreciation for the First Amendment developed as I studied journalism in college. Beyond learning about dangling participles and misplaced modifiers, I developed a reverence for the power and purpose of the right to speak and worship and assemble without governmental infringement.

This very right gives power to the economic engine, the exchange of ideas, and a deeper spectrum of understanding from which to draw meaning.

Religious Freedom and the Plan of Happiness

I believe the power of religious freedom is the bedrock upon which a robust and peaceful society is built. I believe it is absolutely foundational for the gospel plan of happiness to excel.

I see that religious freedom is essential to living life in a meaningful and productive way. Perhaps that’s why Elder Rasband’s call in a sacred setting to champion religious freedom resonates with me.

I suspect most LDSPMA artists have this same bedrock belief, but sometimes in life we are like the fish who have swam in warm waters for so long that they’ve forgotten what a blessing it is.

“Most of us drink from waters of religious freedom without even knowing it,” said Elder Patrick Keaton of the Seventy in the Conference on Religious Freedom in 2015. “We drink freely from the waters of religious freedom not aware of the contamination in the tributaries.

“We think of it as a river that will always flow but may not recognize the risks that exist in the tributaries that feed the river.”

In that address, Elder Keaton said that it might appear that rights just happen and are perpetuated without thought or effort on our part.

“We cannot forget the extraordinary resolve that went into protecting our abundance,” he said.

W. Cole Durham, a BYU law professor and proponent of religious freedom, once state that the challenge of preserving religious liberties is a “crisis of apathy, … of gradual erosion, … a crisis of lost moorings.”

Religious freedom and a robust, safe society are two ends of the same stick.

This drift is subtle. It proceeds in small steps, preventing public opinion from galvanizing. So gradual is the loss of religious freedoms, it’s as if a social anesthesia is gently lulling us to sleep, explained Professor Durham.

Our Duty as Latter-day Saints

While addressing this issue in a recent 2022 Church History Symposium, Elder Gerrit W. Gong taught that principles of religious freedom are part of the Restoration’s rich history and Latter-day Saints have a special duty to speak on behalf of religious liberty for all groups.

We may think that influencing society is the job of someone else who has more money or power. But who better to answer Elder Rasband’s call that us? He told us that we have the power and tools and skills for the task at hand. It is our turn as spiritual creators to do our part.

So, what’s an LDSPMA creative to do?

Counsel from Church leaders suggest:

  • Become educated on the issues and get involved in our communities.
  • Engage in amiable conversations with those with differing viewpoints.
  • Prayerfully create content that strengthens faith.
  • Realize your unique voice and share your perspective with passion and honest respect for others.

We have the needed gifts and tools

Perhaps more than any other industry, Latter-day media professionals are equipped with the gift and tools to educate the masses. Seen through this lens, our creative work takes on new relevance and meaning.

Faith-filled content is the antidote to preserving faith, family, and country from dissonant voices bent on destabilizing and destroying. According to Elder D. Todd Christofferson of the Twelve, without religious freedom, other freedoms “wither and fade.”

Let us all keep his message ringing in our ears: “Religious liberty enables all to freely pursue truth and the meaning of life, and to live accordingly.”

Shaun Stahle

Shaun Stahle wanted to be an architect, but before he knew what was happening, he was graduating with a degree in journalism from BYU. Words and images have been his life ever since grabbing newspapers off his father’s little printing press at age five. Shaun’s lived a life rich in experience, writing for various weekly and daily newspapers, most notably the Church News section of the Deseret News for seventeen years, where he accompanied President Gordon B. Hinckley to visit members in the former Soviet Union. Now semi-retired, Shaun uses the power of words and images to heal and unite.

    Portrait of a Painter: The Journey of Latter-day Saint Artist Dan Wilson

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    Dan Wilson began drawing from the time he could pick up a pencil. “I doodled on everything,” he recounts. “My first sale was in 7th grade to one of my teachers. She had me draw John Wayne. I couldn’t believe she gave me $20. But I battled being an artist. I studied chiropractic, fire science, and business, but I always felt a tug to go back to art.”

    “Before graduation, Dan was all over the place,” said Heather, Dan’s wife of 13 years. “He couldn’t figure out what he wanted to do. I asked, ‘Why not art?’, but I never thought he would do it full time.” 

    Early Inspiration

    Born and raised in Salt Lake City, Utah, Dan graduated from Utah Valley University with a bachelor degree in fine arts. “My greatest mentors were Perry Stuart, a UVU art professor, and William Whittaker, who mentored me after college. I was inspired by Danish artist Carl Bloch and French artist William Bouguereau.”

    Dan is also inspired by his wife. “I wouldn’t be able to give it 100% if she wasn’t behind me,” he said. Dan first met Heather at Gold’s Gym. “I didn’t want to be that guy who gets her number at the gym,” he admitted, “then I ran into her at a dance two months later. The rest is history.” The couple has four boys and two girls ranging in age from two to eleven.

    Lightbulb Moment

    “I originally painted just to have a career. I did portrait art and wanted to get into galleries,” Dan said. “Then I painted my first image of Christ, and two families bought simple prints. One mother stopped me the next week at church, got emotional, and said, ‘You have no idea how much that image is uplifting us in our home.’ I thought, ‘That was really cool.’”

    The next week at the exact same spot, another woman stopped Dan. “She also got emotional and said, ‘I gave my print to my sister who’s trying to keep her family together. You have no idea how much it means to them and how much it’s helping.’ She said almost the exact same words. The lightbulb went off and I knew—I’m supposed to be painting for a reason, and that is to uplift people in their homes with images of Christ.”

    I’m supposed to be painting for a reason…

    “When Dan was deciding what he wanted to paint, he was up and down,” said Heather. “When he realized he wanted to paint the Savior, everything just fell into place.”

    Rigors of Aspiration

    But it hasn’t always been easy. To support his art career, Heather cleaned houses and Dan managed a freight forwarding business for FEDEX. “My first year I made $7,000 from my art,” he said, “but Heather never second-guessed the whole thing.” 

    In 2014, Dan started painting full time. “It’s not a normal nine-to-five job,” said Heather. “There’s no paid time off. His schedule varies. At six pm he may be in the middle of something he can’t leave. Sometimes he paints until midnight. But he’s a hard worker and takes on the responsibility of providing for the family. He constantly studies the work of other artists.”

    Inspiration is a Process

    Dan relies heavily on the power and process of inspiration. “If I’m painting the Savior for a temple, I just want to do Him justice. I’m intimidated every time,” he said. “I spend a lot of mental prep work getting ready to paint. I get a father’s blessing. I include it in my fast. Then I do the best painting I can with the Lord’s help.”

    Dan is quick to add that inspiration doesn’t come all at once. “I can take it only so far, and then I get stuck where I just don’t know what the best thing for the painting is. It’s then that I receive more answers.”

    Washington DC Temple Painting

    This process was repeatedly manifested in his largest work to date, “His Return,” a depiction of Christ’s Second Coming for the Washington DC Temple.

    Dan had already completed six paintings for temples of The Church of Jesus Christ of Latter-day Saints when he received a call from the Temple Department to do another: an eight-by-twelve-foot oil painting for the Washington DC Temple. It needed to be completed in time for the temple rededication in the summer of 2022.

    “This Second Coming piece was a big slice of humble pie. I ran into several things I didn’t know how to do,” said Dan. “I’ve never done a mural this size before with 300-plus angels. It stretched me. When I get overconfident and don’t rely on the spirit, I make a lot of mistakes I have to spend the next day fixing. It’s pretty easy to stay grounded when you realize you’re painting stuff you can’t paint by yourself. I learn something new each time.”

    “The temple department gave me the idea for the painting based on scripture, with the Savior coming in the clouds clothed in a red robe surrounded by numerous angels,” said Dan. “I produced preliminary sketches with graphite. When they were approved, I was asked to do a one-by-two-foot painting which the temple interior designer would use for their color palate. When that was approved, they let me loose.”

    Dan went to work finding models and clothing for them, creating concepts for the trumpets, and conducting numerous photoshoots before putting it all together. “I spent hundreds of hours in Photoshop just placing the angels so that they didn’t create a pattern and the diversity was not stacked in one section. I had about 30 models, but as you go further away from Christ the detail isn’t as apparent.” 

    God is in the very details of our work.

    There were more layers of approval for the painting, the last one being a member of the First Presidency of the Church. It took Dan an estimated 2,000 hours to paint “His Return”—a fourth of it in preparation alone. 

    Specific Revelation

    Dan’s original concept was for 120 angels. To give greater depth to the painting, the number grew to more than 300. “I painted one angel at a time,” he said. “It took one to three days per angel. All of them had slightly different contrasts. The hardest thing about painting 300 angels surrounding Christ is to have them not consume all the attention and to have them go back in space evenly and consistently. I was really stressed out about it, and I prayed and fasted a lot.”

    One morning Dan awoke early and visualized the use of a specific white glaze to apply in variation to make the angels complement and not compete with the image of the Savior. It gave them a glowing feel and helped them fit perfectly in atmospheric perspective. 

    “Such a specific revelation is a testimony to me that God is in the very details of our work. That doesn’t just apply to me as a Christian artist working on temple paintings, but it applies to anyone in any career. God is in the details of our work, and He can answer specific questions to help us be better providers, better employees, better employers, better husbands or wives, or wherever we need help. If we’re specific with Him, He’ll be specific with us.”

    Howard Collette

    Author Bio

    Howard Collett has two novels in production, Erika’s War, a spy novel set in contemporary Berlin, and Lost in the Wilderness, the tale of a 10-year-old girl lost in Utah’s Uinta mountains. He has published 1,600 articles and 300 photos in aviation, medicine, software, and education in national and international magazines. His capstone achievement documented life-saving humanitarian aid on four continents. Visit www.howardcollett.net for more information.

      Inspiration & Service in the Creative Process

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      Some years ago, I became friends with a man who was a Biblical scholar and a prominent Protestant minister. For several months we discussed the gospel. He agreed with almost every key doctrine and accepted my invitation to meet with our missionaries. When the day arrived, the elders did their best to look relaxed but were obviously intimidated. Then my friend said, “Elders before you begin, I want you to know everything you are going to tell me, I already believe!” With an almost audible sigh of relief, the elders proceeded with confidence.

      Serve God by Serving Others

      Although my friend did not join the Church, my experience with him was profound. In one of the missionary sessions, he picked up his Book of Mormon and read aloud King Benjamin’s words, “And behold I tell you these things that ye may learn wisdom; that ye may learn that when ye are in the service of your fellow beings you are only in the service of your God” (Mosiah 2:17). He explained that to view helping our fellowman as a literal and direct service to the Savior was a fundamental principle among early Christians. Over time, this understanding was lost. Today, too many professed Christians fail to actively practice that belief. That this truth is stated so clearly in The Book of Mormon affected my friend deeply.

      Years ago, he corresponded with Mother Teresa of India. She and her co-workers would regularly visit a muddy, smelly field at night. They would stand in a line holding hands and stretch out so they could barely touch one another’s fingers. Then they would drop their hands and slowly walk forward—listening carefully for the sound of a baby—a baby thrown away by its mother. Once they’d hear the cry, they’d dig through the muck and rescue the child.

      To view helping our fellowman as a literal and direct service to the Savior was a fundamental principle among early Christians.

      This saintly woman walked through the sea of humanity flooding the streets of Calcutta, searching for those who were dying. Her workers carried them back to her home to wash and feed them. She would sit with a stranger’s head upon her lap for hours to give comfort and consolation in his or her last moments of life.

      My friend wrote Mother Teresa a letter asking how she could do this day after day. How could she continuously serve under such horrible, revolting circumstances? Her reply simply stated, “Dear Pastor, don’t you understand? When I am holding a baby covered with slime or a ragged beggar’s head in my lap, I am holding Jesus Christ.” Mother Teresa lived what King Benjamin taught. She followed his direction to “take upon you the name of Christ. . . .  (and) remember to retain the name written always in your hearts” (Mosiah 5:8,12; Emphasis added).

      Create in the Name of the Savior

      What does this have to do with the creative process? After all, there are practical guidelines to help us be effective writers, musicians, artists or any creative endeavor with which we are involved. Who hasn’t heard these principles for success before? Study what others who are successful have done. Get tutored by experts. Be open to honest critique. Practice, practice, practice. Don’t quit! Etc. Etc.

      Mastering technique, however, is not the same as creating something meaningful or life-changing. If our desire is to do that, King Benjamin and Mother Teresa’s perspectives and examples regarding our relationship with the Savior is key.

      The Apostle Paul said this in his letter to the Colossians, “And whatsoever ye do in word or deed, do all in the name of the Lord Jesus” (Colossians 3:17; Emphasis added). As members of The Church of Jesus Christ of Latter-day Saints and as creators, ALL should include the art we create, the novels we write, the music we compose, and so forth.

      Receiving & Recognizing Inspiration

      I strive to consider all my efforts as opportunities to magnify Jesus Christ. When I write, I want to bring about His purposes. I try to remember to do it in His name. Admittedly, I lack consistency here, but when I do this, it opens the door for inspiration. My writing becomes more meaningful…because it isn’t just me creating!

      How does God’s inspiration come? In my experience, the timing and process vary significantly. Usually, it is a slow, imperceptible flow of ideas, though at times I might have a eureka moment. Often, I simply remember something I’ve read, heard, or experienced that is relevant to what I am trying to convey. Either way, we must seek inspiration if we are to receive and recognize it. We should follow Paul’s admonition and do what we do in the name of the Savior. Then we need to listen and humbly receive that gift with gratitude.

      We must seek inspiration if we are to receive and recognize it.

      As creators seeking inspiration, we can apply God’s guidance from Doctrine and Covenants: We “must study it out in (our) mind.” Then “if it is right, (the Spirit) will cause that” we will “feel that it is right” (See D&C 9:8; Emphasis added). As we feel it is right, we are given means to convey that feeling and spirit to those who read, see, or hear what we produce.

      Through this process, we are as blessed as those whom we seek to bless. When we strive to uplift those who experience our work, and when we do what we do in the name of Jesus Christ, we become more like Him. As covenant-keeping creators, that is our eternal quest.

      Steve Dunn Hanson

      Steve Dunn Hanson is the author of several books, including inspirational and adventure fiction and self-help non-fiction, which have been traditionally published and self-published. In addition, he has had articles published in The Ensign, and writes poetry and hymns. He and his wife, Joyce currently live on a scenic hill in northeast Washington.

      Visit Steve Dunn Hanson at https://stevedunnhanson.com/

        Called to Create: Interview with New Host Connie Sokol

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        I am excited to introduce the new host of LDSPMA’s podcast Called to Create, Connie Sokol. Connie is a bestselling author, a national speaker, a media personality, and a program founder. She is a regular contributor on the top-rated lifestyle show Studio Five with Brooke Walker. She hosts Disciple Thought Leaders Retreats which teach women how to be influential writers, speakers, and media personalities. She is also the mother of seven.

        —-

        RACHELLE: The podcast’s name is Called to Create. Can you tell us what that means?

        CONNIE: Yes, we chose the title Called to Create because it resonates with creative people. There was discussion and prayer about what it could be that would reach the audience, which includes speakers, writers, musicians, publishers, and people trying to express the gospel through creative abilities. 

        RACHELLE: You definitely nailed the title. How did you get into media?

        CONNIE: I feel like Heavenly Father has plugged me in and out of experiences. I started speaking for the Church Education System. I was doing Education Week and Especially for Youth. One thing led to another, and I started doing professional speaking on the side. I had seven kids, so I would do a little bit at a time. 

        Then Bonneville Communications KSL approached me and asked me to be a host of a women’s radio show. You know that phrase, “Start as you mean to go on”? That was poignant for me. I was going to have another baby, and I said, “I cannot do every day from three to six, but I can give you two days a week from noon to three, because I’m a mom.” 

        They ended up having three hosts do one schedule for the week so we could all put our families first. And it was beautiful. The radio show kicked this off for me in a big way, and then I was invited to do TV with Brooke Walker. I’ve been doing that for 16 years now. I sort of fell into it, but I was looking for opportunities for the Lord to use me.

        It’s not a talk at you podcast. It’s very much like you’re sitting at the kitchen table enjoying a conversation with people who are extraordinary.

        RACHELLE: You’re a best-selling award-winning author, you’ve written 18 books, you do TV and podcasting, and you’re a media personality. How does that impact your ability to interview the guests on Called to Create? 

        CONNIE: I see profoundly how Heavenly Father has placed me in different situations so that when I’m interviewing these guests—like Lisa Valentine Clark, Al Carraway, The Jets—I’m able to connect. I understand what it takes to publish a book. I’ve done traditional publishing and self-publishing. I’ve had an agent. I have all these different experiences that the Lord has plugged me in and out of, just enough to be able to connect. 

        That’s one of the things I love about this podcast. It’s not a talk at you podcast. It’s very much like you’re sitting at the kitchen table enjoying a conversation with people who are extraordinary. They’re showing us by their process how they made it happen. My experience really helps me to go deep, fast. Through shared experiences we can laugh and learn together and have juicy, enriching conversations.

        RACHELLE: We are lucky to have you. Tell us how you connected with LDSPMA?

        CONNIE: Well, I’ve had my own podcast. We’re coming up on 180 episodes, and it’s been great. I’ve had wonderful guests on there, like New York Times bestselling authors. Then at the beginning of last year, I had this feeling like I needed to do more with my podcast. But it was already going well, and I didn’t understand what it meant. 

        A few months later, the thought of LDSPMA resonated, and I was like, I wonder if they have a podcast? When I asked, it just so happened that their original host, who had done a great job, was leaving and they were looking for a new host. 

        I contacted them and we immediately connected. We had the same vision, of getting this out and increasing the reach, and it’s been incredible already. We put 14 episodes in the can within two and a half months. It was unbelievable. The miracles fell into place.

        RACHELLE: Can you tell us what’s your favorite part of the podcast process?

        CONNIE: We have a beautiful team, and we laugh, and we have all these incredibly talented volunteers. We’re all volunteers. We’re just doing this for Him. So that’s a really fun piece. 

        But I think the guests have been incredible—the things that they’ve shared from their heart, the way they’ve shared the gospel in unexpected ways. I’m interviewing The Jets, and they’re talking about a Book of Mormon with Boy George; and then Al Caraway and how when she first came on the scene she was so passionate about the gospel, and then people just shredded her, and she really had to get tight with Heavenly Father. Moments like that where one minute you’re laughing, and one minute you’re crying. 

        It’s just the most wonderful experience and blessing to peek into the lives of these amazing people, and I am bettered by every single interview that I have done.

        If you have felt called to share His message through your creative abilities, this is the podcast for you.

        RACHELLE: What will audience members get from listening to this podcast?

        CONNIE: So much. I think tools might be your biggest surprise. We make sure they give takeaways so that you’ll come away with something every podcast to help on your creative journey. What are some of the how-tos? How did they get started in the speaking business? When you hear a show tool, you will just be blown away. You will want to jump out of your chair and become a speaker.

        But it’s these tools, these takeaways, these tips that you can start putting into your life regardless of what genre you’re in. You can apply them and start seeing the difference. You’re going to get great stuff.

        RACHELLE: For people who don’t listen to many podcasts or don’t think they have the time, what would be a reason to check this one out?

        CONNIE: Because it will impact your life. If you have felt called to share His message through your creative abilities, this is the podcast for you, even if you don’t listen to any other podcast. If you have felt a rumble, if you felt called to speak or write a book, or to do something in social media, or to be a musician or an artist or whatever, this will help you on your creative journey for Him. 

        This is all about: How do we apply the gospel? How do we navigate the intersection of faith, creativity, and professional skill? How do we make those hard choices that keep us on the straight and narrow to do what we came here to do? That’s the difference in this podcast. It is part devotional, part scripture, part life experience, part kitchen table chat. You’re getting all the things in one podcast.

        RACHELLE: Connie, what is one thing that you feel Called to Create?

        CONNIE: As you know, I help women with the Disciple Thought Leadership Retreats to do this very thing, so they can get in and make it happen. But beyond that and my family, it’s this podcast. 

        I really do feel “called to create” with this wonderful team. We feel so strongly about Elder Bednar’s invitation to sweep the earth as with a flood on media, particularly social media. 

        We yearn to help every person who feels called to be able to get their message out, to be distinct and different and articulate, to have the tools and the inspiration. And when they’re like, “I’m so done,” like in Alma when they talk about “when our hearts were depressed and we were ready to turn back,” right? They listen to this podcast, they listen to an episode, and they’ll be like, I can do this. I can keep going. I get what He wants me to do, and I’ll just take the next right step. That’s what we hope.

        —-

        Fabulous. I love that. This is such a treat. I am really glad that we got to know Connie Sokol a little bit better today. We are so fortunate to have her, I am so excited for the podcast this new season, so everybody listen in. We have a lot of great information in store for you.

        Author Profile

        Rachelle J. Christensen is the award-winning author of over 20 books, a mother of 5, and organizer of 75+ chickens raised annually by her family. Rachelle enjoys online marketing and harnessing the power of social media. She has worked with a multi-million dollar worldwide company, publishers, and dozens of authors, including New York Times bestseller David Farland and celebrity Merrill Osmond.

        Rachelle carves out writing time in between home-schooling kids and her work as a writing and marketing coach for authors. She graduated cum laude from Utah State University with a degree in Psychology and a minor in Music.

          Sometimes Things Do Work Out

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          By Steve Dunn Hanson

          I first met Bill in 1987. He was a regional representative for The Church of Jesus Christ of Latter-day Saints and was visiting our stake in Orange County, California where I served as a counselor in the stake presidency. To this day, I can’t tell you why there was almost instant bonding between us, as he was over 20 years my senior. Maybe it was because we both loved to write. In any case, virtually from the git-go we traded writings. Mine, fiction and self-help articles. His, memoirs and personal history. And what a history! From a boy of small stature with a horrific stuttering problem and son of a coal-dust-eating railroad engineer, to a man known throughout the world for his accomplishments and contributions.

          I got the best of the bargain in our exchanges. Bill was not only the consummate “Martha” with his practicality and I’ll-figure-out-how-to-do-it genius, but he was a spiritual, poetic “Mary” as well, an extraordinary hybrid whose writing skill dwarfed my own.

          An Act of Kindness

          One of his stories was particularly poignant. As a boy, Bill lived in Provo, Utah, and his diminutive size and severe stuttering problem contributed to his painfully shy disposition. He was always the last one chosen for a team—if chosen at all—and was the subject of constant derision from many of his peers. He was maybe eight or nine-years-of-age when his grade school teacher gave the children an assignment to write an essay and then read the essay in front of the class.

          Bill’s turn came, and he fearfully stood, knowing what would happen next. His stuttering was so overwhelming that he didn’t get more than a few words out before he stopped. Embarrassed to tears, he started to take his seat when the teacher told him to stay where he was. “You will finish, Bill,” she said. She probably meant well, thinking that forcing Bill to go through this would help him overcome his stuttering. For Bill, though, his teacher’s act bordered on cruel.

          For the longest time, Bill just stood there. Then a remarkable thing happened. One of his classmates, a young girl by the name of Millie, who was sitting on the front row, reached out her hand, took his, then smiled up at him. That simple act of support calmed and strengthened him, and he finished his reading.

          That simple act of support calmed and strengthened him.

          Making Connections

          Such were the Bill Gould stories he shared with me, and for the next few years, we kept in close touch. Bill’s wife, Erlyn, was a beautiful woman. How he idolized her and cared for her. She was a cancer victim and graciously and courageously struggled to stay afloat. She passed away in 1992, and it was as though a chunk of Bill died with her. For the next nearly two years it seemed as though Bill just disappeared, and I had little contact with him.

          Then one day when my wife and I were in the Los Angeles Temple, I saw him. And he was not alone! When he saw me, his face turned total smile, and he pulled the woman he was with close to him. “Steve, do you remember one of my stories about a girl named Millie who held my hand to help me get through an agonizing ordeal when I was a boy?”

          “Yes!” I answered. “Who could forget that story!”

          Bill’s smile got wider. “This is Millie. Millie Gould now. We were married last week.”

          My turn to smile!

          Bill then talked about his funk when his wife, Erlyn, died. He was in an I’m-going-no-where morass, and he finally determined to get out of it. His plan was straight Bill Gould. He reviewed his life to determine those who had given him grace, who had made all the difference for him at critical times. Then one-by-one he sought them out to tell them thank you and to now impart his own grace to them to the extent he could.

          While this was happening, Bill’s daughter, who lived in Provo, was talking to her neighbor, a widow, about her dad. She explained how difficult his life was since his wife’s death and what he was now doing. When the neighbor heard that his last name was Gould, she asked what his first name was.

          “William,” Bill’s daughter replied.

          “Billy Gould?” the neighbor asked surprised. “As a boy, did he go to school in Provo by any chance?”

          The daughter nodded, and her neighbor, Millie, grinned. “Billy Gould and I were classmates in grade school.”

          Bill’s daughter told him who her neighbor was, and Bill put her on his thank you list to contact. The rest, as they say, is history.

          We Must Act for Ourselves

          Sometimes, things do work out, but I think things can just about always work out, but I believe it is our choice. I don’t mean in a Pollyannish kind of way, or that the results will always be what we initially desired. Rather, we can choose how any situation or circumstance we find ourselves in will ultimately affect us. We can literally shape the results of all our experiences. I believe that’s what Lehi meant when he said, “…The Lord God gave unto man that he should act for himself. … They have become free forever, …to act for themselves and not to be acted upon” (See 2 Nephi 2:16,26 emphasis added).

          Things can just about always work out, but I believe it is our choice.

          For a long time, my friend Bill was in a funk because of his wife’s death. Who wouldn’t be? But he was being acted upon. He let his circumstance dictate his mood. It controlled him. He was not free. Then he chose to be grateful. Instead of looking at his wife’s death as an emotional and debilitating black hole, he made her life a symbol of his gratitude. A catalyst for him to act. And, as I said, the rest is history.

          Bill’s experience and example has been an inspiration to me in my writing and in my life. While rejection, writer’s block, and a zillion other things can be gut-punches, I’m finding I can choose to turn the experience: To learn from it. To be a better writer. To be a better person. To make my experience a positive one for me. Granted, how it works out is not usually what I thought or hoped it would be. But because I choose to act, it becomes a blessing. Hopefully, it can for you too.

          Steve Dunn Hanson

          Steve Dunn Hanson is the author of several books, including inspirational and adventure fiction and self-help non-fiction, which have been traditionally published and self-published. In addition, he has had articles published in The Ensign, and writes poetry and hymns. He and his wife, Joyce currently live on a scenic hill in northeast Washington.

          Visit Steve Dunn Hanson at https://stevedunnhanson.com/

            Presenting Moral Themes for a Secular Audience

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            By Emma Heggem

            Most of us don’t work within an entirely Latter-day Saint community. Many of us work with audiences, co-creaters, gatekeepers, and financial backers who are not of our faith. Sometimes,  in the secular publishing community, it feels like we have to pack our beliefs away during professional moments and save them for personal time. But that approach is never truly possible. Some of our beliefs may be easily removed from our creations, like letting characters drink coffee or swear. On the other hand, some of our beliefs are so deeply rooted that we don’t even realize they show up in our work. We may accidentally include topics such as what makes a good leader, whether people are primarily good, or if good is capable of overcoming evil. Sometimes these influences will be subtle and readers won’t consciously notice them. Other times, these beliefs become an active participant in the plot in the form of a theme. 

            When our beliefs become a theme in our fiction novels, we can still make books that can be published and appreciated by general readership. We just need to make sure we are making these ideas palatable for readers who are not of our faith by handling the theme with honesty and complexity. 

            Explore Your Theme

            When tackling a belief that some of your readers may disagree with, you can’t present a singular and unequivocal answer. For example, in a book with a theme about lying, stating that lying is bad is not going to be convincing. An author can touch their readers much more deeply by exploring the pros and cons of lying. For readers who do not already agree that lying is bad, this exploration—as opposed to explanation—will allow them to inform their own decisions rather than feel as though they are being force-fed your answers.

            Posing your theme as a question can help you make sure that you are exploring both sides of the issue in your book, though not all questions are going to lead to true exploration of a theme. For example, the question “Are serial killers bad?” is likely going to provide a single and fairly predictable answer. I think you’ll be hard pressed to find situations that do anything but show serial killers being bad and will have an even harder time convincing readers that there is any confusion over the answer.

            A better theme might be “Are sociopaths destined to be evil?” as the book I am not a Serial Killer by Dan Wells asked. While related to the topic of serial killers, it is a question that readers had not previously considered, and the book’s main character was determined to prove that sociopaths didn’t have to be serial killers. People were interested in seeing if that answer could hold up.

            Another option, if you don’t want to try to convince people of an unlikely (but possible) answer to an obvious question, is to present one answer out of many. This is the case for the question “Is lying always bad?” Many people will have different answers to that question, and your book can explore several of those answers and which might be right in various circumstances.

            Proposing a Natural Theme

            In order to explore a theme, you need to match it to the right story. The events of your story should naturally lend themselves towards questions and conflicts over the topic. A story about the morality of war will need a war. A story about honesty will need secrets and lies. A story about repentance will need a main character who has made a terrible mistake or who has suffered from someone else’s sins.

            Themes should also match the story in tone. A kids’ book about unicorns would likely not be the right place for a plotline focused on the murky, gray areas of life. An adult novel about deadly political conspiracy would probably fail to carry a theme about the importance of friendship.

            Sympathize with Multiple Sides

            As your story develops and the theme becomes relevant to the plot events, your characters will begin to be affected. They may deal with the fallout of other people’s decisions, or they may make their own decisions and have to deal with the consequences. As this happens, the characters may begin to have opinions or even dialogue about the “answer” to the theme question. 

            No matter what you feel is the “correct answer”, your characters need to come to their own conclusions. A good example of this can be found at the end of the film Doctor Strange. (If you haven’t seen it, the climax is a fight with a demon who was summoned from a realm of destruction by magicians who want to use his powers for their own means. The hero, Doctor Strange, chooses to use forbidden magic of his own to fight the demon.) The overarching question in this movie is: “Can dangerous magic be used for good, or will it always cause destruction?” Doctor Strange and his friend both enter the climax to stop the demon, but they leave the fight with very different conclusions about the overarching question. 

            No matter what you feel is the ‘correct answer,’ your characters need to come to their own conclusions.

            In the end, Doctor Strange believes that forbidden magic could be used for good because he has just saved the world with it. This ties in with his arrogance, which is an important personality trait for him throughout the story. 

            On the other hand, his friend leaves the movie with the opinion that using forbidden magic is what brought the demon to their world in the first place, so not using forbidden magic, or maybe even any magic at all, is the safest course of action. This lines up with his own established personality as a man who believes rigidly in rules. He also has recently learned that someone very important to him has been lying to him. This betrayal breaks his trust in people, and that carries over into his trust in Doctor Strange’s use of dangerous magic. 

            In your own stories, the line between characters who believe in the “correct answer” and the “wrong answer” should not one hundred percent follow the line of “good guys” and “bad guys.” Their backgrounds, personalities, and experiences may lead them to come to different conclusions from you and from each other. Always treat the differing opinions as valid and intelligent. If the only proponents of the “wrong answer” are misguided idiots or actual evil people, you will lose your readers and come across as preachy.

            Proposing an Answer

            When writing a story with a theme, you may frame your plotline around a specific answer, or you may keep it more open-ended and leave readers thoughtful about the topic. If you choose to provide a single answer at the end, you’ll have to be careful to do so gently and without invalidating the individual characters’ beliefs. 

            Have you ever watched one of those twenty-minute kids’ shows where, at the end of the episode, the main characters say, “And that’s why we always tell the truth,” and everyone nods sagely. Yeah, me too. And it wasn’t at all that convincing. Instead, it usually made me want to laugh. And possibly start lying ridiculously. 

            The reason this drove me nuts was because the idea is unbelievable. When was the last time that you got caught having lied to a friend, and they said, “Wow, now I see. I’m never going to lie again.” Never? Me neither. 

            In this example, the character who lied and the character who was lied to are going to have different experiences in the same scene. This may lead to different conclusions and reactions. The liar may feel as though the truth coming out was what got them in trouble, while the character who was lied to feels that the lie itself was the problem. Despite these differing beliefs, you can still have the plot demonstrate a clear answer. When the main character makes a correct decision, the plot should move forward. They should conquer an obstacle and make progress towards their final goal. Likewise, when the main character makes an incorrect decision, the plot should stall, their progress should fail, and negative consequences should occur. This pattern of being punished and rewarded by the plot will leave readers seeing how the “correct answer” is useful, and the “wrong answer” causes problems. Individual characters may believe or react differently, but the overall plot will still clearly send the message. 

            Using a Theme to Share our Faith

            Writing is a deeply personal art form, but we don’t need to hide our religious beliefs to write books for nonmembers. Including complex and nuanced themes will leave room for our beliefs in our books while still creating a story that people from any background can enjoy.

            Author Bio

            Emma Heggem specializes in content editing sci-fi and fantasy novels. She has worked with authors from around the world to prepare their manuscripts for publication. When she’s not editing, she loves to attend writers conferences to give critiques and demystify the publishing industry. She also runs an editing advice blog (www.editsbyemma.com). Emma graduated from Brigham Young University with a degree in English language and a minor in editing.

            Why Fiction Is as Precious to God as Nonfiction

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            By Nicole Bay

            When I first began writing, I dabbled in YA fantasy, early readers, middle grade fiction, and picture books. I loved all these genres and the worlds I had created, but after a while, I started to wonder if I was spending my creative time wisely. I wondered if, rather than writing fantastical fiction, I ought to be researching and writing family history stories or writing nonfiction related to the gospel of Jesus Christ or the Restoration of the Church. I started questioning the value of what I was writing and the wisdom of taking time to write fiction that might be better spent using my talents to build the kingdom of God.

            I thought about it, worried about it, and prayed about it. My prayers were answered in several ways over the course of a few years.

            The Desire to Create Is God-Given

            In the October 2008 General Conference, President Dieter F. Uchtdorf shared an important thing we can do to feel God’s happiness—we can create. “The desire to create is one of the deepest yearnings of the human soul,” he said. He emphasized that as children of a creator, we have a desire to be like Him, to create something that did not exist before. This is something I have felt. Ever since I was little, I have known there was an artist inside me. I took classes and participated in activities that allowed me to learn principles of drawing, writing, sewing, and acting, and I basked in the inner glow that creating provided me. 

            The desire to create is one of the deepest yearnings of the human soul.

            Dieter F. Uchtdorf

            President Uchtdorf continued, “Creation brings deep satisfaction and fulfillment.” Even when I struggle to get just one sentence on the page, I feel better for having taken time to work on my art. And nothing beats the floating-on-clouds feeling of being able to type the words “The End” when I finish a draft of a new story. 

            Taking time to be creative has more benefits than just feeling good. President Uchtdorf added, “We develop ourselves and others when we take unorganized matter into our hands and mold it into something of beauty.” Over time I have realized that development of self and others isn’t just referring to the development of talents. This development is all about the sometimes life-changing effects our work can have on us and those who experience our art. Both parties can learn. Both can grow spiritually, intellectually, emotionally, and socially. And both can discover truth through art.

            “Out of the Best Books” Includes Fiction

            The Lord commands us to seek words of wisdom out of the best books so we can teach each other and strengthen each other’s faith (DC 88:118). Of course, He is referring largely to the standard works and inspired writings of members of the Church. The truths found here are the most important truths to develop a testimony of. 

            But there are also many, many other works that can build our faith and lead people to be better for having read or experienced them. As an avid reader growing up, I was touched by fiction and nonfiction stories of heroism, triumphing over trials, clever thinking, kindness, and forgiveness. I will not soon forget the moving themes woven throughout my favorite books of sacrifice and redemption, good versus evil, the power of love, or the huge effect that one person choosing to stand up for what is right can have on the world. And if those stories can resonate so strongly with me, might I not also be able to tell a story that inspires someone else?

            If fiction stories can resonate so strongly with me, might I not also be able to tell a story that inspires someone else?

            I hope so. Because I believe that the best books can do just that.

            God Cares about Your Creative Gifts

            I’m grateful for a commandment to seek out the best gifts and to develop my talents (D&C 46:7–33). My desire to create is a way that I can enrich my own life and bless the lives of others. 

            And because this is a gift that is important to me, it’s important to the Lord as well. Amulek advised us, “Cry unto him over the crops of your fields, that ye may prosper in them. Cry over the flocks of your fields, that they may increase” (Alma 34:24–25). Whether creating art is my hobby or my living, the Lord wants to bless me in my efforts, so I can pray for that guidance, and my work will be better for it. 

            Any Genre Can Be a Conduit of Light

            When Christ exhorted His listeners, “Let your light so shine before men, that they may see your good works, and glorify your Father which is in heaven” (Matt. 5:16), I believe He was talking about letting our testimonies shine through our actions and work. And that includes our creative work. My writing, whether nonfiction, fantasy, or humor, is a conduit for my testimony.

            I’m thankful for the divine desire to create, for the understanding that all can learn from the best books, for the knowledge that God wants to support me in my work, and for the calling to share my light through my work.

            Nicole Bay teaches linguistics and English language courses at BYU. She is also the Internships Coordinator for the Linguistics Department. She loves to write for children, especially when she can include fun facts about language and linguistics in the story. She spends her non-work time gaming with her family, reading, writing, doing New York Times crosswords, and volunteering for writing conferences. She currently serves as LDSPMA’s director of education.

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            The Other Christmas Miracle

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            By Robert Starling

            On a certain night every year all over the earth, millions of families gather together and share a two-thousand-year-old story, of how a baby was born in a humble stable who would become the long-awaited Messiah of Israel, and save the entire world from sin and error.

            To non-believers, it is an incredible tale of angels appearing like UFO’s to frightened shepherds in the Middle East, as they were camping out in the hills tending their flocks.  According to the story, there were also wise and pious men in a far country to the east of Bethlehem who saw a bright new star in the sky, announcing the birth of the Christ child and fulfilling ancient prophesies. Like the shepherds, they would undertake a journey to go and worship the baby boy. Who these men were, where they were from, and how many were in their party is not known. It is a well-known but little-understood mystery of the Christmas season.

            But there was another amazing and wondrous celestial event that took place on that fateful night, in an even more distant land a world away. And with that heavenly sign of his coming, the child Jesus, by his very birth, prevented the kind of horrific slaughter of innocents that took place at the hands of Herod in Bethlehem about two years later.  This was the “other” Christmas miracle.  How did it happen?

            The Other Christmas Miracle

            As millions of believers throughout the world are aware, yet few celebrate, another wise and holy man named Samuel had come preaching on a distant continent among the people whom Jesus later referred to as his “other sheep.” Samuel had prophesied that a savior would be born in about five years’ time and that the sign of his coming would be not only a new star in the heavens, but that in that land there would be a day, a night, and a day without darkness.

            There were many who believed the words of Samuel and looked forward to these heavenly signs, but they were scoffed at and ridiculed by the rich and powerful. As the five-year deadline approached, the intolerance and persecution intensified, until at last the rulers proclaimed that if the new star did not appear, and the night without darkness did not occur by a certain date, those who would not deny their strange beliefs would be put to death. Like the many Christians who later suffered martyrdom in the coliseums of Rome, these believers were ready to lay down their lives in their commitment to their faith.

            But the sign did come. As the sun began to set on that fateful day, there was no darkness.  In all that night, it was light in their land as though it was mid-day. The faithful were spared, and many more were converted. The celestial signs of the birth of Christ had indeed brought about “peace on earth,” at least in that land, and at least for a short time.

            That’s a beautiful story, but how could it be true? In today’s world of scientific facts and hard reality, how could any reasonable and intelligent person believe such a fable? Is there any evidence that such a thing can really happen?

            Actually . . .   For centuries Christian and non-Christian astronomers have speculated on what might have been a reasonable explanation of the so-called “Star of Bethlehem.”  Some have postulated that a supernova explosion in a distant galaxy might account for a “new star” in the heavens. Others have calculated a rare alignment of planets that could have created an extraordinary light in the night sky. In fact, on December 21, 2020, a spectacular conjunction of Jupiter and Saturn occurred that hasn’t been visible for almost 800 years. It was covered on major news networks and brought people out of their homes all over the world with their binoculars and telescopes to scan the evening sky.

            But what about a night without darkness?  Has that ever happened before?  Wouldn’t a person be deluded and crazy to believe in something like that?

            A candle in the dark. For the Nephites, light when it should have been dark was the other Christmas miracle.
            Scientific Signs in the Heavens

            Actually . . .  In a September 2003 conference of the Book of Mormon Archaeological Forum (BMAF), John Tvedtnes presented a paper called “Book of Mormon Hits,” in which he provided several scientific possibilities based on historical events:

            • Glowing night fogs have been observed in various places. The cause is unknown although it is thought that it might be electrical in nature. The phenomenon was first described in 1982 by meteorologist William R. Corliss.  One such luminous fog extended from Africa to Sweden and throughout North and South America.   Another happened in 1783 in the Alps, and another in Western Europe in August 1821.  An 1831 glowing night fog was observed almost world-wide. Corliss concludes that “nights were so bright that the smallest print could be read at midnight.”
            • There is also something that is called “earthquake luminosity.”  On 9 December 1731, following an earthquake in Florence, Italy, luminous clouds appeared over England.  Similar things have happened in places like France and South America. In fact, it is very common in South America where it is called the “Andes glow.”  Sometimes it follows the mountain ridges for as much as 300 miles in length.
            • In 1908 there was a period of time during which there were some very, very bright skies when an object burned up in the atmosphere and exploded over the Tunguska region of Siberia.  Most scientists now believe it was a comet or asteroid.  People in Scotland reported that in rooms facing north, objects cast shadows at night. In London, it was possible to read the small print in the London Times at midnight.  It was possible to read the large print indoors at 1:30 a.m. The room was as light as if it had been the day.”  Photographs were taken by this natural light at 1:00 a.m. at Stockholm, Sweden, and also at Novorzhev, Russia.

            A Cornell University research paper published by the American Geophysical Union in 2009 explores the 1908 “Tunguska Event” in greater detail, and attributes the “nights without darkness” to ice crystals in the upper atmosphere similar to those caused by frozen water vapor from the Space Shuttle exhaust plume.  This “noctilucent cloud phenomenon” (the scientific term) was observed for days after the space shuttle Endeavour (STS-118) launched on Aug. 8, 2007. Similar cloud formations had been observed following launches in 1997 and 2003.

            Whatever caused it to happen, and however widespread it was, the “night without darkness” came at the precise time prophesied by Samuel.  And this “other Christmas miracle” physically saved the lives of believing Nephites on that holy night so long ago, just as we are saved by trusting in Christ in our crazy world today.

            Merry Christmas.

            Robert Starling is a creative consultant for Book of Mormon Central  (www.bookofmormoncentral.org). He has been a writer and producer for the NBC Television Network, and at Schick Sunn Classic Pictures, Osmond Productions, and the media production department of The Church of Jesus Christ of Latter-day Saints.  His recent book “A Case for Latter-day Christianity” is available in many bookstores, on Barnes and Noble, and on Amazon.com in printed and e-book versions. He lives in Riverton, Utah with his wife Sharon. They have four adult children and eleven grandchildren.

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