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Faith & Mindset

Cussing & Creating: 3 Reasons Why You Shouldn’t (& Should!) Use Profanities in Your Writing

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By Lizzy Pingry   

During World War II, American soldier Audie Murphy earned a total of twenty-eight medals, including two from France and one from Belgium, making him the most decorated soldier in American history. His story was so extraordinary that in 1955, it was sensationalized in a film that Murphy himself starred in. To Hell and Back is his biography, and at one point, it shows the death of Murphy’s best friend, Lattie Tipton (named “Brandon” in the film). The scene was understandably difficult for Murphy, as Brandon is shot, looks at him from a distance, and falls down dead. However, this scene as depicted in the movie is not what really happened. Murphy stated, “When we shot the scene, we changed the part where Brandon died in my arms. That was the way it had really happened, but it looked too corny, they said. I guess it did.” 

This highly decorated soldier had to relive one of his worst days, and a director or writer looked him in the eye and told him that the truth “looked too corny,” and the concept of that situation is just as shocking as the death itself. When writers censor or change the truth of a situation because it makes them uncomfortable or because it may be unpopular, they risk invalidating the truth, especially in nonfiction. Latter-day Saint authors have to grapple with the concept of censorship when trying to decide whether or not to use profanities in their writing. 

Language: What Is It Good For? Absolutely Everything

The debate of appropriate use of language is an argument spanning centuries. It is one of the reasons the English language is so adaptable. Some words in English didn’t start as profanities but eventually evolved into something inappropriate for polite society. The Journal.ie’s article “The Historical Origins of 6 Swear Words We Use Every Day” explains that the Proto-Indo European’s base word skie, or the Old English scitte, started as a verb and noun (respectively) for “separating” or “purging” from the body. This base eventually evolved to suit the needs of the speakers until it stopped meaning “going to the bathroom” and started being a vulgarity for excrement. Meanwhile, some words started as vulgarities and eventually shifted into every-day terms. For example, a silly sounding word, zounds, is an archaic exclamation (popular in Baroness Orczy’s The Scarlet Pimpernel) meaning “God’s wounds,” and it was a terrible curse when it was first introduced. 

Words are not capable of being bad by themselves. Even our synonyms for the phrase “swear words” supports that idea: vulgar means lacking in sophistication, and profane means disrespectful or irreverent. The word is only as powerful as our reaction to it as individuals and as a society. God’s name is a prayer—until it is used as an exclamation. The way we use the word defines its appropriateness, and we have to vet each term and syllable. Is it worse to say that it’s a “damn beautiful day” or to tell an overeager child to “please shut up”? Writers must evaluate the way they express themselves: how does our use of language and its profanities build or destroy our stories?

The word is only as powerful as our reaction to it.

Writers who are disinclined to use profane words in their writing might be familiar with a First Presidency message, in which Spencer W. Kimball addressed the world—specifically writers!—on profanities. He stated, “I lately picked up a book, widely circulated, highly recommended, a best-seller, and my blood ran cold at the profane and vulgar conversations therein, and I cringed as the characters used in an ugly way the sacred names of Deity. Why? Why do authors sell themselves so cheaply and desecrate their God-given talents? Why do they profane and curse?” Those who prefer to avoid using strong language in their writing may reflect on Book Cave’s article, “Profanity in Books: Show Don’t Tell Emotion,” which points out that “there are more effective ways to make the world ‘bloom’…the use of vulgarity quickly becomes a cheap, convenient device to give the impression that the book is up-to-date and realistic.” These individuals argue that profanity in any form is a sin and an example of weak writing styles; they believe that profanity is an excuse to express strong emotions without having to be vulnerable.

Meanwhile, we have stories about “the cursing apostle” J. Golden Kimball, who, when driving a stubborn stage of oxen, started cursing to get them moving. He remembered, saying: “Boy, how I did cuss! Did I wax eloquent! I’m afraid I did. But, did those oxen sit up and take notice? They sure did; every one of them got down to business. You see, they were Church oxen, and when you talked that language to them they understood it.” This humble and humorous story of working with Church oxen is a reminder that we are, none of us, perfect, and since that’s the case, we can’t expect the characters in our writing to be perfect either. The Writing Cooperative’s article “Should You Use Curse Words in Your Writing?” (heads up! This one uses strong curse words, so don’t read it if you want to avoid that kind of language) insists “swearing isn’t the only way to express emotion, but it is a tool in your arsenal.” Writers who use profanities in their work may relate to the article “Writing Dark Things as a Positive Person” by Zachariah Wahrer where he states, “If a story is all positive, it isn’t interesting. We have to have conflict, deception, destruction, lies, etc., to make it interesting, because that is how we experience everyday life (albeit usually on a smaller scale).” These individuals argue that strong language is representative of human nature and realism; they believe that profanity is an opportunity to represent a variety of character voices and experiences. 

This argument is relevant to writers all over the world. Writers can join the discussion by educating themselves on the pros and cons of using profanities in our writing. 

3 Reasons Why You Can Feel Justified Using Profanities in Your Writing

Lattie Tipton’s death was so traumatic that even nearly fifteen years later, Audie Murphy struggled to maintain composure while reenacting the scene. While the film’s representation of the scene is still potent, knowing the truth of the death is even more so. Failing to accurately represent the situation changed the meaning behind the scene, and one could argue that the same could apply to using profanities. For example, let’s take the phrase, coined initially by U.S. Naval officer David Glasgow Farragut: “Damn the torpedos! Full speed ahead!” This phrase is a popular colloquialism meaning to move forward despite the risks you may face.

If we were to take that phrase and change it to avoid the profanity, we lose the intention behind the phrase. Neither “Don’t worry about the torpedoes! Full speed ahead!” nor “Forget the torpedoes! Full speed ahead!” carries the same reckless abandon as the vulgarity; the original phrase stirs a level of shock and awe, and it is far more realistic to imagine a sailor cursing. The profanity is an exclamation we expect from such a character, and some authors (and readers) feel strong language is justified because it lends itself to realism. 

Don’t worry about the torpedoes! Full speed ahead!

It could be argued that fictional characters cannot be directly quoted, so providing alternatives to profanities is not going to change the meaning. To expand on that counter-argument, let’s look at Tim O’Brien’s novel The Things We Carried, which is introduced as a nonfictional memoir of American soldiers in Vietnam. Strong language is used throughout the book; these were real men surviving war, and if changing an experience invalidates it, we should expect nonfiction writers to honor the language as much as they can. However, at the end of the novel, readers come to understand that it was never a memoir; none of the men were real, and it takes first-time readers by surprise because the details are so accurate, so realistic, that it’s more unbelievable to think these characters weren’t human. The language they use is shocking, but expected. If O’Brien created fake characters and let them swear like soldiers, was he being profane, or was he representing the soldiers who did exist, even namelessly? Writers argue that these vulgarities are tools for intentionality. We would not correct real human beings for their profane statements; why should writers have to tiptoe around fictional characters inspired by those same people? 

Influential comedian Richard Pryor noted, “What I’m saying might be profane, but it’s also profound,” suggesting that strong language can convey powerful messages. What’s more is the fact that writers are crafting something; their decisions in their work are not always meant to represent their personal values. Conflict and antagonists must exist to create a story, and these conflicts can sometimes be gruesome, raw, and violent because the protagonist has to overcome these evils to develop. To this day, Cormac McCarthy’s The Road is impacting lives because of its haunting imagery. McCarthy wrote about characters that would kill their own children to survive; does that mean he agrees with the tactic and would implement it himself? No. The same could be said for writers who use profanity. These writers can uphold Oscar Wilde’s insight: “I didn’t say I liked it. I said it fascinated me. There is a great difference.” 

3 Reasons Why You Should Feel Justified Not Using Profanities in Your Writing

On the other hand, writers are meant to develop the skills of producing powerful emotions without leaning on the reader’s shock. C.S. Lewis wrote to a young author about adjectives saying, “…instead of telling us a thing was ‘terrible,’ describe it so that we’ll be terrified. Don’t say it was ‘delightful’; make us say ‘Delightful!’ when we’ve read the description. You see, all those words…are only like saying to your readers ‘Please, will you do my job for me?’”

Don’t say it was ‘delightful’; make us say ‘Delightful!’ when we’ve read the description.

C.S. Lewis

The same reasoning can apply to using vulgarities. Writers claim that using profanity is a signal of lazy writing, and Mark Twain humorously suggested, “Substitute ‘damn’ every time you’re inclined to write ‘very;’ your editor will delete it and the writing will be just as it should be.” 

Writers who won’t use profanities have to adapt their work around the void, and doing so can make it just as impactful, particularly since vulgarity for shock value is a detriment to the reader and potentially to the work, especially the more it is used. For example, when you hear about the 2013 film “The Wolf of Wall Street,” you may not think about the story of corrupt stockbrokers in America. Instead, you probably remember it as being the most expletive film in history. The consequence of “realistic” profanity? This film won’t be remembered for the characters or their development, nor the conflict or how it was or wasn’t overcome, but for its use of over 700 swear words. Realistically, this is profanity. Outside a Latter-day Saint community, people use strong language as frequently as any other part of speech. If writers want to claim profanity as realism, they may find their work being analyzed for reasons they didn’t intend. 

Using profanities is not as tempting when you realize that there are ways to work around doing so. Great men and women throughout history have avoided using profanities, even when they could have been justified to do so. Teddy Roosevelt, America’s 26th president, didn’t swear.

Using profanities is not required to develop a unique character voice.

Instead, according to Mental Floss’s article “16 Savage Teddy Roosevelt Insults,” he employed colorful phrases to describe his frustrations. Rachel Hawkins’ young adult novel Rebel Belle produces a narrator who censors her friend’s strongest language throughout the story because “this is my story, so I’m cleaning it up a little.” Language contributes to realism, and using profanities is not required to develop a unique character voice. 

Who is Right and What Really Matters

Both sides of the argument are so compelling and it makes the decision that much harder. We are advised to use “praiseworthy” language, but as artists, we aim to reveal the truth of our reality. Toni Morrison’s novel Beloved is one of the most influential stories of our time, and it uses explicit violence and language to tell the truth. Writers can’t be expected to use profanities to deliver that truth, but I would say they can’t be expected not to either. This debate is one for the ages. 

In the end, I can only say to write what is true to you. Validation of your art is not necessary for it to exist; what you write will continue with or without others’ approval. Whatever language you decide to implement, I simply recommend that you do so deliberately and with the understanding that your words—profane or not—carry a meaning that will affect your readers. What you choose to put in or take out can change your story in big ways and little ways at the same time: To Hell and Back told the true story of a soldier who witnessed the death of his best friend, and whether Lattie Tipton died on a hillside or in Audie Murphy’s arms, he still died. 

Lizzy Pingry is a full-time editor and enthusiastic writer. She graduated with a degree in English and emphasis in creative writing from BYU-Idaho and has worked as an editor on multiple projects since 2016. She lives in Idaho with her husband and their cat, Jack.

5 Reasons You Should Read “Done!” by Don Aslett

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By Jeremy Madsen   

Do you perpetually have a dozen too many irons in the fire? Do you struggle to keep your head above the flood of work projects, Church duties, family responsibilities, personal commitments, emails, text messages, phone notifications, laundry, dishes, and prayers? Is your life’s greatest problem that of never getting enough done?

If so, I strongly recommend reading Don Aslett’s masterpiece on productivity: Done! How to Accomplish Twice as Much in Half the Time—at Home and at the Office.

From when I was first introduced to Don Aslett’s books growing up (via my mother, herself a model of effective productivity), to when I revisited them this last year, I have found each of his publications inspiring and empowering. Done! has shown me how to get more done more quickly and more effectively, with less hassle, less stress, and less wasted energy. Here are five reasons why you should give Done! a try:

1. Don Aslett knows what he’s talking about

Rarely do the credentials of an author matter more than for a book touting itself as being about productivity. In this regard, Don Aslett leaves the masses far behind. The founder of a cleaning company now with over 4,000 employees, author of 40 books, and sought-after speaker and presenter, Don Aslett embodies the principles he teaches. (And he’s a Latter-day Saint!)

2. Done! is packed with actionable and specific advice

Done! offers no gimmick, secret formula, or calendar system for productivity—instead it is packed with specific strategies, tactics, and principles for cutting out time-wasting habits, approaching common problems in more efficient ways, and maintaining motivation and momentum throughout your day and week.

For example, chapter 3 is devoted to listing and describing in gory detail all the activities that rob us time, space, and energy, including three I’m especially guilty of as an editor and writer: interruptions (silence that phone when working!), oversleeping (get up when that alarm goes off!), and “rubbish reading” (ignore those tempting click-bait articles!). This book will help you identify your own productivity weak points.

3. Done! will make you rethink conventional productivity “wisdom”

Occassionally, Don Aslett offers advice that runs counter to the standard productivity fare. At one point, he warns against following schedules—at least, schedules that we rigidly stick to. “Schedules will bind and stiffen you if you follow them too closely. People who have become such expert schedulers that they run around with a planner in their hand at all times lose creativity and flexibility—the schedule becomes their master.” He then tells a story of how, when two weeks of solid rain threw off the yard work he had planned (“scheduled”) during a trip to their summer home in Hawaii, he immediately pivoted to use the time to draft an entire book, write some TV scripts, and even fly to New York and back for a business trip—all completely “unscheduled.”

4. Done! is a fun read

Done! is a delightful book to read. Each subsection is largely self-contained, meaning I can pick the book up for a three-minute motivational pick-me-up while waiting in a doctor’s office or giving a bottle to my baby daughter.

Don Aslett shares many anecdotes—from his own life or others’—that infuse life into his book, grounding each piece of advice in a concrete, memorable, and often funny story or observation.

A warning: Don Aslett’s positive, even exuberant attitude towards productivity is highly contagious!

5. Done! will teach you the greatest secret of productivity: be early!

In chapter 5 (my favorite chapter), Don Aslett lays out what he believes is the one great “secret” of getting more done: be early! A task performed one week early (or one day or one hour) can be three or five or ten times more effective than the same task performed on-time or late.

In the last week alone, here are ways I’ve seen earliness or lateness affect my life for good or ill:

  1. Early: My wife was assigned to prep some Father’s Day card assembly kits for a family reunion. She finished the kits more than a week in advance, and she also made extra. When I needed a Father’s Day card on short notice three days later, it was a cinch!
  2. Late: For a teacher council meeting, the Sunday School counselor in charge didn’t finalize or announce the topic until an hour before church, meaning no one had time to study the material beforehand.
  3. Early: When our temple opened to phase 3 during the 2020 pandemic, I jumped online within the hour and reserved our family a session on the best day for our calendar. Later that day, every available reservation for the next two months had been filled.
  4. Late: We invited a couple to join us for the sealing session we had scheduled, but the husband had let his recommend expire during COVID, meaning he’d either have to miss the session or scramble to set up two recommend interviews in a week’s time.
  5. Early: On a vacation up to Idaho, we reserved a hotel in Pocatello several days in advance. When we got to the hotel and checked in, we learned from the desk staff that every hotel in Pocatello had since sold out for that night!
  6. Late: My wife and I were planning a cross-country move and began apartment hunting about a month out. But by then, many of the places we called had no available units until two or three or even four months after our moving date, decreasing our options and multiplying our stress.
  7. Early: I gave myself plenty of time to arrive at an unfamiliar airport. After taking 20 minutes to navigate security, I looked around—and realized I was in the wrong terminal! I had to go back out of security to another corner of the airport and pass through a different security checkpoint—but I had arrived two hours before boarding time, so I never felt stressed or rushed!
  8. Late: On a trip I took this week, three out of my four flights were delayed almost two hours beyond their original departure times. I have seen one long round of stressed passengers, tired booking agents, long help-desk lines, and missed connections. The shockwaves of those late flights disseminated outward like ripples, delaying and postponing everything in their path, from vacation plans to babysitting arrangements to other flights—and the vicious cycle of lateness rolls on.

Think about your typical workday. How many projects do you stress about because they’re behind schedule? How many emails do you get asking you to solve a problem caused by somebody being late? How many opportunities do you lose because you respond to them three days after hearing about them, instead of three minutes or three hours? How much prime writing or editing or brainstorming time do you lose in the morning because you sleep in? Take a page from Don Aslett’s book—be early!

Still not convinced? Listen to this endorsement from the Lord Himself: “He that seeketh me early shall find me, and shall not be forsaken” (Doctrine and Covenants 88:83, emphasis added).

Get more done with Don!

If you want to reach more of your goals, if you want to win the fight against your endless to-do lists, if you want to make a greater impact on the world—I cannot recommend Don Aslett’s book Done! more highly. A delightful read packed with time-tested tactics and unforgettable anecdotes, Done! will forever change the way you approach your workdays and weekends. You don’t even need to read the whole thing—just mine it for all the five-minute nuggets of wisdom it contains. Then put away the distractions, ignore the diversions, and start doing!

Jeremy Madsen is a fantasy writer, freelance editor, and biblical scholar. With his three siblings, he runs the website Atrium of Light, a repository for scripture songs used to memorize scripture passages through music. Jeremy is the founder of Universal Cape Day (March 10), a day to wear a cape, look epic, and feel heroic. He currently lives in Columbus, Ohio, with his wife and kids. He is also the operations manager for LDSPMA.

Lessons in Spaghetti Sauce, Horseradish, and Peace: What Creators Can Do to Lift the World

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By Tyler Nelson   

To a Worm in Horseradish, the World is Horseradish

A week after the general conference in April, I was reading through articles from my favorite author, Malcolm Gladwell. Malcolm has written on just about every subject, from dogs to Challenger, sneakers to police officers, and even David and Goliath. The article that struck me that day was about spaghetti sauce. Specifically, the connection between spaghetti sauce, choices, and happiness. It made me hopeful.

The gist of the article was that back in any decade before the 90s, a lot of people were eating one, maybe two, kinds of spaghetti sauce. Howard Moskowitz, a market researcher and psychophysicist who Gladwell interviewed, said that people only ate one kind of spaghetti sauce because they were only aware of one kind of spaghetti sauce. In those days, that kind of spaghetti sauce was the thin and runny kind. Maybe that is your thing, and maybe it’s not. That is what the sauce companies wanted to find out.

So, some of those spaghetti sauce companies whipped up new batches of spaghetti sauce: chunky, garlic, and extra tomato. These flavors existed, but they weren’t prevalent. The sauce companies loaded up the sauce in trucks and set out across the country on taste-testing missions. What they found was incredible. People were floored by the new flavors! They loved them! Most importantly, the people listed their satisfaction as being much higher than before. They were happier!

Moskowitz shared his take on a Yiddish proverb to explain the situation: “To a worm in horseradish, the world is horseradish.” To put it simply, what it means is that sometimes when we are put in a situation or circumstance in life, we have a hard time seeing beyond it. It can often become our world.

Coming out of COVID

Has anyone else felt like a worm in horseradish over the last year and a half? As we enter this summer, we do so with a lot of emotion. Sadness, anxiety, loneliness, even anger. Many people have lost loved ones. Some have lost jobs or face other financial difficulties. Grandparents have gone months and months without seeing their grandkids. 

If you have paid any attention to the news, you’ve watched as the political temperature has risen and continues to rise. One could not get on social media or watch the news without hearing or seeing some kind of hateful vitriol. There have been accusations, violence, and widening gaps among friends and family when we should be bonding together. It has truly been hard to find a haven.

Elder Jeffrey. R Holland addressed the situation of the world in his recent April 2021 general conference talk “Not as the World Giveth.” He said:

Two thousand years ago, the Savior warned that in the last days there would be ‘wars, and rumors of wars,” later saying that ‘peace [would] be taken from the earth.’… Brothers and sisters, we do see too much conflict, anger, and general incivility around us … with real deficits of faith and hope and charity all around us.

“NOT AS THE WORLD GIVETH,” ELDER JEFFREY R. HOLLAND

Elder Holland knows that these have been, and may continue to be, trying times. But he also knows that there is something that can lift us, guide us, and comfort us when we need it. And we can find comfort in knowing that if an Apostle of the Lord is aware of the situation, the Lord is aware of our situation and is more than ready and willing to give help, aid, and assistance in whatever form that we might need it. With the help of Jesus Christ and His gospel, we can be happy.

In his talk, Elder Holland shared how Christ shared His peace:

Prior to that first Easter, as Jesus concluded the new sacramental ordinance He had administered to the Twelve, He began His majestic farewell discourse and moved toward Gethsemane, betrayal, and crucifixion. However, sensing the concern and perhaps even outright fear some of those men must have exhibited, He said this to them (and to us):

‘Let not your heart be troubled: ye believe in God, believe also in me. …

‘I will not leave you comfortless: I will come to you. …

“Peace I leave with you, my peace I give unto you: not as the world giveth, give I unto you. Let not your heart be troubled, neither let it be afraid.’ …

…Such help and hope are dearly needed because in this worldwide congregation today are many who struggle with any number of challenges—physical or emotional, social or financial, or a dozen other kinds of trouble. But many of these we are not strong enough to address in and of ourselves, for the help and peace we need is not the kind ‘the world giveth.’

“Not as the World Giveth,” ELDER JEFFREY R. HOLLAND

Benjamin’s Runners

As members of Latter-day Saint Publishing, Media & Arts (LDSPMA) and The Church of Jesus Christ of Latter-day Saints, we find ourselves in a unique and powerful position. We are writers, readers, podcasters, artists, singers, publishers, and so much more. The theme for LDSPMA this year is “Voices of Light,” and we have the amazing capacity to help bolster and uplift those around us. In the negativity and the fear of the world today, we can break through. We have ways to spread light and joy, to give not as “the world giveth,” but as Christ would.

One of my favorite stories in the Book of Mormon comes at the beginning of Mosiah. The venerated King Benjamin summons all his people to the temple so that he can speak to them. They arrived in masses, setting their tents up around the temple. King Benjamin finds that even speaking from his tall tower, not everyone can hear him. So, what did he do?

 He caused that the words which he spake should be written and sent forth among those that were not under the sound of his voice, that they might also receive his words.

Mosiah 2:8

I especially love the depiction of this in the Book of Mormon videos. A group of young messengers is tasked with taking the written words out to the people so that they can be read and that the people might understand. These messengers take their assignments seriously, and when they get the missives they sprint out to their assigned areas to deliver. We can be, and we need to be those runners. As the world continues to rage and more and more people find themselves lost in the dark and trapped in negative mindsets, we need to give them the tools and the help and the words that they need to be free. 

Most importantly, what was contained in the message that King Benjamin’s runners  delivered?

I would desire that ye should consider on the blessed and happy state of those that keep the commandments of God. For behold, they are blessed in all things, both temporal and spiritual; and if they hold out faithful to the end they are received into heaven.

Mosiah 2:41

Peace. Life. Love. An escape from the things of the world. And who does King Benjamin declare this message will go to?

The time shall come when the knowledge of a Savior shall spread throughout every nation, kindred, tongue, and people.

Mosiah 3:20

The world has been a bit of a dark place for a long time now. But there is hope in the Savior. There is life. There is light. And we can share it. If a change in spaghetti sauce can make people happier, imagine what the gospel can do! There are people out there who need to see their options, and we are the creators who can deliver them. Whether it is in print, film, audio, or any other medium, we can spread the message of Christ. As you prepare your next piece, compose, or speak, remember we can help lift that darkness by delivering messages of light. By delivering the message of light:

Peace I leave with you, my peace I give unto you: not as the world giveth, give I unto you. Let not your heart be troubled, neither let it be afraid.

Tyler Nelson is an English major at Utah Valley University and will graduate with his bachelor’s degree in creative writing this fall. He is the author of five published short stories, including Letters From Bahati, which can be found through Owl Canyon Press. He hosts the Mission Report, a podcast all about interviewing returned missionaries and letting them share their experiences and advice for future missionaries. Tyler and his wife currently live up on a hill in Provo, UT.

Questions Every Writer Should Ask Themselves

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By Steve Dunn Hanson   

In high school my most dreaded assignment was to write a composition. Give me a book, like Orwell’s 1984 back then, and you could just about say goodbye to me until I had finished it. But writing . . . ? Hand me a math problem or a science project or, preferably, a basketball or a MAD magazine. Just don’t ask me to write, or, even worse, give a talk.

Maybe my handwriting had something to do with this aversion. The lowest grade I ever received in school was in penmanship in the fourth grade. Mine was the poorest in the class. The teacher told us that she would give a book, The Magic Bus, to the student who improved the most in penmanship. It was no contest. I was so bad nobody could possibly improve as much as I could. I got the book, but bettering my handwriting never got close to the top of my I-want-to-do-this list again. Thank goodness for typewriters and computers!

So, when did my attitude about writing and speaking change, and why? Well, weird things sometimes happen when you grow up. For me, I began to discover that I had something meaningful to say. And if I was going to effectively share with others what I was observing and experiencing and thinking, I had to do something about my subpar communication skills.

I began to discover that I had something meaningful to say.

While each of us has our own unique path to where we are today in the use of our creative talents, all of us are faced with the same ongoing and defining question: Why am I doing this? Is it for money, or for recognition, or to be famous? Is it to make others happy, or to help others overcome challenges, or to share knowledge, or to provide entertainment? Will it give me an outlet for something in me that needs to get out, or fulfill my desire to achieve, or give me a satisfaction-high by watching something new and even beautiful flow from me? Or is it my duty to create?

Any or all the above might be our answer. But whatever our reasons for creating, we need to count on snags along the way. My foray into getting my first book published illustrates this rather dramatically. And, I might add, that this initial rollercoaster experience of mine has been replicated, in one form or another, a myriad of times throughout my creative journey. Here’s how it went.

Some 40 years ago I had two articles published in the Ensign magazine within a year or two of each other. That confidence builder got me thinking about writing a book. And I knew just the book I wanted to write. As a young man, I had an extraordinary Church mission to Australia. It had everything. Gobs of spiritual highlights. Dangers. Depressions. Really funny incidents. And even why-am-I-out-here gut-punchers. I could literally go 3,000 miles from one end of my mission to the other and be on islands or in the tropics or deserts or snowy mountains. I labored in small outback towns that were 100 years behind anything I had ever experienced as well as in a dazzling metropolis that boasted world-class beauty. All of this plus out-of-this-world fauna like kangaroos, emus, koalas, echidnas, and platypuses. I was in an exotic zoo with no cages.

In sum, my mission was an adventure I never dreamed possible, and I was certain the world would be waiting with bated breath to read about it! But after my initial enthusiasm, I was struck with a balloon-popping realization. Who would ever want to buy a book about the mission of a nobody like Steve Dunn Hanson? And with that came a critical question. “Why do I want to write this book? Really!”

Why do I want to write this book? Really!

Significant soul searching resulted and some course-guiding answers came. I decided my primary objective in writing was to help young missionaries find out who they were so their missions could be the life changing experience for them that mine was for me. Now all I had to do was write the book so it would appeal to a publisher and entice young men and women to read it. That shouldn’t be too hard. After all, the Ensign published two of my articles. Dream on!

I titled the book The Mission. It was a fictionalized account of some of my mission experiences with a focus on the changes taking place in the life of my protagonist, Elder Pete Hewitt. I wrote it as a series of letters that brought the reader into Pete’s mission and mind in a unique and intimate way. I submitted my manuscript to a major Latter-day Saint publisher and within two or three weeks I received a phone call from the managing editor saying they wanted to publish it. Well, I thought, what was so hard about this?

Then reality hit.

Someone on the publisher’s board of directors didn’t like the book—too realistic they said. Remember this was over 30 years ago, and Latter-day Saint fiction tended to be more vanilla then. I soon received a “with regrets” letter from the managing editor. They would not be publishing it. I picked myself up off the floor (I stayed there for quite a while!) and submitted my work to other Latter-day Saint publishers. My rejection letters piled up until I received an acceptance from a very small publisher. That was an almost euphoric experience, but I was learning to restrain my hope. A publishing date was set, and then . . . reality hit. Again.

The company didn’t have the funds to publish it for a while, they said apologetically. I could wait for when they did (no date was given), or, if I wanted to do this now, they would help me self-publish it and would distribute it for me at a special price. I would, of course, foot the bill. I had run out of options, and since I had the funds, that’s what I did.

Amazon didn’t exist back then, and there wasn’t a plethora of publishing, marketing, editing, formatting, or distributing services to get a self-published book up and going. My would-be publisher, however, was good to their word and successfully guided me through the process. A learning experience, and an expensive one. I printed 7,000 hardback copies, and Deseret Book and other Latter-day Saint bookstores carried them. It was all working. At one point, Deseret Book even told me The Mission was their top-selling book for the week.

And then . . . (Stop me if you’ve heard this before).

While all copies of my book were ultimately sold, my publisher/distributor declared bankruptcy somewhere along the way, and I was sans thousands of dollars in royalty compensation. But fortunately, that was not the end of the story.

Over the years, I have had countless people tell me how that book changed their mission. Changed their lives. And even today, decades later, I have had grandfathers approach me to tell me how my book affected them deeply when they were struggling with their missions. And I’ve thought, it didn’t just affect these now-grandfathers, but through them their children and grandchildren as well. My book was a success in the most meaningful way it could be. It accomplished what I wrote it to do.

My answer to the “Why” question back then was the right answer and put me on a convoluted but exceptionally rewarding path. The ride was amazing . . . especially looking back. But, then again, maybe I have just described life.

How we respond to the “Why” question, of course, is affected by how we answer another question: Where does my talent come from? Am I the source of my creative genius and solely responsible for how successfully it is manifested and received? Or is my talent a gift from God that He has given me stewardship over, and my magnifying it requires an abundance of His grace?

How we respond to the “Why” question is affected by how we answer another question: Where does my talent come from?

While I, for one, find it disturbingly easy to drink in accolades and internalize praise, that is literally a dead-end street. I wrote a little poem about that.

When I think
that it is me,
I find my glint
is hard to see.

As I lose myself in Him,
His Beam bursts forth
where e’er I Am.

When we perceive that we are the sole or primary source of our talents, we will likely focus on ourselves. A dim light indeed. If we recognize the gift-nature of our abilities, we will strive to know what the Lord wants us to do with the talents He has given us. On an admittedly bumpy and inconsistent road, we will also grow and learn to become an extension of Jesus Christ; an instrument in bringing about His purposes. We are then entitled to have the Spirit work through us, and what proceeds can be far beyond what we are innately capable of producing.

How we answer the “Why” and “Where” questions will affect the content, quality, and impact of our creativity. But those responses beg another question that is even more important. Are they congruous with who we really want to be eternally? If not, perhaps we should consider reprioritizing some of our objectives.

Steve Dunn Hanson has a BS in economics and an MA in political behavior. He has served in many community and Church capacities, including as a jail chaplain, stake president, and member of a temple presidency. He lives with Joyce, his wife of 57 years, in northeast Washington and is the author of several books, including The Course of Fate, a fiction trilogy currently available on Amazon.

7 Reasons Why You Should Try New Things

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By Brittany Passmore

Have you ever been scared to try something new? It’s an understandable fear and one that I relate to keenly. However, I’ve recently begun to look at trying new things in a different way and realized that new experiences can bring us incredible benefits.

I’m not asking you to climb Mount Everest or make a drastic change in your career. All I’m saying is that you and I should dabble occasionally in new and different hobbies that peak our interest. For instance, maybe you’ve always wanted to try rock climbing or learn how to paint.

If you think these activities might distract you from whatever creative profession you’ve chosen, let me suggest that they’ll actually make you a better creator than a worse one. New experiences can be incredibly important for your professional and personal development, even if they have nothing to do with your creative work! Here are seven ways that trying new things can help you flourish.

1. Gain New Talents and Skills

When you try something new, you’re likely to learn a new skill because of it. Even if you only try that new thing once, you’ll likely be using skills that you haven’t focused on practicing before. And although these new skills might not be needed for your specific profession, you may find ways to apply them and expand your creativity.

2. Meet New People and Network

Whatever new activity you try, you’ll probably be able to make new friends and add valuable people to your network. You never know when you might be grateful to know someone active in another profession or hobby. Plus, one day, others might be grateful to know you and ask for your expertise!

A girl with brown hair and glasses dips her paintbrush in water. Experimenting with art can be a way to try new things.

3. Gain Valuable Experience

You won’t just learn how to do something new if you try it. You’ll also gain valuable experience that can propel your own career. Trying new things can be hard, but learning to adapt to new situations allows you to better adapt to the difficult situations that arise in your own field. Start trying new things, and you’ll find the curveballs in your own creative pursuits are easier to dodge.

4. Gain Unique Perspective

Your new experiences as you try new activities can help you look at the world differently. Everyone has their own perspective on life, and that perspective is influenced by the things we love and do. So, when you understand a new activity or hobby, you’ll also come to understand the people who love and do those things. This perspective can help you better connect with people as you create your own work.

Fantasy author Brandon Sanderson once gave an excellent example of how trying something new helped him gain a unique perspective that helped his writing. He took an art class to learn about drawing. Although he doesn’t consider himself a professional artist by any means, understanding how artists look at the world in order to create helped him write stronger characters that had similar perspectives.

5. Find Inspiration

Your new perspective may also help you find inspiration as you create. You might be struck by the emotions you experience as you try something new, which could translate into how you use emotion in your next creation. Or you might connect to an idea, an experience, or a person in a new way that brings new meaning to your life and your work.

6. Spark Joy in Yourself and Others

If nothing else, trying new things should bring you and others joy. Have fun while you try new things! Get excited and share your excitement with others. Who knows? Maybe you’ll discover a new hobby. Even if you find you don’t want to try that new thing again, at least you will have created a happy memory for yourself and maybe for others.

7. Curate the Attribute of Bravery

Finally, as you try new things, you will develop important attributes like bravery. Trying new things can be scary and overwhelming at times. But when we find the inner strength to finish what we started, whatever the result, we become braver and more confident. That bravery is important to your professional creative work too! Your increased bravery will help you take risks and put yourself out there.

At first, the advice to try new things might seem like a distraction from your work. But in the long run, taking courage to enjoy new experiences can actually improve you and help you find more joy and success in your creative pursuits. So, what are you waiting for? Make a goal to try something new!

——————

Brittany Passmore graduated from BYU with a major in editing and publishing. She works as a freelance editor specializing in science-fiction and fantasy. When she’s not reading, writing, or editing, Brittany loves to be a stay-at-home mom to her toddler and dabble in her musical hobbies of piano, flute, guitar, singing, and practicing yoga.

Website: https://brittanympassmore.wixsite.com/passmoreedits

Seeking and Creating Praiseworthy Works

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By Ted Finch

Our Thirteenth Article of Faith proclaims, “If there is anything virtuous, lovely, or of good report or praiseworthy, we seek after these things.” My original goal for this blog post was to share quotes from a handful of articles I’ve studied over the last few months that have had an impact on my growth as a creative person trying to figure out how to share my light through praiseworthy works.

As I worked through several paragraphs, I started asking myself questions such as, “Why am I writing this?” and “Should I include this?” Finally, it dawned on me that I don’t need to write about what is in the articles themselves; rather, write about the idea that we have to work on our spiritual development and our artistic development in tandem. That is the moment the words started to flow.

The Spiritual and Artistic in Tandem

Artist James C. Christensen stressed the idea to many of his BYU students, “We cannot separate our spiritual development from our artistic development. We must work at both.” There is wonderful insight that comes when we involve God in our creative pursuits. Keeping our connection with the Spirit is key to receiving the guidance we need to grow spiritually and creatively. 

Elder Bruce R. McConkie said that the “Spirit of Christ . . . is the medium of intelligence, that guides inventors, scientists, artists, composers, poets, authors . . . when they set their hands to do that which is for the benefit and blessing of their fellow men.”

In 1995, President M. Russell Ballard stated at the Tuachan Mormon Arts Festival (later published in the July 1996 Ensign), “God’s purpose for the artist is to inspire. To give us visions of ourselves that we might not otherwise see, to make us better than we would have been.” 

Think about that. Our purpose as creatives is to inspire ourselves and others to see the world differently—in a better way. We can be guided to create things that will benefit and bless the lives of others. 

A hand holding out a candle. Sharing light, symbolic of creating and seeking praiseworthy works.
A Call to Share Our Light

In his speech, President Ballard stated, “This is the time, brothers and sisters to make our voices heard.” I think that call still rings true almost 21 years later. As we see more winds of commotion and confusion blow across the plains of the world, we must rise to the call to fill our quarters of the world with light and truth. 

How do we do this? As creatives, we “express [ourselves] in universal symbols, images, sounds, and feelings.” We have the “unique opportunity to present [our] opinions, and perspectives on Eternity” through “universal symbols, images, sounds, and feelings” (Ballard, 1995).

Now it’s time for you to discover how the Lord wants you to make your voice heard. It may be in the walls of your home, to your extended family, to your community, or to the world. You might share your praiseworthy stories, ideas, music, or other unique opinions from your perspective. Now is the time to share.

Enjoy your journey. Bring others with you.

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Author’s Note: I linked articles I cited in the article and have included a few others below to help start you on your path of creative discovery.

“The Sweep the Earth as a Flood” talk by Elder David A. Bednar
“The Arts and the Spirit of the Lord” speech by President Boyd K. Packer
“Seeking after the Good in Art, Drama, Film, and Literature” essay by Travis T. Anderson

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Ted Finch is a husband, father, disciple, and storyteller. He loves stories through novels, poetry, and film. Ted loves baking bread, fishing, and spending time outdoors. He is also passionate about creating learning experiences for audiences around the world.

Twitter – @tedthewriter

Instagram – @tedthewriter

Website – tedthewriter.wixsite.com/home

7 Character Traits of Creative People

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By Trina Boice

Have you ever wondered what drives creative people? What makes them different? Hanging out with other LDSPMA members energizes me, inspires me, and encourages me to tap into my own creativity more! You can develop your own innate creativity by incorporating the following seven traits into your daily life.

1. Creative people are focused

Highly creative people usually have high levels of energy and stay focused on their project for long periods. Even when they are out of the studio or away from the computer, their minds are still thinking about their creative work. To take advantage of the ideas that tend to constantly flow, keep a notebook nearby or reserve a spot on your cell phone where you can instantly record your flashes of inspiration.

2. They hold onto a sense of wonder

Creative people are often brilliant, but they don’t think they know everything. Just the opposite, they retain a sense of wonder and curiosity about the world. They are committed to lifelong learning.

3. Creative people work hard

Creative people, whether songwriters or artists, speakers or writers, usually work long hours on a project and get into “the zone.” They let their loved ones know what they need for support, so that when they’re in “the zone,” they won’t be bothered or interrupted. Know how to design an effective workspace with music or silence, food or drink, aroma or light. Creatives are persistent and determined and totally focused on their work. They also know they need to take a break!

4. Creatives are not loners

Research suggests that creative people often combine the best of extroversion and introversion. While most people tend to favor one or the other of these personality types, creative people combine elements of both. They find ideas and inspiration in their social interactions and then retreat to the studio to work their creative magic.

5. They are open and sensitive

Creatives tend to be very empathic and sensitive. They are open to all the possibilities of the world and find inspiration everywhere. Sensitivity is necessary to be able to create artistically but can be a double-edged sword, leaving the artist vulnerable to criticism and rejection.

6. Creatives can daydream and be realistic

The traditional picture of the daydreaming artist isn’t necessarily reflective of the creative mind. Creativity is grounded in imagination and daydreaming, seeing the possibilities and wondering ‘what if?’ But creative people are also very practical, and the next stage is testing the ‘what if’ idea to see if it works. Creative thinking is essential for innovative problem solving that works in the real world.

7. Creatives seek to be a light in the world

Creative desire to share their gifts with the world to make it a better place. They want to share their insights and perspective in order to lighten another person’s burden or add joy and depth to understanding.

So, what are YOU going to create today?

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Dr. Trina Boice is a #1 best-selling author of 31 books and an author coach at www.FromBook2Business.com. She teaches online for Brigham Young University (Idaho campus), is a film critic at www.MovieReviewMom.com. Trina is the Marketing Director at LDSPMA and loves rubbing shoulders with all of you amazing creatives!

The Arts as a Superpower

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By Shaun Stahle

“What is the most powerful weapon in the world?” I asked a class of fifth graders in Fielding Elementary School many years ago.

The Gulf War was raging at the time. Every news cast led with horrific scenes of destruction. “The Apache Helicopter with laser-guided smart bombs,” blurted one boy. “Nah,” said another. “Tomahawk cruise missiles launched from warships.” 

The boys grew animated with some coming out of their chairs in mock imitation. These sparkly-faced boys knew their weapons of mass destruction.

After the teacher restored order, I suggested that neither the laser-guided missiles nor the Apache Helicopter—as powerful as they were to level big buildings into little pieces of rubble—were the most power weapons in the world.

More guesses followed. “How about nuclear bombs?” asked another.

“No,” I said long and slow, squeezing every second to build tension. “The most powerful weapon in the world…is words.”

Three illustrated people with speech bubbles. Using words and conversation.
Words: the Most Powerful Weapon in the World

The class went thunderously quiet. Faces contorted. The mental torture of trying to figure how words trumped bombs in causing agony. “Words?” someone finally bellowed. “When did words ever win a war?”

“Think about it,” I suggested, trying to ease their pain before their faces froze in those positions. “When mean words are said, you get angry. When you get angry, you could throw a punch. If nations say enough mean words, people get angry and tempers flare. They sometimes hurl bombs. But do you feel like poking someone’s nose who has complimented you?”

I’m not sure the students understood my analogy. I’m not sure the teacher did either. But I still think the premise has merit. Words tell stories. Stories evoke emotions of virtue such as beauty and love. Such emotions build into peace and contentment and gracious living. Harmony and unity are the result.

Words can also fan the flames of hate and animosity. Words of deceit and injustice can enrage to violence. Instead of unity, we see others as a lower species.

Words Turn Enemies to Friends

President Dallin H. Oaks in his October general conference address recommended that we heed the counsel of a famous musical and make more effort to get to know each other.

He should know. As one who has stood in the heat of intense adversarial debate trying many cases—50, I think—before the US Supreme Court, and as a man deeply cultured in the affections of the Spirit, he knows how to turn enemies into friends.

That’s where we come in. Those who tell stories help society get to know each other. Words and images and sounds are our superpower. The more we use our powers to tell the plight of another, the more we defuse the ugly and demeaning and debase that confronts us.

Most of us will never be introduced in the Rose Garden. None of us will have a finger on the big red nuclear bomb button. But we still have power. “The kind words we give, shall in memory live.”

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Shaun Stahle was yanked from a comfortable bed early one morning at age five to cart newspapers off his grandfather’s printing press and has been cursed with ink in the blood ever since. He spent 17 years detailing the growth of the Church with the Church News. His retirement plan is to find a shoe box full of unmarked bills along the road someday. He says he has saved his wife of 33 years from a life of fame and prosperity.