Craft Skills

Minority Voices & the Power of Podcasting

July 29, 2021 By Tyler Nelson 1 Comment

By Tyler B. Nelson

Every Thursday morning, I go for a walk. I put on my shoes and pop in my headphones and take a couple of laps around the neighborhood. On Thursday mornings my favorite podcast, Revisionist History, airs new episodes. The host, Malcolm Gladwell, digs into overlooked and misunderstood bits of history. I learn and I get some exercise at the same time!

Revisionist History is but one podcast in the vast multitude of podcasts available today. Statistics from Apple, Spotify, and other streaming services that produce podcasts suggest that there are around two million podcasts active today.¹ There are hundreds of topics for podcasts. Food, sports, behind the scenes, DIY—you name it. As I mentioned before, podcasts are versatile. You can listen to them on walks, while you commute, or even while you garden. Doing dishes? How about a side of True Crime? My wife and I even use a podcast for our weekly family study.

Podcasting is dynamic. It is powerful. And podcasting is part of a growing force of rising voices all around the world.

The History of Podcasts

Other forms of media spurred the growth of podcasting. Social media rapidly expanded through the 2000s. First Facebook appeared. Then Twitter, Pinterest, and Instagram.² Facebook recruited its billionth user in 2012.³ As these platforms grew, people had more and more to say. But only so much can be reasonably put into a social media post. Podcasting’s ability to cover a wide range of subjects while simultaneously going in depth about those subjects was appealing.

Apple introduced podcasts to Itunes in 2006. At the time, tech savants and a few forward-thinking comedians were the only ones using podcasts. But podcasting’s popularity rapidly expanded. Politicians, sports teams, and history buffs soon got into the game. The famous/infamous Joe Rogan started a podcast. George Bush gave weekly updates from the White House via podcast.⁴ Even Buckingham Palace got in on the action, releasing a Christmas speech from Queen Elizabeth as a podcast.⁵

The power of the spoken word spread in popularity until reaching today’s levels of an estimated two million podcasts filling people’s ears. Fun and games and entertainment aside, podcasts quickly became the medium for tackling serious issues. One of the most amazing things that podcasting has done is give a voice to those who haven’t always had one. In recent years, the number of minority groups and people podcasting has surged. With the platform provided and important issues on the table, these groups have stepped up. They have raised their voices.

Minority Voices in Podcasting

If you spend some time looking around on streaming services, you will start to see podcasts with titles like Pod Save The People or Code Switch. These are podcasts that are run by Black creators. They discuss the role that race plays in Black American’s lives, Black heritage, and how to unpack the uneasiness that we often feel when it comes to discussing race. Whether or not you agree with what is being said, these podcasts utilize the medium to start conversations that otherwise would not be had. They allow racial, political, and geographical lines to be bridged as easily as putting in headphones. These podcasts reach millions of listeners across races, ethnic, and even political lines.

The Black communities are not alone in raising their voices through podcasts. La Brega, a Spanish word that means “struggle,” is a podcast published in both Spanish and English that details the Puerto Rican people’s experience both in and out of the United States. Judaism Unbound’s hosts interview everyday Jews and examine the current issues for American Jews. And #Good Muslim Bad Muslim takes time to discuss the everyday ups and downs for Muslim Women in the US.

As these podcasts continue to grow, their influence reaches further and further. No longer does an individual have to go to a different neighborhood, or another country, or even a mosque or synagogue to hear and learn from the words of other cultures and religions. The gift of technology blesses millions of lives around the world, and even within our church. Podcasting is being used in wards, for missionary work, convert retention, and connecting members across the world.

An Interview with Eriene Oh

I run a Podcast called Mission Report where I interview missionaries about their experience serving for the Church of Jesus Christ. A few weeks ago, Eriene Oh reached out to me on LinkedIn to ask a few questions about starting a podcast. She wants to interview Chinese converts about their experience joining and staying in the Church. I found the idea fascinating and asked Eriene if we could talk more about it. Eriene graduated from BYU in the spring and now lives in Seattle, so we were able to sit down together over Zoom and I got to ask her a few more questions.

Can you tell me a little more about yourself?

I am originally from Malaysia. I was born and grew up there. I grew up in the Church, which is kind of rare, since I am from Malaysia. My parents are converts. I moved to the States when I was fifteen. I did high school here, went to BYU, and then served a mission (California, Arcadia), came back to BYU, and now I am graduated and here in Seattle.

So your parents are converts; what is their story?

It’s actually pretty cool, because it shows the power of member-missionary work. My dad actually grew up Christian. His family was Protestant. My mom grew up Buddhist. But my mom growing up went to a Catholic school, and she wanted to become a Catholic. Her mom was really against it. She gave my mom one condition: she had to marry a Christian boy, or she could not convert. If my mom had a list for marriage, that was her one thing.
When my mom met my dad, he was investigating a lot of churches, including the Catholic church. My mom thought that was great. She could marry him and convert! Then one day, my dad was at work and he saw a coworker (who was a member) reading a Teachings of The Prophets book. My dad was kind of curious and asked what she was reading. She said “This book is from my Church—would you like to know more?” And my dad began to meet with the missionaries. Every time he came back from meeting with the missionaries my mom would ask him questions. It got to the point where she had so many questions that my dad couldn’t answer. So that is when she came to the lesson with my dad. And she stayed faithful ever since.

That’s amazing! So, where did the idea for a podcast come from?

When I was teaching at the Missionary Training Center (MTC), we were having a work meeting. One of the trainers asked us what we could do to push missionary work forward now that we were back from our missions. I was thinking about it and I was like you know what? A podcast would actually be really helpful! My parents are converts, and even though they have been in the Church for almost thirty years, I feel like their conversion to the gospel isn’t all the way there because I think there are cultural things that are preventing them from embracing the gospel wholeheartedly whether or not they know it. On my mission, I saw that a lot of cultural barriers came up that would lead to them not being able to endure to the end.

What do you hope to accomplish with this podcast?

Another catalyst that made me want to reach out and figure out how to get this thing started is that I had a friend reach out to me. She is from China. She asked if we could talk about something spiritual. She had been a convert of about 7 or 8 years by now. We talked and she brought up examples of people who had been so strong and then left the Church, and about converts she knew that weren’t strong in the Church anymore. She was hesitant to reach out to them about spiritual things because she didn’t know if they were strong in the Church anymore. That got me thinking: if that is such a big, not-problem, but enduring to the end is such a big topic, it’s what we really are about right? At the end of the day, it is to get people to exaltation, to the Celestial kingdom, and if she feels hesitant or she feels like she can’t reach out to people around her, that’s kind of sad. So I think at least for the converts that I have met, for that friend that I know, I hope that this can be a tool that they can use to look at successful converts, or people who were not born in the Church and had to adopt this whole new culture and how they successfully did it. I think those real world examples would be invaluable.

Why did you specifically choose a podcast as your platform?

I think that it’s the easiest medium to reach the audience I want to reach. I want it to reach people who may find reading hard. Or people who, maybe if one day China opens up it can strengthen the converts there. I want it to not have any barriers.

That’s a great goal. Do you have any last thoughts you’d like to share?

I have one scripture that I love. It’s 2 Nephi 5:27, “And it came to pass that we lived after the manner of happiness.” I think that is the gist of the gospel. At the end of the day, it is to have true joy.

Incline Thine Ear to Wisdom

One of my favorite scriptures is in Proverbs 2:2. “…incline thine ear unto wisdom, and apply thine heart to understanding.” In this day and age the Lord has provided miraculous tools for connection. The power of podcasting is immeasurable, because it is the power of voice. It can educate. It can uplift. It can inspire. Podcasting allows us to sit down and spark the needed conversations about topics that are crucial to this day and age. Hopefully someday it can bless those who need it in China. For now we can listen and learn. Maybe you could even start your own podcast! What we call all do is use this power for good, by speaking, and by listening to those who finally have voices to raise.

Sources

Tyler Nelson is an English Major at Utah Valley University, and will graduate with his Bachelor’s degree in English, Creative Writing this fall. He is the author of five published short stories, including Letters From Bahati which can be found through Owl Canyon Press. He is also the host of Mission Report, a podcast all about interviewing returned missionaries and letting them share their experiences and advice for future missionaries. Tyler and his wife currently live up on a hill in Provo, UT.

Cussing & Creating: 3 Reasons Why You Shouldn’t (& Should!) Use Profanities in Your Writing

June 30, 2021 By Lizzy Pingry 9 Comments

By Lizzy Pingry

During World War II, American soldier Audie Murphy earned a total of twenty-eight medals, including two from France and one from Belgium, making him the most decorated soldier in American history. His story was so extraordinary that in 1955, it was sensationalized in a film that Murphy himself starred in. To Hell and Back is his biography, and at one point, it shows the death of Murphy’s best friend, Lattie Tipton (named “Brandon” in the film). The scene was understandably difficult for Murphy, as Brandon is shot, looks at him from a distance, and falls down dead. However, this scene as depicted in the movie is not what really happened. Murphy stated, “When we shot the scene, we changed the part where Brandon died in my arms. That was the way it had really happened, but it looked too corny, they said. I guess it did.”

This highly decorated soldier had to relive one of his worst days, and a director or writer looked him in the eye and told him that the truth “looked too corny,” and the concept of that situation is just as shocking as the death itself. When writers censor or change the truth of a situation because it makes them uncomfortable or because it may be unpopular, they risk invalidating the truth, especially in nonfiction. Latter-day Saint authors have to grapple with the concept of censorship when trying to decide whether or not to use profanities in their writing.

Language: What Is It Good For? Absolutely Everything

The debate of appropriate use of language is an argument spanning centuries. It is one of the reasons the English language is so adaptable. Some words in English didn’t start as profanities but eventually evolved into something inappropriate for polite society. The Journal.ie’s article “The Historical Origins of 6 Swear Words We Use Every Day” explains that the Proto-Indo European’s base word skie, or the Old English scitte, started as a verb and noun (respectively) for “separating” or “purging” from the body. This base eventually evolved to suit the needs of the speakers until it stopped meaning “going to the bathroom” and started being a vulgarity for excrement. Meanwhile, some words started as vulgarities and eventually shifted into every-day terms. For example, a silly sounding word, zounds, is an archaic exclamation (popular in Baroness Orczy’s The Scarlet Pimpernel) meaning “God’s wounds,” and it was a terrible curse when it was first introduced.

Words are not capable of being bad by themselves. Even our synonyms for the phrase “swear words” supports that idea: vulgar means lacking in sophistication, and profane means disrespectful or irreverent. The word is only as powerful as our reaction to it as individuals and as a society. God’s name is a prayer—until it is used as an exclamation. The way we use the word defines its appropriateness, and we have to vet each term and syllable. Is it worse to say that it’s a “damn beautiful day” or to tell an overeager child to “please shut up”? Writers must evaluate the way they express themselves: how does our use of language and its profanities build or destroy our stories?

The word is only as powerful as our reaction to it.

Writers who are disinclined to use profane words in their writing might be familiar with a First Presidency message, in which Spencer W. Kimball addressed the world—specifically writers!—on profanities. He stated, “I lately picked up a book, widely circulated, highly recommended, a best-seller, and my blood ran cold at the profane and vulgar conversations therein, and I cringed as the characters used in an ugly way the sacred names of Deity. Why? Why do authors sell themselves so cheaply and desecrate their God-given talents? Why do they profane and curse?” Those who prefer to avoid using strong language in their writing may reflect on Book Cave’s article, “Profanity in Books: Show Don’t Tell Emotion,” which points out that “there are more effective ways to make the world ‘bloom’…the use of vulgarity quickly becomes a cheap, convenient device to give the impression that the book is up-to-date and realistic.” These individuals argue that profanity in any form is a sin and an example of weak writing styles; they believe that profanity is an excuse to express strong emotions without having to be vulnerable.

Meanwhile, we have stories about “the cursing apostle” J. Golden Kimball, who, when driving a stubborn stage of oxen, started cursing to get them moving. He remembered, saying: “Boy, how I did cuss! Did I wax eloquent! I’m afraid I did. But, did those oxen sit up and take notice? They sure did; every one of them got down to business. You see, they were Church oxen, and when you talked that language to them they understood it.” This humble and humorous story of working with Church oxen is a reminder that we are, none of us, perfect, and since that’s the case, we can’t expect the characters in our writing to be perfect either. The Writing Cooperative’s article “Should You Use Curse Words in Your Writing?” (heads up! This one uses strong curse words, so don’t read it if you want to avoid that kind of language) insists “swearing isn’t the only way to express emotion, but it is a tool in your arsenal.” Writers who use profanities in their work may relate to the article “Writing Dark Things as a Positive Person” by Zachariah Wahrer where he states, “If a story is all positive, it isn’t interesting. We have to have conflict, deception, destruction, lies, etc., to make it interesting, because that is how we experience everyday life (albeit usually on a smaller scale).” These individuals argue that strong language is representative of human nature and realism; they believe that profanity is an opportunity to represent a variety of character voices and experiences.

This argument is relevant to writers all over the world. Writers can join the discussion by educating themselves on the pros and cons of using profanities in our writing.

3 Reasons Why You Can Feel Justified Using Profanities in Your Writing

Lattie Tipton’s death was so traumatic that even nearly fifteen years later, Audie Murphy struggled to maintain composure while reenacting the scene. While the film’s representation of the scene is still potent, knowing the truth of the death is even more so. Failing to accurately represent the situation changed the meaning behind the scene, and one could argue that the same could apply to using profanities. For example, let’s take the phrase, coined initially by U.S. Naval officer David Glasgow Farragut: “Damn the torpedos! Full speed ahead!” This phrase is a popular colloquialism meaning to move forward despite the risks you may face.

If we were to take that phrase and change it to avoid the profanity, we lose the intention behind the phrase. Neither “Don’t worry about the torpedoes! Full speed ahead!” nor “Forget the torpedoes! Full speed ahead!” carries the same reckless abandon as the vulgarity; the original phrase stirs a level of shock and awe, and it is far more realistic to imagine a sailor cursing. The profanity is an exclamation we expect from such a character, and some authors (and readers) feel strong language is justified because it lends itself to realism.

Don’t worry about the torpedoes! Full speed ahead!

It could be argued that fictional characters cannot be directly quoted, so providing alternatives to profanities is not going to change the meaning. To expand on that counter-argument, let’s look at Tim O’Brien’s novel The Things We Carried, which is introduced as a nonfictional memoir of American soldiers in Vietnam. Strong language is used throughout the book; these were real men surviving war, and if changing an experience invalidates it, we should expect nonfiction writers to honor the language as much as they can. However, at the end of the novel, readers come to understand that it was never a memoir; none of the men were real, and it takes first-time readers by surprise because the details are so accurate, so realistic, that it’s more unbelievable to think these characters weren’t human. The language they use is shocking, but expected. If O’Brien created fake characters and let them swear like soldiers, was he being profane, or was he representing the soldiers who did exist, even namelessly? Writers argue that these vulgarities are tools for intentionality. We would not correct real human beings for their profane statements; why should writers have to tiptoe around fictional characters inspired by those same people?

Influential comedian Richard Pryor noted, “What I’m saying might be profane, but it’s also profound,” suggesting that strong language can convey powerful messages. What’s more is the fact that writers are crafting something; their decisions in their work are not always meant to represent their personal values. Conflict and antagonists must exist to create a story, and these conflicts can sometimes be gruesome, raw, and violent because the protagonist has to overcome these evils to develop. To this day, Cormac McCarthy’s The Road is impacting lives because of its haunting imagery. McCarthy wrote about characters that would kill their own children to survive; does that mean he agrees with the tactic and would implement it himself? No. The same could be said for writers who use profanity. These writers can uphold Oscar Wilde’s insight: “I didn’t say I liked it. I said it fascinated me. There is a great difference.”

3 Reasons Why You Should Feel Justified Not Using Profanities in Your Writing

On the other hand, writers are meant to develop the skills of producing powerful emotions without leaning on the reader’s shock. C.S. Lewis wrote to a young author about adjectives saying, “…instead of telling us a thing was ‘terrible,’ describe it so that we’ll be terrified. Don’t say it was ‘delightful’; make us say ‘Delightful!’ when we’ve read the description. You see, all those words…are only like saying to your readers ‘Please, will you do my job for me?’”

Don’t say it was ‘delightful’; make us say ‘Delightful!’ when we’ve read the description.
C.S. Lewis

The same reasoning can apply to using vulgarities. Writers claim that using profanity is a signal of lazy writing, and Mark Twain humorously suggested, “Substitute ‘damn’ every time you’re inclined to write ‘very;’ your editor will delete it and the writing will be just as it should be.”

Writers who won’t use profanities have to adapt their work around the void, and doing so can make it just as impactful, particularly since vulgarity for shock value is a detriment to the reader and potentially to the work, especially the more it is used. For example, when you hear about the 2013 film “The Wolf of Wall Street,” you may not think about the story of corrupt stockbrokers in America. Instead, you probably remember it as being the most expletive film in history. The consequence of “realistic” profanity? This film won’t be remembered for the characters or their development, nor the conflict or how it was or wasn’t overcome, but for its use of over 700 swear words. Realistically, this is profanity. Outside a Latter-day Saint community, people use strong language as frequently as any other part of speech. If writers want to claim profanity as realism, they may find their work being analyzed for reasons they didn’t intend.

Using profanities is not as tempting when you realize that there are ways to work around doing so. Great men and women throughout history have avoided using profanities, even when they could have been justified to do so. Teddy Roosevelt, America’s 26th president, didn’t swear.

Using profanities is not required to develop a unique character voice.

Instead, according to Mental Floss’s article “16 Savage Teddy Roosevelt Insults,” he employed colorful phrases to describe his frustrations. Rachel Hawkins’ young adult novel Rebel Belle produces a narrator who censors her friend’s strongest language throughout the story because “this is my story, so I’m cleaning it up a little.” Language contributes to realism, and using profanities is not required to develop a unique character voice.

Who is Right and What Really Matters

Both sides of the argument are so compelling and it makes the decision that much harder. We are advised to use “praiseworthy” language, but as artists, we aim to reveal the truth of our reality. Toni Morrison’s novel Beloved is one of the most influential stories of our time, and it uses explicit violence and language to tell the truth. Writers can’t be expected to use profanities to deliver that truth, but I would say they can’t be expected not to either. This debate is one for the ages.

In the end, I can only say to write what is true to you. Validation of your art is not necessary for it to exist; what you write will continue with or without others’ approval. Whatever language you decide to implement, I simply recommend that you do so deliberately and with the understanding that your words—profane or not—carry a meaning that will affect your readers. What you choose to put in or take out can change your story in big ways and little ways at the same time: To Hell and Back told the true story of a soldier who witnessed the death of his best friend, and whether Lattie Tipton died on a hillside or in Audie Murphy’s arms, he still died.

Lizzy Pingry is a full-time editor and enthusiastic writer. She graduated with a degree in English and emphasis in creative writing from BYU-Idaho and has worked as an editor on multiple projects since 2016. She lives in Idaho with her husband and their cat, Jack.

Questions Every Writer Should Ask Themselves

June 9, 2021 By Steve Dunn Hanson Leave a Comment

By Steve Dunn Hanson

In high school my most dreaded assignment was to write a composition. Give me a book, like Orwell’s 1984 back then, and you could just about say goodbye to me until I had finished it. But writing . . . ? Hand me a math problem or a science project or, preferably, a basketball or a MAD magazine. Just don’t ask me to write, or, even worse, give a talk.

Maybe my handwriting had something to do with this aversion. The lowest grade I ever received in school was in penmanship in the fourth grade. Mine was the poorest in the class. The teacher told us that she would give a book, The Magic Bus, to the student who improved the most in penmanship. It was no contest. I was so bad nobody could possibly improve as much as I could. I got the book, but bettering my handwriting never got close to the top of my I-want-to-do-this list again. Thank goodness for typewriters and computers!

So, when did my attitude about writing and speaking change, and why? Well, weird things sometimes happen when you grow up. For me, I began to discover that I had something meaningful to say. And if I was going to effectively share with others what I was observing and experiencing and thinking, I had to do something about my subpar communication skills.

I began to discover that I had something meaningful to say.

While each of us has our own unique path to where we are today in the use of our creative talents, all of us are faced with the same ongoing and defining question: Why am I doing this? Is it for money, or for recognition, or to be famous? Is it to make others happy, or to help others overcome challenges, or to share knowledge, or to provide entertainment? Will it give me an outlet for something in me that needs to get out, or fulfill my desire to achieve, or give me a satisfaction-high by watching something new and even beautiful flow from me? Or is it my duty to create?

Any or all the above might be our answer. But whatever our reasons for creating, we need to count on snags along the way. My foray into getting my first book published illustrates this rather dramatically. And, I might add, that this initial rollercoaster experience of mine has been replicated, in one form or another, a myriad of times throughout my creative journey. Here’s how it went.

Some 40 years ago I had two articles published in the Ensign magazine within a year or two of each other. That confidence builder got me thinking about writing a book. And I knew just the book I wanted to write. As a young man, I had an extraordinary Church mission to Australia. It had everything. Gobs of spiritual highlights. Dangers. Depressions. Really funny incidents. And even why-am-I-out-here gut-punchers. I could literally go 3,000 miles from one end of my mission to the other and be on islands or in the tropics or deserts or snowy mountains. I labored in small outback towns that were 100 years behind anything I had ever experienced as well as in a dazzling metropolis that boasted world-class beauty. All of this plus out-of-this-world fauna like kangaroos, emus, koalas, echidnas, and platypuses. I was in an exotic zoo with no cages.

In sum, my mission was an adventure I never dreamed possible, and I was certain the world would be waiting with bated breath to read about it! But after my initial enthusiasm, I was struck with a balloon-popping realization. Who would ever want to buy a book about the mission of a nobody like Steve Dunn Hanson? And with that came a critical question. “Why do I want to write this book? Really!”

Why do I want to write this book? Really!

Significant soul searching resulted and some course-guiding answers came. I decided my primary objective in writing was to help young missionaries find out who they were so their missions could be the life changing experience for them that mine was for me. Now all I had to do was write the book so it would appeal to a publisher and entice young men and women to read it. That shouldn’t be too hard. After all, the Ensign published two of my articles. Dream on!

I titled the book The Mission. It was a fictionalized account of some of my mission experiences with a focus on the changes taking place in the life of my protagonist, Elder Pete Hewitt. I wrote it as a series of letters that brought the reader into Pete’s mission and mind in a unique and intimate way. I submitted my manuscript to a major Latter-day Saint publisher and within two or three weeks I received a phone call from the managing editor saying they wanted to publish it. Well, I thought, what was so hard about this?

Then reality hit.

Someone on the publisher’s board of directors didn’t like the book—too realistic they said. Remember this was over 30 years ago, and Latter-day Saint fiction tended to be more vanilla then. I soon received a “with regrets” letter from the managing editor. They would not be publishing it. I picked myself up off the floor (I stayed there for quite a while!) and submitted my work to other Latter-day Saint publishers. My rejection letters piled up until I received an acceptance from a very small publisher. That was an almost euphoric experience, but I was learning to restrain my hope. A publishing date was set, and then . . . reality hit. Again.

The company didn’t have the funds to publish it for a while, they said apologetically. I could wait for when they did (no date was given), or, if I wanted to do this now, they would help me self-publish it and would distribute it for me at a special price. I would, of course, foot the bill. I had run out of options, and since I had the funds, that’s what I did.

Amazon didn’t exist back then, and there wasn’t a plethora of publishing, marketing, editing, formatting, or distributing services to get a self-published book up and going. My would-be publisher, however, was good to their word and successfully guided me through the process. A learning experience, and an expensive one. I printed 7,000 hardback copies, and Deseret Book and other Latter-day Saint bookstores carried them. It was all working. At one point, Deseret Book even told me The Mission was their top-selling book for the week.

And then . . . (Stop me if you’ve heard this before).

While all copies of my book were ultimately sold, my publisher/distributor declared bankruptcy somewhere along the way, and I was sans thousands of dollars in royalty compensation. But fortunately, that was not the end of the story.

Over the years, I have had countless people tell me how that book changed their mission. Changed their lives. And even today, decades later, I have had grandfathers approach me to tell me how my book affected them deeply when they were struggling with their missions. And I’ve thought, it didn’t just affect these now-grandfathers, but through them their children and grandchildren as well. My book was a success in the most meaningful way it could be. It accomplished what I wrote it to do.

My answer to the “Why” question back then was the right answer and put me on a convoluted but exceptionally rewarding path. The ride was amazing . . . especially looking back. But, then again, maybe I have just described life.

How we respond to the “Why” question, of course, is affected by how we answer another question: Where does my talent come from? Am I the source of my creative genius and solely responsible for how successfully it is manifested and received? Or is my talent a gift from God that He has given me stewardship over, and my magnifying it requires an abundance of His grace?

How we respond to the “Why” question is affected by how we answer another question: Where does my talent come from?

While I, for one, find it disturbingly easy to drink in accolades and internalize praise, that is literally a dead-end street. I wrote a little poem about that.

When I think
that it is me,
I find my glint
is hard to see.

As I lose myself in Him,
His Beam bursts forth
where e’er I Am.

When we perceive that we are the sole or primary source of our talents, we will likely focus on ourselves. A dim light indeed. If we recognize the gift-nature of our abilities, we will strive to know what the Lord wants us to do with the talents He has given us. On an admittedly bumpy and inconsistent road, we will also grow and learn to become an extension of Jesus Christ; an instrument in bringing about His purposes. We are then entitled to have the Spirit work through us, and what proceeds can be far beyond what we are innately capable of producing.

How we answer the “Why” and “Where” questions will affect the content, quality, and impact of our creativity. But those responses beg another question that is even more important. Are they congruous with who we really want to be eternally? If not, perhaps we should consider reprioritizing some of our objectives.

Steve Dunn Hanson has a BS in economics and an MA in political behavior. He has served in many community and Church capacities, including as a jail chaplain, stake president, and member of a temple presidency. He lives with Joyce, his wife of 57 years, in northeast Washington and is the author of several books, including The Course of Fate, a fiction trilogy currently available on Amazon.

Showing Versus Telling to Write Compelling Dialogue

June 2, 2021 By Emma Heggem Leave a Comment

By Emma Heggem

To write a good conversation, you first need to be picky about what conversations make it into your book. A conversation that doesn’t affect the story, no matter how dynamic, realistic, and well-written, will feel like an unnecessary aside. Dialogue takes up a lot more space than narrating a conversation would. It needs to earn that space by showing readers something important. Characters need to learn valuable information through the conversation, whether that’s the password to their bank account or the state of another human being’s emotions. The things that are talked about must change the story or the character by being known.

There are some things that come across particularly well by being shown to readers in a conversation. One example is relationships. Readers don’t like to be told about a relationship between two characters. They want to feel the connection for themselves, which means that it is very important to show relationships and show them changing over the course of the book. Downtime or relationship-changing moments for characters, including dialogue, can help readers feel the bond between the characters and be invested in the relationship. This is true whether the relationship is improving or declining. Inter-character conflict is just as important to show as characters falling in love.

Decisions can also work well as dialogue conversations. Inner monologues can get tiring to read and can drift into angst or get repetitive. Real people mull over the same thing again and again when making a decision, but characters need to avoid boring their readers. One way to show them pondering a decision without sitting inside their head and going in circles is to have them talk their decision through with another person. This pushes them forward and forces them to move through each part of the decision and then move on. When the character weighing the decision gets bogged down, their friends or listeners can express the same frustration the readers will be feeling and cut them off.

Another excellent use of dialogue is to provide the reader with an active and dynamic account of events that your point-of-view character wasn’t present for. This can help tone down unnecessary telling in your novel. The characters who were present can retell the story, be asked questions, and even be unreliable when it suits your needs. That’s much more interesting than a factual summary of important events.

Speaking of things your point-of-view character doesn’t know, dialogue is a great way to show readers the emotional state of your other characters without necessarily cluing your POV character in. Is one of your characters keeping a huge secret? Is a side character madly in love with your oblivious main character? By showing the conversations directly to the reader, you allow the reader to pick up on things that the point-of-view character doesn’t notice. This can help fill in the blanks and explain complex side-character motivations without having to switch POV.

As with most forms of showing, dialogue takes up more time and space than narration does. Choosing which conversations to show your readers is a very important step towards making sure that the conversation will be compelling. Don’t waste time with dialogue that isn’t going to strengthen your story. Focus on the moments that readers truly need to hear (read) about and you will end up having a much easier time keeping them interested and invested.

Happy writing!

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Emma Heggem is the managing editor with Future House Publishing. She specializes in content editing sci-fi and fantasy novels. She has worked with authors from around the world to prepare their manuscripts for publication. When she’s not editing, she attends writers conferences to take pitches, give critiques, and talk to aspiring writers about the mysterious world of publishing. Emma graduated from Brigham Young University with a degree in English language and a minor in editing.

Remembering Heaven: A Documentary and My Appreciation to LDSPMA For Making It Happen

May 5, 2021 By LDSPMA 5 Comments

By Sarah Hinze

For many years I have collected stories about heaven. My collection includes not only the heaven we go home to when we graduate from earth life, but the heaven we come from before we are born. The quest to understand these concepts has been a personal one. My search to know my spiritual origin and destiny has always been with me, even as a child.

From an early age, I was especially eager to learn about God. I ached deep in my heart for an understanding of where I came from. I sensed that I was a child of God and lived with Him before I was born. I missed him and, well, I was homesick for heaven, I guess is one way to put it.

Our family regularly attended our local Protestant church and every Sunday, together as a congregation, we would stand and recite a creed that went something like this, “God is so small he can dwell in your heart and He is so large He can fill the universe.”

In my heart, I never believed God was like a cloud or a seed. I knew he was a man with a son named Jesus. I knew he didn’t live in the entire universe but in a special place called heaven. I knew heaven was my home and God was my Father.

My strong desire to know Him continued throughout my young years and on into college. A pivotal moment for me came when I first heard in my University English Literature class the following poem by William Wordsworth.

Ode on Intimations of Immortality

Our birth is but a sleep and a forgetting:
The Soul that rises with us, our life’s Star,
Hath had elsewhere its setting,
And cometh from afar:
Not in entire forgetfulness,
And not in utter nakedness,
But trailing clouds of glory do we come,
From God, who is our home.

The poem was electrifying. The words sang out like beautiful music to my soul. A strong spirit of holiness rested upon me in my class. I thought, “So that is where I come from. I come from God, who is my home.” But where and how can I learn more?

My search for God expanded into a search to learn all I could about the human soul, however, many of the philosophies I studied, existentialism for example, left me confused and even depressed.

One evening, I was with my new friend Mavis, sitting on her front lawn in Brigham City, Utah. As we looked into the darkness of the evening sky watching for shooting stars, she turned to me and said, “You know we lived in heaven with God before we were born.”

I sat in silence, amazed at how easily she said something I had only believed in the deepest and most sacred place of my heart. This was the first time I had heard another person say that we lived with God before we were born. All of my life I had known it was true, but here with this new friend, who was a member of The Church of Jesus Christ of Latter-day Saints, she shared it like it was common knowledge. This impacted me greatly. I had found people who believed as I did.

Within weeks I requested the missionary lessons and in September, 1968, I chose baptism into the church.

Meanwhile I enrolled at Utah State University in Logan, Utah. My future husband Brent also enrolled there after his mission. We are both converts to the church and were drawn together on a beautiful April afternoon as we shared our testimonies with one another. A few days later Brent invited me on a drive up Logan Canyon, which manifests some of the most majestic views imaginable.

After about half an hour we had wound our way up the narrow twisting road until we reached a mountain pass.

We parked the car near a shady meadow alive with wild flowers surrounded by groves of white birch. Brent took my hand as we walked.

The scenery, the sounds, the smells—it all seemed so familiar. The feeling was sacred and we were quiet, almost reverent. We didn’t speak for a time. Finally I broke the silence. In an unusual display of boldness I said, “I think I have walked with you before. . . . in heaven before we came to earth.”

“I feel it too,” Brent whispered. From that moment, we sensed one another as we had in the world before we were born and our spirits seemed to renew a relationship from long ago. We could feel there had been love between us before and a divine spark seemed to rekindle those memories.

Eventually it was time to drive back down the canyon and return to the real world. Our surroundings looked the same, but we were not. Our marriage came a year later in the Salt Lake Temple.

Soon our children came along. Several of our children’s birth’s were preceded by what I later learned is called an announcing dream. An announcing dream can be defined as dreams, visions and other spiritual connections concerning a child waiting to be born or conceived. In some cases one is told what the child’s chosen name is to be.

It is a humbling experience for a spirit waiting to be born to announce their desire for birth into your family. None of us are perfect parents by any means, but it seems our children love us and want to be with us, seeing past our imperfections, perhaps seeing our potential more than we can.

I wondered if other parents had these experiences and soon discovered that I was by no means the only one. But what began as curiosity became a quest when I received profound impressions that part of my life’s mission was to research, teach, and write about this special experience occurring to people worldwide. Collecting stories was one thing I could do, but writing about it was something else. I was frightened. It seemed like more than I could possibly do. After much prayer and contemplation, I realized that I needed to be faithful to this assignment.

As I began doing so, I was soon joined in my research by my husband, Brent, who has a Ph.D. in psychology. We proceeded to conduct interviews, collect case studies, give talks, and publish about the marvels and mysteries of announcing dreams.

Brent and I coined the term “pre-birth experience” or “PBE” to refer to any experience that relates to souls prior to birth or conception. We learned through an analysis of the data that unborn children can warn, protect, and enlighten us from another plane of existence. Most often they appear to announce it is their time to be born.

Social scientists coined the phrase “announcing dream” to identify dreams about unborn children and other types of PBE, not only in the western world but in cross-cultural studies around the world. It is our belief that PBEs, like NDEs, are universal and occur among all peoples, now and in the past

After I had published several books, Brent and I had the chance to visit with Elder Hartman Rector Jr. who was staying at a friend’s home after speaking at our stake conference. She had given him one of our books to read, and he was very encouraging. “There will be books, films, music, art, and various forms of media that will share this important information,” Elder Rector said.

The word film caught my attention. I knew nothing of filmmaking. It seemed like an impossible dream, but I took Elder Rector’s counsel to heart that someday, with the Lord’s help, we would have a film. I knew that with God’s help, all things are possible.

In 2018, while Brent and I were serving a mission at the London England Temple, I received an email announcing the LDS Publishing and Media Association’s Annual Conference in Provo, Utah which would convene soon after we returned home. While reading the email, I was at our table in our little flat on the grounds of the London Temple. I felt strongly impressed by the Spirit that I needed to be there. I dismissed it, thinking we would barely be home from our mission on the dates of the conference and I would have my seriously annoying jet lag going on! The promptings continued, so arriving home from London about a month later, my suitcases still packed from our mission, I packed a small suitcase and headed to the conference. I have learned if I do not follow the promptings of the Spirit, I will probably miss out on opportunities the Lord has arranged for me.

I arrived early the morning of the conference. I recognized a woman who looked familiar as I headed for the door. It was a Facebook friend I had never met in person, Dr. Trina Boice, who recognized me as the author of a book she had read after she had her own announcing dream with her unborn son. It was a good feeling to at least have one friend there! I felt comfortable and welcomed as I walked in, greeting many with smiles and good mornings.

It was easy to get into conversation with people, so I networked and talked to people about many of my interests in media, writing, and a film on my prebirth studies. After attending a panel presentation of several film editors and filmmakers, I waited outside the door to talk to one in particular, Wynn Hoggard, who gave me the name of his friend Tom Laughlin. Within days, Tom and I talked on the phone and my dream of a film began to take shape.

Tom and I arranged to soon start the filming of our untitled film. We filmed for a total of five days. Tom had enough footage to spend an entire year editing, and he did it with dedication, heart, and soul. By January, 2021 the film Remembering Heaven was ready!

Tom went into the film never hearing about the pre-birth experience, not knowing what he would find. As we interviewed people with stories, he was moved by the tender sacred feeling that accompanied the interviews. Later in going through the footage, he stated he was “overwhelmed with the beauty and power of the content.”

We are so grateful to scholars Terryl Givens, Ph.D. and Daniel Peterson, Ph.D. for their major contributions. Givens and Peterson’s scholarly contributions bring us stunning detailed teachings from major cultures and religious foundations which should make the case for premortality at least a consideration for any true seeker of their spiritual origin.

Here are a few story previews from the film:

Christine was a young mother expecting another child. She was aware even before she left to visit her doctor that afternoon that her unborn child had not moved for a time. She was praying at home while waiting for her husband to come home from work. Then a remarkable thing happened… the spirit of her unborn child appeared and spoke to her.

Corenna was dating a young man, but she was confused where to go with the relationship. She had doubts about marrying him. After praying most sincerely, she fell asleep. In a dream she saw this same young man, but then he faded away. A young boy stood before her and called her Mother. She was very drawn to this child, and felt convinced he held a message for her. After the dream, she broke up with the other young man. Years later, she met another young man from the Congo in Africa. Almost immediately they felt very connected to one another. They were married and a year later a wonderful son was born to them.

Ned is from the East Coast and owned a nightclub in the Hamptons. He himself claims that he was hedonistic, materialistic, and had no interest in God. One evening after a fight with one of his business associates, Ned died and experienced a near death experience. What he saw on the other side included children who could have been his had he not insisted on his girlfriends terminating them—a startling and shocking revelation. A Lady of Light showed him a child that could be his son on earth if he would improve his life.

The legwork of Remembering Heaven was put together by a team of people including Brady Dunn (cinematographer), Tom Laughlin (filmmaker), my husband and I (Executive Producers) and all who have so generously contributed.

Special thanks to Tom Laughlin who has given of his time and talents in an untiring and dedicated way. Tom has put together some of the most exquisite photographs, videos, and music that bring life and passion to this unique information.

Plato and Socrates spoke of a pre-life. In biblical times John declared that in the beginning the Son (Jesus) was with God who sent His Son into the world with a mission. (See John 3:16-17) Scriptures, prophets and pre-birth studies suggest this is a pattern for all of us.

I express my heartfelt gratitude to the Spirit of the Lord for guiding me to attend the LDSPMA Conference and to meet the people who helped to make Remembering Heaven.

Remembering Heaven won Best Feature Documentary and Audience Choice Award at the LDS Film Festival in February, 2021. We are nominated for Best Documentary at the Utah Film Festival and Most Inspirational Documentary at the International Christian Film Festival in Orlando, Florida May, 2021.

**We are looking for stories for our next film, international pre-birth experience stories as well as stories close to home. See my website www.sarahhinze.com for more information on pre-birth experiences or you can read my book The Announcing Dream: Dreams and Visions of Children Waiting to be Born 2016 (On Amazon)

Please contact Sarah for questions or stories you would like to share at [email protected]

Sarah Hinze has collaborated with leading experts on near-death experiences and pre-natal psychology while conducting extensive research and hundreds of interviews. She has presented workshops, seminars, and lectures at conferences and universities, as well as on Capitol Hill and at the United Nations. Sarah has been featured in articles and radio and TV shows in the US, Canada and Japan. In addition to English, her books are published in Spanish, Portuguese and German. Her writings have been the source of healing and hope for individuals worldwide. Sarah and Brent Hinze are the parents of nine children and thirty-two grandchildren, so far!

**Check out the story and journey of our film by following Sarah Hinze and Tom Laughlin on Facebook as well as my website and blog at: sarahhinze.com/home/books/remembering-heaven

Aaron Merrell: Working in the Film Industry

April 14, 2021 By Trina Boice 1 Comment

By Trina Boice

Check out a recent BYU-Idaho Forum presentation, featuring Aaron Merrell, who is a senior producer for The Church of Jesus Christ of Latter-day Saint’s Publishing Services Department. In the forum, Aaron gives a behind-the-scenes look into producing the Book of Mormon Videos series. He also shares insights about working in the film industry.

Aaron has worked for DreamWorks, Walt Disney Company, and other entertainment companies prior to working for the Church.

Video of Aaron Merrell discussing working in the film industry on the Book of Mormon Videos series. — https://video.byui.edu/media/t/1_yik46p1s/11602882

The Book of Mormon Videos are a collection of videos based on accounts from The Book of Mormon. You can watch them on YouTube or on the Church’s website to learn more about these faith-building films! They are also available in other languages.

You may have seen the Broadway musical called “The Book of Mormon.” Now, through movie magic, you can find out what the Book of Mormon is really about!

Podcasting: Why You Should Think About Trying It

March 24, 2021 By LDSPMA Leave a Comment

By Ashley Fontes

Years ago, I started a children’s yoga blog. I had my blog name and a good website address. I wrote innovative content, I had my target audience, I made videos, I offered free content. Eventually, I even wrote on guest blogs. I was doing everything everyone was telling me to do to get my name out there, and still, I was not getting more than 50 hits a month.

What was I doing wrong? Why couldn’t I break into the market?

Trying a New Tactic

I couldn’t figure it out, but then last year I found this little gem that made me think: “As of this writing, there are over 500 million blogs available on the Internet. By contrast, Google claims to have indexed two million podcasts, and in 2018, Apple claimed that there were 525,000 active podcasts. Would you rather try to be noticeable in a room of 500 people, or a room with two?”

I did some more researching to see if podcasts would really make that big of a difference. Again, this is what I found:

75% of the US population is familiar with the term “podcasting”
55% (155 million) of the US population has listened to a podcast
16 million people in the US are “avid podcast fans”

With such a surprisingly large potential audience waiting, I had to try this out.

I rebranded everything I owned to one name. I made sure all of my social media accounts pointed to my website and blog and that I owned the simplest domain for my new brand. Then I started my podcast, Read and Yoga. Same brand, same content, same audience, just a different platform.

A podcast set up with microphone and computer.

The Results

In two months, I had 100 downloads on my podcast. While 100 downloads in two months didn’t mean instant podcaster celebrity status for me, it came with great side effects:

I went from 50 unique visits a month on my website to 150 unique visits to my website.
Since there are only 15 podcasters in my genre, I don’t have as much competition to get my content noticed in that sphere.
I have been featured as a guest on two other podcasts, with a third coming up next month. And my podcast has received a shoutout from one of the top podcasters in my genre. These opportunities have drawn new readers and listeners to my blog and podcast from those podcasters’ audiences.
My social media page has grown faster in the last two months than in the last two years.

The steps for starting a podcast are very similar to starting a blog . . . and there is no one saying you can’t have both. My podcast allows me to reach my audience where they are in ways that my blog can’t. While my blog talks mostly to caregivers and teachers, my podcast can reach straight out to yogis.

You can find the same benefits from starting your own podcast! Reach people where they are, and don’t be afraid to change.

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Ashley Fontes graduated from Brigham Young University (Provo) with a BA in Humanities. She continued exploring her love for cultures by becoming a certified Iyengar yoga teacher, instructing both children and adults. While raising a family, writing, and teaching yoga, she has been active in the Deaf community, and in 2018 she co-founded a non-profit organization, ASL Junction.

Website: www.readandyoga.com

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Be sure to check out LDSPMA’s new podcast! You can find the first episode here.

7 Character Traits of Creative People

March 10, 2021 By Trina Boice 2 Comments

By Trina Boice

Have you ever wondered what drives creative people? What makes them different? Hanging out with other LDSPMA members energizes me, inspires me, and encourages me to tap into my own creativity more! You can develop your own innate creativity by incorporating the following seven traits into your daily life.

1. Creative people are focused

Highly creative people usually have high levels of energy and stay focused on their project for long periods. Even when they are out of the studio or away from the computer, their minds are still thinking about their creative work. To take advantage of the ideas that tend to constantly flow, keep a notebook nearby or reserve a spot on your cell phone where you can instantly record your flashes of inspiration.

2. They hold onto a sense of wonder

Creative people are often brilliant, but they don’t think they know everything. Just the opposite, they retain a sense of wonder and curiosity about the world. They are committed to lifelong learning.

3. Creative people work hard

Creative people, whether songwriters or artists, speakers or writers, usually work long hours on a project and get into “the zone.” They let their loved ones know what they need for support, so that when they’re in “the zone,” they won’t be bothered or interrupted. Know how to design an effective workspace with music or silence, food or drink, aroma or light. Creatives are persistent and determined and totally focused on their work. They also know they need to take a break!

4. Creatives are not loners

Research suggests that creative people often combine the best of extroversion and introversion. While most people tend to favor one or the other of these personality types, creative people combine elements of both. They find ideas and inspiration in their social interactions and then retreat to the studio to work their creative magic.

5. They are open and sensitive

Creatives tend to be very empathic and sensitive. They are open to all the possibilities of the world and find inspiration everywhere. Sensitivity is necessary to be able to create artistically but can be a double-edged sword, leaving the artist vulnerable to criticism and rejection.

6. **Creatives can daydream and be realistic**

The traditional picture of the daydreaming artist isn’t necessarily reflective of the creative mind. Creativity is grounded in imagination and daydreaming, seeing the possibilities and wondering ‘what if?’ But creative people are also very practical, and the next stage is testing the ‘what if’ idea to see if it works. Creative thinking is essential for innovative problem solving that works in the real world.

7. Creatives seek to be a light in the world

Creative desire to share their gifts with the world to make it a better place. They want to share their insights and perspective in order to lighten another person’s burden or add joy and depth to understanding.

So, what are YOU going to create today?

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Dr. Trina Boice is a #1 best-selling author of 31 books and an author coach at www.FromBook2Business.com. She teaches online for Brigham Young University (Idaho campus), is a film critic at www.MovieReviewMom.com. Trina is the Marketing Director at LDSPMA and loves rubbing shoulders with all of you amazing creatives!