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Empowering Latter-day Saints to spread light and truth by connecting them at the intersection of faith, creativity, and professional skill

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Advice from the Experts: Liz Adair (Wife, Mother, Mentor, Author)

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By Lessa Harding

Once again, I find myself wishing I could take a poll when introducing the expert of the month. I would love to hear who your favorite authors are and why. I would love to hear whom you look up to, who your heroes are, and how you would react if you met one of them.

A few months ago, a friend recounted the first time she met her favorite author. My friend talked about going weak in the knees, not being able to form coherent thoughts, and stumbling over her words as she attempted to ask the author questions. I giggled as my friend said she had a “writer’s crush” on the author.

I have to admit that this month’s article was extremely difficult for me to write because of my writer’s crush on our expert. Liz Adair is one of my favorite authors, and I admire the depth that her characters have, the wit and humor they display, and her ability to write a story that both entertains and captivates. I also admire her as a person.

The first time I met Liz, I experienced what other aspiring authors experience when they’re lucky enough to meet Liz: the overwhelming feeling that I could do anything I wanted to do. One of the writers she has mentored described the experience by saying that Liz “helped me see that I have something to offer and encouraged me to grow beyond myself.” Another confided that Liz “made me feel like a real writer for the first time ever.” And another said, “She breathed into me a belief that I could write books.”

Liz has written 10 novels and 3 novellas, has received the Whitney Outstanding Achievement Award for mentoring writers, has owned and operated a bakery, and has helped found more writers’ groups and conferences than I can count, including the American Night Writers Association’s Northwest Writers Retreat and the Kanab Writers Conference. But the thing I admire the most is the effect she has had on the lives of people she has met along the way, including her husband of 58 years and her 7 children. I love this description of Liz given by someone who has known her for over 10 years: “Liz . . .  becomes your true friend and just loves you. If she can share something she’s learned along the way, she does. She rarely asks for anything in return, [but] those who walk . . . the path with her . . . are forever changed. Liz makes you want to be a better person and to achieve great things by just being Liz.”

As you read the following insights she shared for this article, I hope some of the encouragement and confidence Liz exudes will leap off the paper and help you walk your own path.

  • You don’t need a rigid writing schedule. “I have no typical day of writing. I have things that have to get done, things that may get done, and writing. I try to write after doing the things that have to get done. I’m more of a mosey-along writer. I stop and smell a lot of roses.”
  • Associate with other writers. Her “tip for those trying to publish for the first time [is to] hang out with writers.”
  • Need ideas about writing rituals? Here’s Liz’s: “[My] process is to sit down “process is to sit down with a pencil and notebook and block out the plot points in each chapter. Then I sit at the computer and write about a half a page about each chapter. After that, I begin the first draft and grind it out to the end.”
  • “I’ve learned a lot about three-dimensional villains from watching Turkish films.”
  • If you want to publish but haven’t yet, “start learning the craft now. You’ll be so much further ahead when the barriers that are keeping you from doing it are no longer there.”
  • On writer’s block: “I think fallow times are useful in the creative process. When I’m ready to write again, I’ll know it. That’s why self-publishing suits me so much better than working with a traditional publisher. I don’t have to force anything.”
  • On rejection: “I think time and perspective are the only things that help.”
  • “Let others read and critique [your] writing. I mean, hard critiques. I belong to a critique group that has met for two hours a week for a dozen years now, and we pull no punches. It has made me a much better writer than if they loved everything I sent to them.”
  • Her personal motto: “‘Pull up your socks.’ I had that as a personal motto long before compression stockings became a part of my daily routine.”
  • “Writing is its own reward.”
  • “Write! Write! Write!”

“The Fighting Preacher” Delivers a Knockout and Tugs at the Heart

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By Alice M. Batzel
Published Author, Playwright, Journalist, Poet, Freelance Writer

Writer/Director: T. C. Christensen
Producers: T. C. Christensen and Ron Tanner
Production Company: Remember Films
Distributor: Purdie Distribution
MPAA Rating: PG (for thematic content and some action)
Running Time: 121 minutes.

Review Ranking: 9 stars out of 10 (using IMDb’s ranking scale)

I attended the premiere of The Fighting Preacher, a movie by Utah writer/director T. C. Christensen, on July 17, 2019. Among those who attended were Christensen, cast members, the crew, the film editor, producers, Utah Film Commission representatives, production/industry associates, and family. In preparation, I did a bit of research and studied the promotional information regarding the subject of the film. I was interested and eager to see how the historical story of Willard Bean and his wife, Rebecca Bean, would be told.

The film takes the audience on a journey back to a time when religious prejudice in the United States was common, especially for a faith that was unfamiliar to the majority of Americans. And when such faith was accompanied by historical discord, acceptance would be a monumental feat. Willard and Rebecca Bean found such to be the case when attempting to set up residence in Palmyra, New York, in 1915. At the request of leaders of The Church of Jesus Christ of Latter-day Saints, the Beans accepted a unique missionary assignment. They were called to become residents and caretakers of the property known as the Joseph Smith family farm located in Palmyra and to preach the gospel. They were also called to establish community relations between the Church and residents in Palmyra and to help arrange the purchase of Church-related historic properties in the area. Any of those assignments would have been a challenge; in combination, they were daunting indeed.

Used with permission from T. C. Christensen

After the Beans arrived in Palmyra, they were emotionally tormented. Numerous attempts were made by community members to defame the Church and to make the Beans’ lives miserable. When Willard and Rebecca arrived, they had been married for less than one year, so you can imagine what an obstacle the opposition presented for the young couple. The fact that they chose to remain despite such circumstances shows their character, grit, and commitment to the calling that their Church leaders had extended to them. The Beans were the first members of the Church to reside in Palmyra in 84 years. A welcome was long overdue, but the Beans surely didn’t receive one. As I watched the film, I couldn’t help but feel empathy for the Beans because of the community’s negative reception of the couple. There was an occasional acceptance, and when it occurred the Beans felt as though it was a blessing from heaven. I felt the same way whenever the Beans achieved a victory during their earliest years in Palmyra. Additionally, I particularly enjoyed seeing this couple grow in their love and devotion for one another.

Used with permission from T. C. Christensen

The Beans attempted through various means to make friends and contribute to the community, but often the responses were a deaf ear, unkind actions, and vicious remarks. Finally, Willard, with the encouragement of Rebecca, defended himself, his family, and the purpose of their mission. The community soon learned with whom they had been dealing. You see, at one time, Willard had held the title of middle-weight champion in the United States. At times, Willard had to call upon those boxing skills to defend himself and his family because of the enraged sentiments of the abundant number of individuals who opposed the Church. As a result of using his boxing skills while a Church representative, he was often called “The Fighting Parson,” to which the film adapted the title to be “The Fighting Preacher.” The boxing scenes in the movie show Willard’s boxing to be an asset to meeting the challenges of his Church assignment. The portrayal of gratuitous graphic violence is absent. Instead, the film successfully shows Willard’s sportsmanship, athletic ability, and defeat of his challengers.

Used with permission from T. C. Christensen

While some residents responded through facing Willard in the boxing arena, others responded with continued contention. The Beans then implemented a more robust effort to provide community and individual service and compassion without any expectation of reciprocation. The endeavor was tedious and sustained over time, resulting in gradual acceptance and a feeling of belonging. Finally, after years of continued effort, the Beans became respected community members and took an active role in many service organizations in the community. Their children likewise received benefits from enduring their trials. What began as a Church assignment of five years ended up as a mission of twenty-five years, by the end of which the Beans were endeared to and honored by the community.

Used with permission from T. C. Christensen

The film’s cinematography is exceptional. Attention is given to detail of subject and expression, as well as an expansive panoramic view. Such cinematography has become a trademark of Christensen, and audiences look forward to him delivering it in each of his films. I commend the casting director; each of the actors provided a solid performance, demonstrating skill, consistency, and sensitivity. I didn’t detect any weakness in the acting. Even the extras presented a colorful collection of characters of unique expression and appearance, adding to the entertaining visual quality of the film. The technical components of the film are aesthetically pleasing. The musical score is captivating and appropriate for the period. Even a seasoned critic would find it difficult, if not impossible, to point to any legitimate flaws in these aspects of the film.

Similar to other historically influenced films written/directed by Christensen (e.g., The Cokeville Miracle, Ephraim’s Rescue, and 17 Miracles), The Fighting Preacher demonstrates attention to biographical detail and historical accuracy throughout, excepting minor instances of artistic license. Filmed in New York and Utah, the cinematography takes advantage of the topography of the land. Clothing and architecture of the period are well represented. Even the interior of the old schoolhouse where a number of scenes take place helps the audience feel transported in time. After the film, alongside the credits, numerous historical photos and informational facts about the Beans were presented. My eyes were already teary, but with the archival and photographic feast, tears coursed down my cheeks.

The Fighting Preacher is a noteworthy filmmaking accomplishment. Christensen has written and directed an exceptional film worthy of numerous awards. He’s a well-researched visionary filmmaker—one of the most talented filmmakers of this generation—and he consistently delivers quality films. He shows the audience the truth and invites them to receive a valuable message. He uses the highest caliber of storytelling through his screenwriting, directing, and cinematography. This triple combination is unique among industry professionals. Whereas other filmmakers choose to work with fiction, he tells a true story of historical significance, one that is worthy of the audience’s time and that can inspire the human spirit. The running time of the film is not adequate to tell the entire story of Willard and Rebecca Bean, but the events depicted in this film portray the significance of this couple’s lives. In Christensen’s final remarks to the audience attending the premiere, he said, “My hope is that this film will go out and inspire others to be kinder to one another.” That takes courage and faith. That’s what Willard and Rebecca Bean had. That’s what Christensen has.

Adapted, with permission, from the review at https://www.alicembatzel.com/2019-1.

Advice from the Experts: Steve Piersanti (Former Publishing CEO, Founder of LDSPMA, Acquisitions Editor)

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By Lessa Harding

In high school I had a homeroom-type class that contained a mix of students from every grade. There were a number of classic high school characters, as well as some who broke all the molds. There was the kind, handsome senior who’d fit in any Hallmark movie. There was the beauty queen who thought she was better than everyone else. There was the Christian girl who stood up to every attack on her beliefs. There was a soccer star, a basketball champion, a physics wiz, and a math nerd (that last one helped me solve homework problems using dry erase markers on the window). And there was the guy everyone wanted to be. He had a successful business, good grades, and a confidence that somehow removed him from the social hierarchy that is high school. We all knew he’d succeed at whatever he did, and we all looked up to him for it. Recently, my thoughts turned back to him. The reason? I was interviewing Steve Piersanti.

I know nothing about Steve’s high school experience, but I have to admit I felt like I was a freshman again looking up to that most-likely-to-succeed senior in my advisory class. Steve is the kind of guy who gets back up every time he gets knocked down, who accomplishes everything he puts his mind to, and who then helps others do the same. I was amazed to learn that he not only founded LDSPMA but also founded and edited a student scholarly journal while attending BYU, graduated with highest honors, began his career as an advertising copywriter at Jossey-Bass Publishers, and worked his way up to the position of president at the same company. Later, he founded Berrett-Koehler Publishers and served as CEO while also working as an acquisitions editor. He somehow also found time to play basketball, lead an annual gardening workshop, prioritize family functions, and go backpacking. The best thing about him, though, is that unlike the senior in my advisory class, Steve is approachable, is kind, gives encouragement, offers praise when it’s due, and is willing to help others who want to follow in his footsteps. Let me share some of his advice for traveling along the path to success:

  • “Most authors are primarily focused on how their books are written. That is important, but what is equally important is the marketing of your book.”
  • “The number of books being published annually in the US has tripled in 12 years, while total book sales have not grown.[1] . . . The only way publishers have kept afloat is by shifting more and more of the marketing to the authors. An author today must come to their publisher with a marketing plan…. What publishers look for now is the author’s so called platform. When you submit a proposal to the publisher, you need to include a strong section about what you are willing to do to help market your book.”
  • “If you want to get up to speed on how to get your book published, here is how you get started:
    • Go to the annual LDSPMA conference, and learn about how to market books.
    • Learn what successful authors do, and do it yourself.
    • Figure out what your potential assets are (e.g., blogging, social media, connecting with audiences, and speaking).
    • Get involved with groups and associations in your genre.
    • Then think about publishing your book.
  • “You have to pick the right publisher to pitch your book to. Most have a particular area they are interested in. You need to do upfront research about the publishers you would like to pitch to.”
  • “When a publisher asks, ‘What are the competing works,’ don’t say, ‘It has no competition’ or ‘My book is unlike any other.’ Those kinds of statements work against you.”
  • “Everyone starts at the bottom and works their way up. Figure out what you want to do, and actually start going after it instead of going on your current inertia.”
  • “Everyone has many setbacks. I suppose [the best response] is going back and revisiting what you are really trying to accomplish. What really matters and what doesn’t matter? . . . [After a failure] you have to come up with a new game plan and come at it with a new perspective.”
  • “Some things are going to take decades. You just have to accept that. You can keep going!”
  • On how to balance family and work: “Family commitments that I make, I always came through on them. If I said I was going to be somewhere, I did it. Don’t let something ‘come up.’”
  • “Don’t work on Sunday. That is a day for family and church. Same thing with Family Home Evening. . . . Build [your schedule] around [those important family obligations].”

[1] See the article titled “The 10 Awful Truths about Publishing,” https://www.bkconnection.com/the-10-awful-truths-about-book-publishing.

So You’ve Written a Book. What Now?: 3 Steps from Lisa Mangum

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By Lisa Mangum, Managing Editor at Shadow Mountain

So you’ve written a book. Now what? Well, after revising it and polishing it and reading it through one more time, you’re probably ready to send your book to a publisher. Here are three things to get you started on that journey.

1. Do your research. Not every publisher publishes everything, so make sure the publishing house you’re submitting to is actually looking for the type of thing that you write. A house that doesn’t publish children’s picture books will not publish your children’s picture book, no matter how well written it is. You’ll need to research publishers online, look at their backlist titles, and perhaps even follow them or their editors on social media.

Another way to narrow down your list of publishers is to look at other books in your genre. In addition to looking at who the publishers are, check the acknowledgments page, since authors often thank their agents and editors by name.

2. Follow the guidelines. In your research, you’ll likely have found submission guidelines posted somewhere on each publisher’s site. The best thing to do once you’ve read through the guidelines is to follow them exactly. If the guidelines specify to submit 10 pages, do that. If they say to send the pages in the body of an email (as opposed to an attachment), do that. If they say you must have an agent in order to submit, get an agent.

As a general rule, agents, editors, and publishers like to see manuscripts formatted with the following specs: double spacing, 12-point Times New Roman font, and one-inch margins.

3. Write a query letter. Writing a query letter is one of the hardest steps in the process, but the document is required by agents and editors alike. There are a lot of resources online that can help you learn how to write a query letter (a great place to start is AgentQuery.com), but here’s a simple overview of how to structure your first draft:

A basic query letter has three paragraphs. The first is the “hook”—the premise of your story summarized in just one or two sentences. The second paragraph is where you can elaborate on the storyline, introducing secondary characters, plot points, and themes. The final paragraph is a short bio of who you are and why you wrote the book you’re pitching. Somewhere in the letter, you also need to mention the book’s title, genre, and approximate word count.

It can be hard to distill the entire plot of your book in one paragraph, so I recommend focusing on the four Cs: character, conflict, choice, and consequence. Introduce me to your main character. Explain the conflict he or she is facing—the goal that needs to be accomplished and some of the obstacles that are standing in the way. Focus on the choice your main character has to make at the end of the story. Make it clear what is at stake for the main character by presenting the consequences of that choice.

Finding a publisher for your book can feel like a marathon at times, so don’t panic if the path feels long and a bit unpredictable. Just keep moving forward and working on your craft, and you’ll find the path that is right for you.

Novellas: Why You Should Be Writing Them

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By Heather B. Moore

The Basics

What is a novella? According to Jack Smith in the Writer magazine, a novella “combines the compression of the short story with the sprawl of the short novel, and many writers as well as readers find this attractive.”

How long is a novella? Novellas range from 20,000 to 40,000 words. Anything above 50,000 words is considered a short novel. Anything under 20,000 words is considered a novelette. Under 7,000 words is a short story.

Why novellas? Before the advent of digital publishing, novellas were a hard sell because print runs would be very small and profit returns would be slim. In fact, Chuck Sambuchino recommended in a Writer’s Digest article that if you’d written a novella, you should expand it to a novel before pitching to an agent or publisher. And to those who weren’t published yet, Sambuchino said, “My best candid advice is to finish this novella and stick it in a drawer.”

Times have changed. Oh, yes. Now, novellas can be published as e-books and achieve success.

The Benefits

The fact that esteemed publisher Covenant Communication is holding the Story Catcher novella contest is a good indicator that traditional publishers have now included novellas in their publishing lineups.

If you’re unpublished, writing a novella is a great way to learn the craft of fiction with a shorter body of work.

If you’re published, adding novellas to your lineup is a great way to give your readers a shorter work to read and enjoy (and purchase, of course) in between your novel releases.

A novella can be a story about one of your secondary characters—a character who maybe doesn’t need a full novel, yet your readers are asking for more information about that character. Writing a novella is also a great way to test out a new genre. Perhaps you write historical fiction and want to try writing a mystery or contemporary romance. Start with a novella to see how things go.

Novellas are also an excellent way to experiment with writing in a different point of view. For example, maybe all of your works are third-person narrative, and you want to try writing in first person. Or perhaps you’ve written a romance novel in the heroine’s point of view; as a bonus, you could write the same story in novella form from the hero’s point of view.

Your publisher might invite you to contribute to an anthology in order to cross-promote your work with other writers in your genre. You will be given a general theme to write to and will be asked to adhere to a word-count limit. In this way, writing a novella becomes a marketing tool to gain new readers, as well as a way to keep your publishing career relevant with more frequent releases.

How to Write a Novella

How to write a novella? Many novelists struggle with writing a shorter version of their full-length novel. In that same vein, writing a 20,000 word novella compared to a 40,000 word novella requires a different strategy.

Below, I’ve included tips on crafting your novella in a way that will satisfy the reader and help you stick to an appropriate word count. Keep in mind that if your readers are used to full-length books from you, you’ll need to be doubly sure they will be happy with your shorter works as well. You don’t want them throwing your book, or their e-reader, across the room in frustration. Yes, they can pine a little and wish the book was longer because your characters and storytelling are wonderful, but you want the reader to feel a sense of completion and satisfaction at the end of the story.

  1. Your main characters should already know each other. You’ll catch the reader up on their established relationship, but it will save you word count if you’re not starting a relationship from scratch.
  2. You need fewer influential characters—both primary and secondary. You might include the main character’s father or sister, but you won’t have scenes involving all six siblings, two aunts, and a grandmother. Or your detective might interact mostly with his partner, not with the entire police force.
  3. In full-length novels, it’s important to avoid info dumps at all costs and to develop scenes fully. In novellas, you’ll need small info dumps strategically placed so that the story can move forward at a faster pace.
  4. Your story timeline needs to be shorter. Instead of covering months or perhaps a year or more, as you would in your full-length novel, you’ll cover a few weeks in your novella.
  5. Your plot should be simpler than in a novel. This doesn’t mean your story should be one-dimensional. In a mystery, perhaps only the final couple clues need to be found. In a romance, the heroine is at the point in her life that she’s ready to settle down but has to overcome one complication, not five or six. In a fantasy, you’ll create a world that is relatively easy to set up and is streamlined.
  6. Your novella should have only one—or maybe two—viewpoints.
  7. Novellas should have shorter chapters. Crafting 5- to 6-page chapters will move the pacing along much faster than 10- to 12-page chapters will.
  8. You should scale down the conflicts so they can be solved by the main character or through a single circumstance.
  9. You should craft smaller-scale events. In a mystery novella, the murder event should include one person and one incident, instead of a series of murders. In a historical romance, the romance should quickly fit into the plot arc; the hero shouldn’t need to first run off to war for two years. A fantasy should stick to a specific location and shorter timeframe rather than include epic battles or characters going on a year-long quest.
  10. Your novella’s solution needs to be satisfactory. For example, in a historical romance novel, a typical arc might involve the relationship between the hero and heroine developing into confessed love and a possible marriage proposal. In a novella, the relationship might reach its pinnacle at the first kiss, with a promise of more.

Best of luck with your future novellas:

Check out some of Heather B. Moore’s novellas and novels:

Her next book is Deborah: Prophetess of God, coming in September 2019.

Works Cited

Chuck Sambuchino, “How Long Is a Novella? And How Do You Query Agents for Them?,” Writer’s Digest, November 18, 2008, https://www.writersdigest.com/publishing-insights/how-long-is-a-novella-and-how-do-you-query-agents-for-them.

Jack Smith, “The Novella: Stepping Stone to Success or Waste of Time?,” The Writer, October 4, 2017, https://www.writermag.com/improve-your-writing/fiction/novella/.

Advice from the Experts: Ann Acton (Author, Day Care Owner, Wife, Mother)

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By Lessa Harding

If you run a Google search on “how to be a good or successful writer,” you get suggestions like “read,” “write every day,” and “write what you know.” A search for the “characteristics and strengths every writer needs” provides a list of traits that include discipline, imagination, a good grasp of grammar, and a love of words. I recently met a writer who embodies these characteristics. It’s Ann Acton, author of The Miracle Maker and The Vanishing (the latter is set for release this September).

When I met with Ann, I asked her what she thinks her greatest strengths or talents are. I expected her to say something similar to what came up in the Google search results, and while Ann is indeed disciplined, imaginative, and a lover of words, she believes her greatest talent is that she was able to rewrite the poem ’Twas the Night before Christmas. I have to admit to laughing out loud at her answer. Her response was unexpected, but it really set the tone for the whole interview. In fact, rather than calling it an interview, I would prefer to call it a not-coffee date with a soon-to-be best friend.

Over the course of our not-coffee date, I began to see why Ann’s self-identified talent is truly her greatest strength. Ann is real, is down to earth, loves to laugh, and has learned the hard way how to deal with difficult situations. She rewrites her own story every day and makes it fit her world. When her children struggled with learning, she home-schooled them. And when her husband got sick, she turned to writing—even when it required waking up at 5:00 a.m. This difficult time in her life led to her writing The Miracle Maker, which was published by Covenant Communications.

Ann told me that she did not originally want to be a writer—it wasn’t in her story. She hadn’t even entertained the idea until she completed a spur-of-the-moment rendition of ’Twas the Night before Christmas and her husband said, “You know that not everyone can do that, right? I think you are a writer.” A little further down the road, her mentor, Liz Adair, gave her the final push. Ann said, “[Liz] told me I was a writer, and then I was one.” Sometimes it just takes a few gentle nudges for us to recognize our potential. And now for some advice from Ann:

  • “It has been the best thing for my writing—failing and then learning to not look at it as failing.”
  • “Sit down and write every day. Write consistently. It doesn’t have to be good, because that is what the delete key is for.”
  • “Writing is truly just therapy, so just pour it into your writing.”
  • “I think our strength [as women] comes from [our] softness.”
  • In speaking of the hard things we go through in life: “Someday, all these things will just be fodder for writing. I [didn’t think] anything good could come out of this part of my life, but now I can see it.”
  • “Because you are a writer, people will connect with you. People will come up to you and just start spilling their guts. These are dreams people have to be writers, and it is so cool to be a part of that.”
  • “The hardest part [about being a writer] is constantly failing. Writing is hard. It is subjective, [and] people are not all nice. A lot of writers say it is hard because of the solitude, but not for me. For me it is the constant reading something wonderful and going, ‘Will I ever be that good?’ Having to change that thinking process from ‘I am not good enough’ never goes away, . . . but I can get better. Whatever I put out today is not me. I can become better even if this [work] is a failure.”
  • “People are so afraid someone is going to tell them they are really not a writer. You don’t need permission. Be gentle with yourself. Enjoy the process, because it is going to be a process.”
  • “Comparing yourself only causes resentment. Someone else’s success has no effect on yours. Every writer struggles with something, and no journey is easy.”
  • “Support your friends because their success has no bearing on you.”
  • “Don’t let anyone have the power to take away your dreams. If there is something you want, why should you let anyone take that away from you?”
  • “There are times and seasons. You are never going to have extra time, [because] you are going to fill it with something. If you want to be a writer, you have to fill it with writing.”
  • “Just do something. Even reading a book is working on your writing.”

Ann also shared a tip from Liz:

  • “Every single writer is working on something. Grammar is the easiest thing to be working on because it can be taught.”

I hope some of this advice Ann shared will give you the gentle nudge you might need to take your own story in a new direction.

Advice from the Experts: Marianna Richardson (Author, Professor, Wife, Mother)

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By Lessa Harding

We all have moments that change our lives. For many of us, those moments are perfectly ordinary, yet somehow they shape the people we become. It could be a random exchange with a stranger on the street, an innocent comment from a child, or a sunrise after a long night. For me, it was a conversation I had with my stake president when I was 16 years old. We talked after a fireside, and while I can’t remember what the fireside was about or which building’s Relief Society room we were in, I can tell you that he asked me what I wanted to do with my life. As the opinionated daughter of a successful attorney, I boldly declared my resolution to pursue a career in law, changing the world one amicus brief at a time and spending any extra time traveling the world.

My stake president smiled broadly and somehow managed to turn the conversation to family. He asked if I wanted one. My answer was a very blunt no. Again, the stake president smiled, and then he told me about his wife and her life as a mother who was also attending school in the evenings. I later met his wife and was amazed to come to know a woman besides my own mother who loved being a mother and still pursued other dreams. All of a sudden, it wasn’t just my mom telling me that life doesn’t end when you have children. My stake president and his wife were telling me the same thing. The conversation with my stake president was my first introduction to Marianna Richardson, and it stuck with me as I became friends with her daughters, went to prom with her son, and babysat her grandkids. She’s one of the many women who showed me how important and fulfilling family is. The lesson she taught me is one of the reasons that made interviewing Marianna so much fun!

Marianna is married to Steve Richardson. She’s the mother of 12 children and author/coauthor of five books, including a fictionalized story from her family’s history, a book about C. S. Lewis, and a compilation of lessons her nine daughters learned while growing up with each other. Marianna is also an adjunct professor at BYU, where she teaches advanced writing for business and is the chief editor for the Marriott Student Review. She has a master’s degree from John’s Hopkins University and an doctorate degree from Seattle Pacific University. She’s working on her MBA and will be attending law school at BYU in the fall.

My favorite quote from Marianna during our interview is no surprise given our history. When I asked her how she balanced having a family and a career, she said: “The key is time. I didn’t do it all at once. I was an at-home mom for 40 years… The biggest frustration I see with a lot of women is they [think they] have to do it all now. . . . You don’t.”

I hope the other advice Marianna shared helps you as much as her advice has helped me!

  • “[You] have to go back to the basics of writing before [you] can talk about the beauty of language. If you don’t know the basics, you can’t do the other stuff.”
  • “I do feel that if you really want to become a good writer, you don’t need to just read, but read out loud so you are not only reading it but hearing it. Read out loud, have those experiences in language, . . . listen to the cadence. There is a difference.”
  • Self-publishing requires self-promotion. “You really do need to promote as a part-time job.”
  • “I think in order for a writer to become successful, you . . . need to stick with one genre. That is one of the business problems I have had. I like to write about too many different things. . . . You can’t have a following if you don’t stick with one genre.”
  • “Experiential learning is how you really learn.”
  • “It’s not that most people are not good writers; they just don’t understand the positive writing process. Writing . . . shouldn’t be a lonely experience. Yes, you write, but then you talk to a friend about it and have them read it and discuss how to make it better. . . . Don’t write the night before it’s due. If that is how you write, no wonder you hate it . . . . [In a] real writing process, you write it, you leave it, . . . you have other people read it and give you feedback, then you write it again. . . . [After that,] you have other people read it and do it again.”
  • “I feel strongly and firmly that every woman has to have their own outlet, something that means something to them, some sort of intellectual stimulation. Quilting, creating works of art, or cooking. For me, it was education.”
  • “[Some] women who have stayed home with their children . . . come out the other end [and] think they are done. I feel like now is the time to have your career. You don’t have to say ‘I am too old’ [or] ‘I can’t.’ I think that is totally wrong. If you want to get that graduate degree, go get it. . . . Don’t think you’re done at 60.”
  • “Keep trying. Every great writer has the huge stack of rejection letters. But I think that is just a good understanding of life. I don’t care what you want to do or what you want to be; you need to learn how to handle rejection. Have that long-term view. . . . You can’t let those things get you down.”
  • “Be patient. It is so easy to get frustrated. . . . It might take 10–20 years, and people don’t want to hear that. Be patient.”
  • Personal motto: “Wahoo, the gospel is true!”

10 Common Mistakes Your Editor Wants You to Fix

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By Lessa Harding

By a show of hands, how many of you still have emotional scars caused by the red pen your English teacher used to grade your writing assignments? Come on, raise your hands. I’m definitely raising my hand. Fifteen years after graduating from high school, I still appreciate it when a professor uses a blue pen instead of a red one. I’ve always struggled with where to use commas, how to use modifiers, and how to properly cite sources. So, to help us all out, I asked Suzy Bills and Marianna Richardson, who teach editing and writing courses at BYU, to list some of the most common mistakes they see in university writing assignments and professional publications. Here’s what they shared:

Mistake 1: Using a comma after a conjunction when it links two dependent clauses

Rule: If or, and, or but links two phrases that couldn’t be complete sentences on their own, then don’t use a comma before the linking word.

Example: I went to the store and then went to the park.

Mistake 2: Following for example or for instance with and so forth

Rule: When a list starts with for example or for instance (or e.g.,), the list should not end with and so forth (or etc.) because for example and for instance indicate a finite number of examples will be listed, whereas and so forth indicates the list isn’t finite.

Example: For example, you can use red, orange, blue, and green.

Mistake 3: Using unclear and weak pronouns

Rule: Beware of weak pronouns (e.g., it, there, this) since they can cause confusion in meaning or can lead to being wordy or using the passive voice.

Examples:

  • The Book of Mormon focuses on Jesus; this emphasis changed how I live. (Not: The Book of Mormon focuses on Jesus; this changed how I live.)
  • Some people don’t like to run. (Not: There are some people who don’t like to run.)

Mistake 4: Misplacing modifiers

Rule: The modifier should be placed right before the word it modifies. Pay particular attention to the word only.

Examples:

  • Only Steve likes the team when it wins. (Meaning: No one but Steve likes the team when it wins.)
  • Steve likes the team only when it wins. (Meaning: Steve doesn’t like the team when it loses.)

Mistake 5: Using i.e. instead of e.g.

Rule: i.e. means “that is” or “in other words,” whereas e.g. means “for example.”

Examples:

  • Please, wear nice clothes (i.e., a suit and tie).
  • Beware of weak pronouns (e.g., it, there, this).

Mistake 6: Using that instead of which

Rule: Use that when what follows is essential to the meaning being conveyed in the sentence. Use which when what follows isn’t essential to the meaning being conveyed.

Examples:

  • I went to the beach, which is my favorite vacation spot. (Meaning: Beaches in general are my favorite vacation spot.)
  • I went to the beach that is my favorite vacation spot. (Meaning: One specific beach is my favorite vacation spot.)

Mistake 7: Using lead instead of led

Rule: Led is the past tense of the verb lead. The noun lead refers to a metal. People often confuse the verb led with the noun lead because the words have the same pronunciation.

Example: I led him away from the statues, which was made of lead.

Mistake 8: Using less instead of fewer

Rule: Use less when the object you are referring to is uncountable. Use fewer when the object is countable.

Example: I have less water and fewer pieces of candy than you.

Mistake 9: Using who instead of whom

Rule: Use who as the subject of a sentence. Use whom as the object of a verb or preposition.

Examples:

  • Who spilled this milk and didn’t clean it up?
  • To whom did you address the letter?

Mistake 10: Using a hyphen instead of an em dash

Rule: Use a hyphen to join two words together. Use an em dash to set off a statement that is parenthetical or that signifies a break in idea or sentence structure.

Examples:

  • I love my mother-in-law.
  • You think you have to go to the party—the biggest event of the year.

In case you want even more guidance, here are some resources suggested by Suzy, Marianna, and a few of our readers:

  • HBR Guide to Better Business Writing, by Bryan A. Garner
  • The Chicago Manual of Style, by the University of Chicago Press
  • Style: Lessons in Clarity and Grace, by Joseph M. Williams
  • Chicago Style Workouts, available at https://cmosshoptalk.com/chicago-style-workouts/

Happy writing!