Previous Parts
How “Save the Cat” Can Save Your Story – Part One
How “Save the Cat” Can Save Your Story—Part Two
In my last article, we talked about Save the Cat’s “Transformation Machine.” In this article, we’ll learn about the next three plot beats that draw on your hero’s want while planting subtext about their emotional wound and true need. If you know your hero’s background, you can infuse the story with that rich resonance we want to create with our readers. Studies have shown that most readers will read about 25% of a story before giving up, so these next beats are all the more important. Resonance is the key to hooking your reader and keeping their interest.
The first three beats—Opening Image, Theme, and Set-up—established our world, the main characters, and the hero’s essential problem. Now it’s time for the plot to come crashing into the hero’s life in a very big way.
Beat 4: Catalyst
The Catalyst is a single-beat scene that hits around the 10% mark of your story. Think of this event like a bomb going off in your hero’s life—it’s unexpected (to them, though the reader may anticipate it), upsets everything, and can’t be ignored. If you can honestly say that the hero could ignore the Catalyst—you know, if he weren’t in the book you’re writing—then chances are good it’s not a sufficiently disruptive event. While the hero will spend the following few chapters debating what to do in response to the Catalyst, the truth is they have no choice but to act.
Pro Tip #1: Imagine your hero going about their day—same-old, same-old—when a bomb smashes their house to bits, leaving them alive, but suddenly living a very different life. That’s the kind of impact your Catalyst should have.
Beat 5: Debate
When writers feel like something is “off” with their manuscript, I always review the Catalyst and Debate. Getting these two beats wrong will mess with the book’s flow. In these cases, I find the Catalyst is almost never life-changing enough, and the Debate is never (I mean, never) long (or deep) enough.
The Debate should be 10% of your book!
If you’re writing a 100,000-word long book, the Debate alone will cost you 10,000 words. That’s a lot of words! My chapters tend to be 2,000 words long, so I’d need to write five chapters of Debate. That’s 10% of your story spent on boring stuff.
Or is it?
The Debate is only boring if you write it that way.
Imagine that Beat 4’s bomb lands on your hero’s house and everything goes up in flames. It’s a total loss.
Beat 5 asks, “What now?”
If (as is common for many writers when they first come to me) your answer is, “Then she moves in with her boyfriend, and it’s awesome, and they live happily ever after!” then, well, you have a problem. That’s not interesting, and it’s not real life.
The Debate beat allows you to lean into what you know about your hero and the internal journey you want to take them on.
In real life, if a bomb randomly blew up someone’s house, the victim wouldn’t stop talking about the event. They’d have a hard time working, sleeping, eating, or doing anything. Their mind would be on a constant loop of “A bomb just destroyed my house!”
First, they’d freak out a bit. (Understatement.) Then they’d call the fire department, police, and a friend—because where are they gonna sleep? And what will they wear/do/think? Everything they owned was just destroyed. (More freaking out.)
They’d talk to the police and insurance people. And talk to them again. The place where they spent their first night might not be where they want to stay long term, so they’ll talk to more people and make more arrangements.
They must pick through what’s left of their life, which will be so hard. Lean into that pain.
This is an opportunity to make a change. Maybe they work from home, so really, do they want to rebuild on the same lot? Or do they want to follow their lifelong dream of living and working in Belize? Do they even want to build another house? Maybe they want to move downtown into a trendy condo. The options are endless, challenging, and ultimately, revealing. They might even find themselves thankful for that bomb because the misfortune will allow them to fix everything that’s wrong with their life.
That hope, that belief that they’re in control and know what they’re doing is exactly where you want your hero to be as they Break into Two (Beat 6).
Pro Tip #2: If your Catalyst doesn’t yield this kind of life-altering dilemma, it’s not big enough or radical enough.
Pro Tip #3: Make a list of everything that needs to happen because of the Catalyst, then build your Debate. You’ll discover plenty of material to fill that 10% of your book, and it will inform Act 2 in powerful ways.
Pro Tip #4: If you’re writing a “Call to Adventure” story, the Debate can be a preparation beat—but should be no less demanding of your hero.
Beat 6: Break into Two
The Break into Two beat is a single scene showing your hero choosing to move into Act 2. The event should be physical and occur entirely of their own volition.
This shift from the set-up phase isn’t Harry Potter going to Hogwarts. It’s Harry running head-first into a brick column, believing it’s a magical gateway to wizarding school.
It’s not Katniss volunteering to be Tribute. It’s Katniss boarding the train from District 12 and stepping off into the completely different world of the Capitol.
A bold decision or action provides the perfect lead-in to Act 2—otherwise known as the Upside-Down World. But you’ll have to wait for the next installment to learn how to solve that whole “messy middle” business.
Here’s a hint: With Save the Cat, there’s no such thing as a “messy middle.”
Ali Cross
Find Ali at her website or @thealicross online.
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