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Empowering Latter-day Saints to spread light and truth by connecting them at the intersection of faith, creativity, and professional skill

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Media, Film & Theater

Remembering Heaven: A Documentary and My Appreciation to LDSPMA For Making It Happen

May 5, 2021 By LDSPMA 5 Comments

By Sarah Hinze

For many years I have collected stories about heaven. My collection includes not only the heaven we go home to when we graduate from earth life, but the heaven we come from before we are born. The quest to understand these concepts has been a personal one. My search to know my spiritual origin and destiny has always been with me, even as a child.

From an early age, I was especially eager to learn about God. I ached deep in my heart for an understanding of where I came from. I sensed that I was a child of God and lived with Him before I was born. I missed him and, well, I was homesick for heaven, I guess is one way to put it.

Our family regularly attended our local Protestant church and every Sunday, together as a congregation, we would stand and recite a creed that went something like this, “God is so small he can dwell in your heart and He is so large He can fill the universe.”

In my heart, I never believed God was like a cloud or a seed. I knew he was a man with a son named Jesus. I knew he didn’t live in the entire universe but in a special place called heaven. I knew heaven was my home and God was my Father.

My strong desire to know Him continued throughout my young years and on into college. A pivotal moment for me came when I first heard in my University English Literature class the following poem by William Wordsworth.

Ode on Intimations of Immortality

Our birth is but a sleep and a forgetting:
The Soul that rises with us, our life’s Star,
Hath had elsewhere its setting,
And cometh from afar:
Not in entire forgetfulness,
And not in utter nakedness,
But trailing clouds of glory do we come,
From God, who is our home.

The poem was electrifying. The words sang out like beautiful music to my soul. A strong spirit of holiness rested upon me in my class. I thought, “So that is where I come from. I come from God, who is my home.” But where and how can I learn more?

My search for God expanded into a search to learn all I could about the human soul, however, many of the philosophies I studied, existentialism for example, left me confused and even depressed.

One evening, I was with my new friend Mavis, sitting on her front lawn in Brigham City, Utah.  As we looked into the darkness of the evening sky watching for shooting stars, she turned to me and said, “You know we lived in heaven with God before we were born.”

I sat in silence, amazed at how easily she said something I had only believed in the deepest and most sacred place of my heart. This was the first time I had heard another person say that we lived with God before we were born.  All of my life I had known it was true, but here with this new friend, who was a member of The Church of Jesus Christ of Latter-day Saints, she shared it like it was common knowledge. This impacted me greatly. I had found people who believed as I did.

Within weeks I requested the missionary lessons and in September, 1968, I chose baptism into the church.

Meanwhile I enrolled at Utah State University in Logan, Utah.  My future husband Brent also enrolled there after his mission. We are both converts to the church and were drawn together on a beautiful April afternoon as we shared our testimonies with one another. A few days later Brent invited me on a drive up Logan Canyon, which manifests some of the most majestic views imaginable.

After about half an hour we had wound our way up the narrow twisting road until we reached a mountain pass.

We parked the car near a shady meadow alive with wild flowers surrounded by groves of white birch. Brent took my hand as we walked.

The scenery, the sounds, the smells—it all seemed so familiar. The feeling was sacred and we were quiet, almost reverent. We didn’t speak for a time. Finally I broke the silence. In an unusual display of boldness I said, “I think I have walked with you before. . . . in heaven before we came to earth.”

“I feel it too,” Brent whispered. From that moment, we sensed one another as we had in the world before we were born and our spirits seemed to renew a relationship from long ago. We could feel there had been love between us before and a divine spark seemed to rekindle those memories.

Eventually it was time to drive back down the canyon and return to the real world. Our surroundings looked the same, but we were not. Our marriage came a year later in the Salt Lake Temple.

Soon our children came along. Several of our children’s birth’s were preceded by what I later learned is called an announcing dream.  An announcing dream can be defined as dreams, visions and other spiritual connections concerning a child waiting to be born or conceived.  In some cases one is told what the child’s chosen name is to be.

It is a humbling experience for a spirit waiting to be born to announce their desire for birth   into your family.  None of us are perfect parents by any means, but it seems our children love us and want to be with us, seeing past our imperfections, perhaps seeing our potential more than  we can.

I wondered if other parents had these experiences and soon discovered that I was by no means the only one. But what began as curiosity became a quest when I received profound impressions that part of my life’s mission was to research, teach, and write about this special experience occurring to people worldwide. Collecting stories was one thing I could do, but writing about it was something else. I was frightened. It seemed like more than I could possibly do. After much prayer and contemplation, I realized that I needed to be faithful to this assignment.

As I began doing so, I was soon joined in my research by my husband, Brent, who has a Ph.D. in psychology. We proceeded to conduct interviews, collect case studies, give talks, and publish about the marvels and mysteries of announcing dreams.

Brent and I coined the term “pre-birth experience” or “PBE” to refer to any experience that relates to souls prior to birth or conception. We learned through an analysis of the data that unborn children can warn, protect, and enlighten us from another plane of existence. Most often they appear to announce it is their time to be born.

Social scientists coined the phrase “announcing dream” to identify dreams about unborn children and other types of PBE, not only in the western world but in cross-cultural studies around the world. It is our belief that PBEs, like NDEs, are universal and occur among all peoples, now and in the past

After I had published several books, Brent and I had the chance to visit with Elder Hartman Rector Jr. who was staying at a friend’s home after speaking at our stake conference. She had given him one of our books to read, and he was very encouraging. “There will be books, films, music, art, and various forms of media that will share this important information,” Elder Rector said.

The word film caught my attention. I knew nothing of filmmaking. It seemed like an impossible dream, but I took Elder Rector’s counsel to heart that someday, with the Lord’s help, we would have a film. I knew that with God’s help, all things are possible.

In 2018, while Brent and I were serving a mission at the London England Temple, I received an email announcing the LDS Publishing and Media Association’s Annual Conference in Provo, Utah which would convene soon after we returned home. While reading the email, I was at our table in our little flat on the grounds of the London Temple. I felt strongly impressed by the Spirit that I needed to be there. I dismissed it, thinking we would barely be home from our mission on the dates of the conference and I would have my seriously annoying jet lag going on!  The promptings continued, so arriving home from London about a month later, my suitcases still packed from our mission, I packed a small suitcase and headed to the conference. I have learned if I do not follow the promptings of the Spirit, I will probably miss out on opportunities the Lord has arranged for me.

I arrived early the morning of the conference. I recognized a woman who looked familiar as I headed for the door.  It was a Facebook friend I had never met in person, Dr. Trina Boice, who recognized me as the author of a book she had read after she had her own announcing dream with her unborn son.  It was a good feeling to at least have one friend there!  I felt comfortable and welcomed as I walked in, greeting many with smiles and good mornings. 

It was easy to get into conversation with people, so I networked and talked to people about many of my interests in media, writing, and a film on my prebirth studies.  After attending a panel presentation of several film editors and filmmakers, I waited outside the door to talk to one in particular, Wynn Hoggard, who gave me the name of his friend Tom Laughlin. Within days, Tom and I talked on the phone and my dream of a film began to take shape.

Tom and I arranged to soon start the filming of our untitled film. We filmed for a total of five days.  Tom had enough footage to spend an entire year editing, and he did it with dedication, heart, and soul. By January, 2021 the film Remembering Heaven was ready!

Tom went into the film never hearing about the pre-birth experience, not knowing what he would find. As we interviewed people with stories, he was moved by the tender sacred feeling that accompanied the interviews. Later in going through the footage, he stated he was “overwhelmed with the beauty and power of the content.”

We are so grateful to scholars Terryl Givens, Ph.D. and Daniel Peterson, Ph.D. for their major contributions. Givens and Peterson’s scholarly contributions bring us stunning detailed teachings from major cultures and religious foundations which should make the case for premortality at least a consideration for any true seeker of their spiritual origin.

Here are a few story previews from the film:

Christine was a young mother expecting another child. She was aware even before she left to visit her doctor that afternoon that her unborn child had not moved for a time. She was praying at home while waiting for her husband to come home from work. Then a remarkable thing happened… the spirit of her unborn child appeared and spoke to her.

Corenna was dating a young man, but she was confused where to go with the relationship. She had doubts about marrying him. After praying most sincerely, she fell asleep. In a dream she saw this same young man, but then he faded away. A young boy stood before her and called her Mother. She was very drawn to this child, and felt convinced he held a message for her. After the dream, she broke up with the other young man. Years later, she met another young man from the Congo in Africa. Almost immediately they felt very connected to one another. They were married and a year later a wonderful son was born to them.

Ned is from the East Coast and owned a nightclub in the Hamptons. He himself claims that he was hedonistic, materialistic, and had no interest in God.  One evening after a fight with one of his business associates, Ned died and experienced a near death experience. What he saw on the other side included children who could have been his had he not insisted on his girlfriends terminating them—a startling and shocking revelation.  A Lady of Light showed him a child that could be his son on earth if he would improve his life.

The legwork of Remembering Heaven was put together by a team of people including Brady Dunn (cinematographer), Tom Laughlin (filmmaker), my husband and I (Executive Producers) and all who have so generously contributed.

Special thanks to Tom Laughlin who has given of his time and talents in an untiring and dedicated way. Tom has put together some of the most exquisite photographs, videos, and music that bring life and passion to this unique information.

Plato and Socrates spoke of a pre-life. In biblical times John declared that in the beginning the Son (Jesus) was with God who sent His Son into the world with a mission. (See John 3:16-17) Scriptures, prophets and pre-birth studies suggest this is a pattern for all of us.

I express my heartfelt gratitude to the Spirit of the Lord for guiding me to attend the LDSPMA Conference and to meet the people who helped to make Remembering Heaven. 

Remembering Heaven won Best Feature Documentary and Audience Choice Award at the LDS Film Festival in February, 2021.  We are nominated for Best Documentary at the Utah Film Festival and Most Inspirational Documentary at the International Christian Film Festival in Orlando, Florida May, 2021.

**We are looking for stories for our next film, international pre-birth experience stories as well as stories close to home. See my website www.sarahhinze.com for more information on pre-birth experiences or you can read my book The Announcing Dream: Dreams and Visions of Children Waiting to be Born 2016 (On Amazon)

Please contact Sarah for questions or stories you would like to share at sarah@sarahhinze.com

Sarah Hinze has collaborated with leading experts on near-death experiences and pre-natal psychology while conducting extensive research and hundreds of interviews. She has presented workshops, seminars, and lectures at conferences and universities, as well as on Capitol Hill and at the United Nations. Sarah has been featured in articles and radio and TV shows in the US, Canada and Japan. In addition to English, her books are published in Spanish, Portuguese and German. Her writings have been the source of healing and hope for individuals worldwide. Sarah and Brent Hinze are the parents of nine children and thirty-two grandchildren, so far!

**Check out the story and journey of our film by following Sarah Hinze and Tom Laughlin on Facebook as well as my website and blog at: sarahhinze.com/home/books/remembering-heaven

Filed Under: Articles, Craft Skills, LDSPMA News, Media, Film & Theater, Writing Tagged With: announcing dream, Best Documentary, film award, Latter-day Saint Publishing and Media Association, LDS filmmaker, LDSPMA, LDSPMA annual conference, movie, near-death experience, pre-birth experience, Sarah Hintze, true stories

Aaron Merrell: Working in the Film Industry

April 14, 2021 By Trina Boice 1 Comment

By Trina Boice

Check out a recent BYU-Idaho Forum presentation, featuring Aaron Merrell, who is a senior producer for The Church of Jesus Christ of Latter-day Saint’s Publishing Services Department. In the forum, Aaron gives a behind-the-scenes look into producing the Book of Mormon Videos series. He also shares insights about working in the film industry.

Aaron has worked for DreamWorks, Walt Disney Company, and other entertainment companies prior to working for the Church.

Video of Aaron Merrell discussing working in the film industry on the Book of Mormon Videos series.
https://video.byui.edu/media/t/1_yik46p1s/11602882

The Book of Mormon Videos are a collection of videos based on accounts from The Book of Mormon. You can watch them on YouTube or on the Church’s website to learn more about these faith-building films! They are also available in other languages.

You may have seen the Broadway musical called “The Book of Mormon.” Now, through movie magic, you can find out what the Book of Mormon is really about!

Filed Under: Craft Skills, Media, Film & Theater Tagged With: Church of Jesus Christ of Latter-day Saints, Church Publishing Services Department, DreamWorks, film, LDSPMA, movies, The Book of Mormon, The Book of Mormon videos, videos, Walt Disney Company

4 Lessons I Learned from the BYU Folk Dance Ensemble

February 3, 2021 By LDSPMA 5 Comments

By Laura Arnold

It may sound strange to say that dance has changed the way I see the world, but that is exactly what I’ve experienced as a member of BYU’s International Folk Dance Ensemble. I had been dancing for years before I attended BYU, my primary training being in Irish dance. When I came to the university as a freshman, I was immediately drawn to the folk dance program. I already knew I loved Irish dance, and I suspected I would enjoy other folk dance styles as well.

I had no idea how true that would be.

Celebrating Cultures

At first I stubbornly insisted that Irish dance was the best of all cultural dances; but it wasn’t long before I became enraptured with the dances of other countries. I discovered the strength of Russian dance, the dignity of Mexican dance, and the vivacity of Chinese dance.

Laura Arnold dances a Russian character dance in the BYU International Folk Dance Ensemble’s 2018 Christmas Around the World performance. Photo credit: Jaren Wilkey, BYU Photo.

I began to find joy in celebrating the uniqueness of people from different parts of the world. I soon noticed that any time I met someone from another country whose dance style I was familiar with, I had an instant connection with them. The love I felt for their culture’s dance style extended to love for that person, even if I had just met them.  

Making Friends through Folk Dance

I’ve come to appreciate this unifying effect of dance in my travels with the BYU International Folk Dance Ensemble. While we were in France for a performance tour, we connected with the youth of the area during a mutual activity. In Belgium for a dance festival, I stayed in the home of a Belgian family whom I still refer to as my Belgian mom, dad, brother, and sister. When we were in China as part of the 2019 BYU China Spectacular, I befriended the Chinese students who performed for us when we visited their university dance classes.

Laura Arnold dances with a student from Minzu University in Beijing, China, during a dance exchange workshop. Photo credit: Jaren Wilkey, BYU Photo.

The beautiful thing is that, in each of these encounters, it didn’t matter if we spoke the same language or not; we were united through our love of dance. In fact, to me, dance is a universal language. I may not know how to say “let’s be friends” in French, Dutch, or Chinese, but I do know how to join hands with someone in a dance circle.

Sharing Joy in Folk Dance

There is one aspect of dance that all cultures share, and that is joy. Be it through the sacred temple dances of India or the lively national dance of Ukraine, people all around the world dance to express joy.

Laura Arnold in costume for a Chinese dance. Photo credit: Jaren Wilkey, BYU Photo.

When I dance, joy is the engine that propels all my movements. And when the audience sees my fellow dancers and I experiencing this joy, they feel joy themselves. It is joy that unites us as a human race and makes us realize that we aren’t so different after all.

Sharing Light and Love

Perhaps the greatest blessing cultural dance has brought me is the ability to share the light of God’s love with others. Alma 26:37 says, “Now my brethren, we see that God is mindful of every people, whatsoever land they may be in; yea, he numbereth his people, and his bowels of mercy are over all the earth.”

I know that God truly loves all His children, wherever they live and whatever culture they’re from. When I dance, my greatest hope is that someone will more clearly understand God’s love for “every people” and the truth that we are all His children.

Laura Arnold and her teammates perform an American clogging piece. Photo credit: Jaren Wilkey, BYU Photo.

~~~~~~~~~~

Laura Arnold is a student at Brigham Young University who participates in the BYU International Folk Dance Ensemble.

All photos are credited to Jaren Wilkey, BYU Photo.

Filed Under: Articles, Craft Skills, Faith & Mindset, Gospel Principles, Media, Film & Theater Tagged With: BYU, BYU international folk dance ensemble, celebrate, celebrate culture, cultural celebration, culture, dance, dancing, folk dance, folk dance team, friend, friends, international folk dance, joy, light, love, share, share light, sharing joy

Acting with Juice Boxes: Exploring Indian Breathing Techniques

January 20, 2021 By Brittany Passmore 2 Comments

I certainly don’t consider myself a professional actress by any means, but I cherish the memories I have from participating in school and community productions. Because we have so many talented and aspiring actors and actresses in our membership, I wanted to talk about a breathing technique I learned from my high school theatre teacher about rasa boxes.

Rasa Boxes

My director taught me and my peers this Indian breathing technique during one of our many play rehearsals. He explained to us that rasa was an Indian word that could be translated as “breath” but also “the juice of life.” We joked that the rasa box technique could also be called the “juice box” technique.

The technique can be illustrated with a three-by-three square. Each box represents a different state of emotion, such as sadness, pleasure, anger, and so on.

raudra
anger, frustration, rage
bhayanaka
fear, terror
karuna
sadness
sringara
pleasure, bliss
shantra
beyond emotion
hasya
mirth, laughter
bibhatsa
disgust
vira
gallantry, heroics, courage
adbuda
wonder, awe

Shantra is in the centermost box because it is “beyond emotion,” or a neutral state that can lead to all other emotional states.

The main idea behind rasa boxes is that your breath can be used as a tool to embody these various emotional states. Once you “activate” or engage the breath properly, you can better feel and portray the actual emotion throughout your body.

The Exercise

My teacher led us through an exercise to try out the technique. We would always start with shantra, a calm and even breath. There, we would re-center ourselves before and after we attempted other emotional states.

We would pick one of the rasa boxes—like vira, for example, the breath of gallantry, heroics, and courage—and try to activate that breath. We measured the intensity of our breath (and thus the emotion) on a scale of one to ten, one being the weakest and ten being the strongest. Then we would work our way up and down the scale to explore the breath—not necessarily to get all the way to a 10 but to see how our breath influenced our body language. After playing with the breath at different intensities, we would go back to shantra, recenter, and choose another rasa box.

It wasn’t an easy exercise. I struggled at first to know how to portray an emotion like vira—after all, how do you breathe heroically? My director encouraged us to just keep focusing and projecting the emotion through our breath. He warned us to not overthink the exercise and let go of whatever held us back, and I found myself understanding the technique more as I tried other breaths.

A young woman sitting crosslegged with her hands in front of her diaphram, breathing.
Takeaway Lessons

I learned from this exercise that how I breathed could actually influence how I felt and how my body reacted. I wasn’t an expert at applying this technique in all my high school acting, but I think it helped me better portray the role of a simple countrywoman going into shock after experiencing a driveby shooting. 

And although I don’t usually remember all of the Indian names for the different rasa boxes, I’ve become more aware of how my breath is related to my everyday actions. I’ve learned that focusing a little control on my breathing can truly influence my attitude and the results I see in my life.

Try out this breathing technique in your acting (or everyday) pursuits! Remember that the point is not to overthink the process and get each emotion perfect on every number of the scale. The point is to explore what your breath does to your emotions and body so you can be more aware of the power your breath has and discover new ways to portray various emotions.

***

Brittany Passmore graduated from BYU with a major in editing and publishing. She works as a freelance editor specializing in science-fiction and fantasy. When she’s not reading, writing, or editing, Brittany loves to be a stay-at-home mom to her 18-month-old son and dabble in her musical hobbies of piano, flute, guitar, and singing. Oh, and of course, she loves practicing yoga.

Website: https://brittanympassmore.wixsite.com/passmoreedits

A photo of the author of the post, Brittany Passmore.

Filed Under: Articles, Cultural Diversity, Faith & Mindset, Media, Film & Theater, Productivity, Professional Skills Tagged With: acting, actor, actors, breath, breathing, breathing exercise, breathing techniques, drama exercises, emotion, emotion in acting, emotions, Indian breathing techniques, juice box technique, rasa boxes, shantra

Latter-day Profiles

January 3, 2021 By Trina Boice 2 Comments

Latter-day Profiles is a collaborative effort of students, faculty, and staff at Brigham Young University-Idaho. The program features in-depth interviews with noteworthy members of The Church of Jesus Christ of Latter-day Saints.

Guests range from leaders in business and industry to educators, to musicians and authors to volunteers. All have stories to tell that are interesting, informative, and thought-provoking.

Latter-day Profiles is produced by students in coordination with faculty and staff advisors. That means the students research the guests, schedule the interviews, run the cameras, and edit the programs.

BYU-Idaho Communication faculty, Brian Howard, hosts the program and works closely with the students in the production process. Currently, Latter-day Profiles airs Sunday afternoons at 2:35 Mountain Time on BYUTV. Twenty-eight new episodes are produced every year.

We thought you might be interested in seeing the schedule for the first quarter of 2021!

LDPRF_39_01 / Carmen Rasmusen Herbert / Speaker, Singer & Author

Airs January 3rd 2021 / February 28th 2021

Carmen Rasmusen Herbert was a Top 6 finalist on the second season of FOX’s “American Idol” in 2003. She has appeared on many talk and entertainment shows including David Letterman, the Today show, MSNBC, and Good Morning America. 

LDPRF_39_02 / Ed Sexton / Dean, College of Business and Communication at BYU-Idaho

Airs January 10th 2021 / March 7th 2021

Ed Sexton is the dean of the College of Business and Communication at BYU-Idaho. He has served in the Sixth Quorum of the Seventy and as a bishop, high councilor, mission president, stake mission president, stake president’s counselor, and stake president.

LDPRF_39_03 / Meg Johnson / Speaker & Author

Airs January 17th 2021 / March 14th 2021

Meg Johnson is a founding partner for Jumping Turtle LLC and Our Turtle House. Her work as an influencer has touched many on a local, national, and international level, and Meg is a recipient of the Athena Leadership Award. Meg was a ballroom dancer and professional party planner. Then a weekend trip changed it all, and Meg was paralyzed on March 6, 2004, when she was hiking in Southern Utah.

LDPRF_39_04 / Joel Bishop / Speaker & Actor

Airs January 24th 2021 / March 21st 2021

Joel Bishop is the president of Rise to Your Challenge, which offers speaking, training, and consulting services. Joel is an accomplished actor, speaker, and presenter.

LDPRF_39_05 / David Christensen / Author

Airs January 31st 2021 / March 28th 2021

David Christensen is a senior advisor to the non-profit organization Mentors International. David is an author and has served as a mission president in Chile and as MTC President in Guatemala.

LDPRF_39_06 / Trina Boice / Author, Podcaster, BYU-I Instructor & Entrepreneur
Airs February 7th 2021 / April 11th 2021

Dr. Trina Boice is a #1 best-selling author of 31 non-fiction books. She is an author coach at FromBooks2Business.com and creates online courses at LifelongLearningEducation.com.  Trina also writes movie reviews at MovieReviewMom.com. A popular international keynote, she has gone on many speaking tours around the world. 

LDPRF_39_07 / Sharla Goettl / Author
Airs February 14th 2021 / April 18th 2021

Sharla Goettl is the author of “Spiritual Resilience: Leading Our Youth to Go and Do.”

LDPRF_39_01 / Charlie Bird / Author

Airs February 21st 2021 / April 25th 2021

Charlie Bird was Cosmo the Cougar at Brigham Young University from 2016 to 2018. He received national acclaim for his multiple dance performances with the BYU Cougarettes. As Cosmo, he performed across the country, including on the ESPN College Football Awards and on America’s Got Talent. 2017 was dubbed “Year of the Mascot” by NBC Sports in honor of Cosmo’s character and performance. Charlie was born and raised in Southwest Missouri and served a two-year mission for The Church of Jesus Christ of Latter-day Saints in Redlands, California. He graduated from BYU in 2018. Charlie is an active LBGTQ advocate and is involved with multiple nonprofit LGBTQ organizations nationally and across Utah.

Filed Under: Craft Skills, Media, Film & Theater, Podcasting & Speaking Tagged With: Brian Howard, Brigham Young University Idaho, BYU-I, BYU-I Communication, BYU-I faculty, Carmen Rasmusen Herbert, David Christensen, Ed Sexton, interviews, Joel Bishop, Latter-day Profiles, LDS, media, Meg Johnson, Sharla Goettl, Trina Boice

Dressing the Naked Hand: The World’s Greatest Guide to Making Staging and Performing with Puppets

November 2, 2019 By LDSPMA 2 Comments

by Amy White

With tons of color photographs and a DVD with over 2 hours of hilarious instructional videos, this is the perfect how-to book for all levels of puppetry skill, from beginners to master artisans. With instructions on making hand puppets, turning stuffed animals into puppets, building hand puppets, performing, inventing voices, building stages, and more, this is the most comprehensive book of its kind. And with jokes and puppet humor throughout, it’s not just a handbook it’s a joy to read!

Dressing the Naked Hand: The World’s Greatest Guide to Making Staging and Performing with Puppets

Filed Under: Craft Skills, Featured Works, Media, Film & Theater

“The Fighting Preacher” Delivers a Knockout and Tugs at the Heart

August 13, 2019 By LDSPMA Leave a Comment

By Alice M. Batzel
Published Author, Playwright, Journalist, Poet, Freelance Writer

Writer/Director: T. C. Christensen
Producers: T. C. Christensen and Ron Tanner
Production Company: Remember Films
Distributor: Purdie Distribution
MPAA Rating: PG (for thematic content and some action)
Running Time: 121 minutes.

Review Ranking: 9 stars out of 10 (using IMDb’s ranking scale)

I attended the premiere of The Fighting Preacher, a movie by Utah writer/director T. C. Christensen, on July 17, 2019. Among those who attended were Christensen, cast members, the crew, the film editor, producers, Utah Film Commission representatives, production/industry associates, and family. In preparation, I did a bit of research and studied the promotional information regarding the subject of the film. I was interested and eager to see how the historical story of Willard Bean and his wife, Rebecca Bean, would be told.

The film takes the audience on a journey back to a time when religious prejudice in the United States was common, especially for a faith that was unfamiliar to the majority of Americans. And when such faith was accompanied by historical discord, acceptance would be a monumental feat. Willard and Rebecca Bean found such to be the case when attempting to set up residence in Palmyra, New York, in 1915. At the request of leaders of The Church of Jesus Christ of Latter-day Saints, the Beans accepted a unique missionary assignment. They were called to become residents and caretakers of the property known as the Joseph Smith family farm located in Palmyra and to preach the gospel. They were also called to establish community relations between the Church and residents in Palmyra and to help arrange the purchase of Church-related historic properties in the area. Any of those assignments would have been a challenge; in combination, they were daunting indeed.

Used with permission from T. C. Christensen

After the Beans arrived in Palmyra, they were emotionally tormented. Numerous attempts were made by community members to defame the Church and to make the Beans’ lives miserable. When Willard and Rebecca arrived, they had been married for less than one year, so you can imagine what an obstacle the opposition presented for the young couple. The fact that they chose to remain despite such circumstances shows their character, grit, and commitment to the calling that their Church leaders had extended to them. The Beans were the first members of the Church to reside in Palmyra in 84 years. A welcome was long overdue, but the Beans surely didn’t receive one. As I watched the film, I couldn’t help but feel empathy for the Beans because of the community’s negative reception of the couple. There was an occasional acceptance, and when it occurred the Beans felt as though it was a blessing from heaven. I felt the same way whenever the Beans achieved a victory during their earliest years in Palmyra. Additionally, I particularly enjoyed seeing this couple grow in their love and devotion for one another.

Used with permission from T. C. Christensen

The Beans attempted through various means to make friends and contribute to the community, but often the responses were a deaf ear, unkind actions, and vicious remarks. Finally, Willard, with the encouragement of Rebecca, defended himself, his family, and the purpose of their mission. The community soon learned with whom they had been dealing. You see, at one time, Willard had held the title of middle-weight champion in the United States. At times, Willard had to call upon those boxing skills to defend himself and his family because of the enraged sentiments of the abundant number of individuals who opposed the Church. As a result of using his boxing skills while a Church representative, he was often called “The Fighting Parson,” to which the film adapted the title to be “The Fighting Preacher.” The boxing scenes in the movie show Willard’s boxing to be an asset to meeting the challenges of his Church assignment. The portrayal of gratuitous graphic violence is absent. Instead, the film successfully shows Willard’s sportsmanship, athletic ability, and defeat of his challengers.

Used with permission from T. C. Christensen

While some residents responded through facing Willard in the boxing arena, others responded with continued contention. The Beans then implemented a more robust effort to provide community and individual service and compassion without any expectation of reciprocation. The endeavor was tedious and sustained over time, resulting in gradual acceptance and a feeling of belonging. Finally, after years of continued effort, the Beans became respected community members and took an active role in many service organizations in the community. Their children likewise received benefits from enduring their trials. What began as a Church assignment of five years ended up as a mission of twenty-five years, by the end of which the Beans were endeared to and honored by the community.

Used with permission from T. C. Christensen

The film’s cinematography is exceptional. Attention is given to detail of subject and expression, as well as an expansive panoramic view. Such cinematography has become a trademark of Christensen, and audiences look forward to him delivering it in each of his films. I commend the casting director; each of the actors provided a solid performance, demonstrating skill, consistency, and sensitivity. I didn’t detect any weakness in the acting. Even the extras presented a colorful collection of characters of unique expression and appearance, adding to the entertaining visual quality of the film. The technical components of the film are aesthetically pleasing. The musical score is captivating and appropriate for the period. Even a seasoned critic would find it difficult, if not impossible, to point to any legitimate flaws in these aspects of the film.

Similar to other historically influenced films written/directed by Christensen (e.g., The Cokeville Miracle, Ephraim’s Rescue, and 17 Miracles), The Fighting Preacher demonstrates attention to biographical detail and historical accuracy throughout, excepting minor instances of artistic license. Filmed in New York and Utah, the cinematography takes advantage of the topography of the land. Clothing and architecture of the period are well represented. Even the interior of the old schoolhouse where a number of scenes take place helps the audience feel transported in time. After the film, alongside the credits, numerous historical photos and informational facts about the Beans were presented. My eyes were already teary, but with the archival and photographic feast, tears coursed down my cheeks.

The Fighting Preacher is a noteworthy filmmaking accomplishment. Christensen has written and directed an exceptional film worthy of numerous awards. He’s a well-researched visionary filmmaker—one of the most talented filmmakers of this generation—and he consistently delivers quality films. He shows the audience the truth and invites them to receive a valuable message. He uses the highest caliber of storytelling through his screenwriting, directing, and cinematography. This triple combination is unique among industry professionals. Whereas other filmmakers choose to work with fiction, he tells a true story of historical significance, one that is worthy of the audience’s time and that can inspire the human spirit. The running time of the film is not adequate to tell the entire story of Willard and Rebecca Bean, but the events depicted in this film portray the significance of this couple’s lives. In Christensen’s final remarks to the audience attending the premiere, he said, “My hope is that this film will go out and inspire others to be kinder to one another.” That takes courage and faith. That’s what Willard and Rebecca Bean had. That’s what Christensen has.

Adapted, with permission, from the review at https://www.alicembatzel.com/2019-1.

Filed Under: Articles, Featured Works, Media, Film & Theater

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