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Gospel Principles

Representing the Savior on Stage

June 3, 2023 By Tristi Pinkston 1 Comment

Photo from the 2019 Hill Cumorah Pageant.

The theater has been an important part of Latter-day Saint culture from the very beginning. One of the most prominent buildings erected in Nauvoo was the cultural hall, where the Saints would gather to enjoy concerts, plays, and other performing arts that celebrated the life of the Savior and taught other important gospel concepts. Visitors to Nauvoo can still attend events held in the cultural hall to this day, and it’s a marvelous experience.

As Latter-day Saint creators today, we frequently feel a pull to use our talents for the same objective—to honor the Savior and to convey our love for Him to others. I personally feel this is the most important use of our talents, and perhaps even why we were given them in the first place. As with all gifts, however, there are ways to use them appropriately, and this is especially true when it comes to depicting the Savior in our dramatic works.

Several years ago, I had the opportunity to serve on the Church’s music and cultural arts committee. We had the task of reading over scripts and musical compositions submitted by Church members to determine whether they were appropriate to be performed within our meetings. This committee no longer exists, but I certainly did enjoy my time there.

As part of our process, we evaluated each piece for the following criteria, which you can use as well in examining your own work.

Is the Savior Depicted on Stage?

Great care should be taken in how we show the Savior in our theatrical productions. We should demonstrate reverence in every respect, including how the actor is costumed and who is chosen to play that role. As per the Church Handbook, the Savior may be portrayed by a man “of wholesome personal character” (Chapter 20: Activities 20.5.6). Additionally, the Primary may portray the Savior in Nativity scenes, but should not depict Heavenly Father or the Holy Ghost (See Chapter 12: Primary 12.5.5).

Is the Savior Quoted Correctly?

While other characters in our play may be fictional and we might use our imaginations to create dialogue for them, the actor portraying the Savior should only speak lines taken directly from the scriptures, without adding anything extra. It’s best to check the script carefully to make sure we have quoted the Savior’s words as accurately as possible. An excellent example is found in the Bible and Book of Mormon videos the Church has produced over the last several years. As I watch them, I feel as though the scriptures have come to life before my eyes, which helps me understand and appreciate them more. Attending a play that reverently features the words of the Savior can likewise be a testimony-building experience.

Is a Testimony of the Savior the Prevailing Message?

If you ever had the opportunity to see the Manti Pageant or the Hill Cumorah Pageant, you’ll remember how those productions made Christ the focus of the story. While they depicted the difficulties experienced by the early Saints (in the case of the Manti Pageant) and the wars between the Lamanites and Nephites (both the Manti Pageant and the Hill Cumorah Pageant), the message was brought back to the hope that Jesus Christ gives to all of us. Depictions of sin, war, and conflict should be kept in careful balance, and the audience should be left with feelings of hope, joy, and reverence.

Our Personal Preparation

I can think of no subject more daunting than writing about the Savior. Because the subject is so immense, no author could truly write something that adequately conveys everything that He is, but this does not mean we shouldn’t try. Again, we were given our talents so that we might share our testimonies with others, and our attempts don’t have to be perfect.

I suggest that as we embark on these projects, we prepare ourselves in the following ways:

  1. Study the life of the Savior and His actual words as found in the New Testament and the Book of Mormon.
  2. Look up conference talks and other addresses that focus on the Savior and His mission.
  3. Pray earnestly for inspiration so that we may be guided in what to say and how to present it.
  4. Attend the temple when location and circumstances permit and seek guidance there.
  5. Seek out positive examples of the type of art we wish to create and study them to determine why they are successful in conveying their themes.

The most important element in our preparation is our willingness to humble ourselves and allow the Spirit to teach us how to create. It’s far too easy to let our artistic egos take the upper hand, but when we’re seeking to write something that truly has the power to carry messages to the hearts of our viewers, we should step back and let the Spirit take the lead, for that is the true way people are touched.

Theater is just one medium through which we can teach others about the Savior, but it’s certainly powerful. It not only touches the audience, but the cast as well. When we choose such an uplifting topic and show it the reverence it deserves, the experience can change lives.

A headshot of Tristi Pinkston.

Tristi Pinkston

Tristi Pinkston is the mother of four, the wife of one, the author of one hundred and seventy-five, and the editor of oodles. She serves as the chairman of the board for the Bear Lake Arts Council and participates enthusiastically (if not with utmost skill) in their theatrical productions. She is currently the editor-in-chief for the resource library here on the LDSPMA website. You can learn more about her on her website.

    Filed Under: Articles, Craft Skills, Faith & Mindset, Gospel Principles, Media, Film & Theater Tagged With: acting, Jesus Christ, Theater

    Using YouTube and Social Media to Inspire and Help Others Grow Spiritually

    May 5, 2023 By LDSPMA 2 Comments

    The social media community can be overwhelming, negative, suffocating, and even toxic, but it doesn’t always have to be this way. If we remember we are all children of God with the light of Christ in our souls, social media can become a connecting, encouraging, and uplifting place.

    Almost every person I know is somehow involved in this online world. Some people thrive on posting about their lives while others are bystanders who just like to consume content. When I decided I wanted to build my own space on YouTube, I had two goals in mind:

    1. Inspire people to start living life to the fullest.
    2. Share my testimony with the world.

    That is how Never Ends Now, my YouTube channel, was created.

    My husband and I were driving from Utah County to our home in St. George. This drive was very familiar to us, and we often used the time to talk about how we wanted our channel to go. I told him how I wanted to take the fear out of living and persuade people to find the good in their current situations. I wanted us to be unique and adventurous and take full advantage of our time on earth. That’s when my husband suggested that we do things we have never done and call the channel Never Ends Now. I fell in love with the concept, and now, that is what we do weekly!

    YouTube started out as a fun way to document our growing family, but when our channel took off, we decided to make a career out of creating and publishing videos of our experiences. Our platform consists of us starting a family, traveling the world, and everything in between. Our biggest hope is that others will go out and try things they’ve never done and appreciate the joy in life.

    Staying Grounded

    The more engagement you receive, the more profit you make, and so it’s easy to get caught up in the numbers when you’re relying on your social media income. I often find myself consumed by questions like, “How many views did I get?”, “Why didn’t people like this post as much as the other one?”, or “What’s trending, and how can I follow along?” Remembering my two goals keeps me grounded when I find myself wandering down those paths. As long as I’ve inspired people and shared my testimony in every video, I’ve learned to be satisfied with whatever the resulting numbers may be.

    Shining Authentic Light

    I’m an all-or-nothing kind of person, so I tend to get carried away sometimes. In the beginning, I would try extremely hard to bring up God or a principle of the gospel in any way that I could. I wanted to make sure I shared my testimony with the world. My pure intention was there, but honestly, it didn’t feel authentic. I felt like a child being told what to say in a fast and testimony meeting. I came to realize that I don’t necessarily have to speak my testimony for others to hear, but I can show my testimony where others will see. I stopped trying to force it and just shared my beliefs through the way I lived. This understanding brought me joy and creativity instead of pressure.

    Showing Your Testimony

    When my daughter was born, I remember editing the video and feeling so anxious about posting it to the world. Her birth was one of my most sacred experiences, and I wasn’t sure if I was ready to share something so personal. I didn’t want to pollute it by letting the world have access. After praying about my decision, I decided to move forward and upload it. It became one of our highest-viewed videos. I received comments and messages from complete strangers about how much the video impacted them. I realized that the Spirit was able to testify to everyone watching without me even opening my mouth. I believe in eternal families. I believe that bringing life into this world is a sacred thing. I believe that the veil is open, and heaven is so close when a child is born. None of my beliefs were spoken aloud, yet the Spirit was able to touch people’s hearts about these truths.

    You don’t need a formal testimony to be a light on social media. God magnifies efforts and the Spirit always testifies of truth in any form. Living a life patterned after the Savior’s example is testament enough for the world to notice.

    A headshot of Aspen Bailey.

    Aspen Bailey

    Aspen Bailey and her husband, Drake, are popular YouTube creators documenting their lives as Latter-Day Saints, parents of their daughter, Rainee, and having new adventures. You can see their channel here.

      Filed Under: Articles, Craft Skills, Faith & Mindset, Gospel Principles, Marketing, Media, Film & Theater, Professional Skills Tagged With: Social Media, YouTube

      Creating Hymns from Scriptures

      March 17, 2023 By LDSPMA Leave a Comment

      By Michael D. Young

      Some of the greatest hymns are closely linked to passages of scripture. For example, the song “Press Forward, Saints” in the current hymnbook is based directly on a passage from 2 Nephi 31:20. In this case, the author took the message and even some of the exact wording from the scripture and created a hymn that has been sung in sacrament meeting and general conference. In fact, it was specifically written because there were not enough hymns based on passages from the Book of Mormon.

      Adapting a passage of scripture, however, presents its own unique challenges. There is a delicate balancing act between maintaining the message and themes of the original scripture while still creating a text that conforms to the conventions of rhyme and meter. Every adaptation is going to look a little different, but there are several guidelines that could help you craft your gospel masterpiece.

      Looking for Themes

      Before you start writing, take the time to read the scripture carefully, pray, and ponder the meaning of the passage. Listen to the promptings of the Spirit and see what parts of the passage stand out the most. With this guidance, look for key phrases or words that could serve as the basis for the song’s lyrics or chorus. These phrases will help tie the song to the scripture and make it more memorable. Often, an entire song idea can grow from a single important word or phrase. For example, if you read Amos 3:7, you could take the phrase “His servants, the prophets” and write a text based on that phrase.

      Using Exact Wording vs. Paraphrasing

      You will want to consider how much of the scripture you want to use word-for-word and how much you want to paraphrase. Both of these methods can be successful.

      Consider Handel’s timeless work Messiah. The majority of this oratorio adapts the scriptures exactly. For example, Handel builds an entire chorus on this well-known scripture: “Behold the Lamb of God that taketh away the sin of the world” (See John 1:29). He uses all of the words exactly. Then again, many composers have created songs based on the 23rd Psalm, where they paraphrase the words but keep all of the ideas intact. A good example of this is called “Brother James’s Air.” Listen to it here.

      Thinking about Perspective

      If you decide to paraphrase, consider the point of view. Are you writing from a first-person perspective? This puts you in the shoes of the speaker, whether it is a prophet or another scriptural character. Some texts are written from the perspective of the Savior. This can result in personal, insightful texts, but you also need to be careful to write these respectfully. You can also write from your own perspective or as a third-person observer. Sometimes it makes sense to try your texts from different perspectives to see which you like best.

      Using Repetition for Emphasis

      Repetition is a powerful tool in songwriting and can be used to reinforce the key theme of the passage. Consider repeating certain phrases or words throughout the song to help drive home the message. One good example of this is the hymn “Holy, Holy, Holy.” Even the title repeats the main theme. The hymn uses the refrain “holy, holy, holy” when talking about God throughout the hymn, which ties the whole text together. Listen to this hymn here.

      Considering the Audience

      When writing the song, consider the intended audience. Will the song be used in a worship setting or for personal reflection? This will help guide the tone and style of the song. Is it something you see being presented in sacrament meeting, or would it fit better in a fireside or on a youth album? When in doubt, read the text to others and ask them if it is appropriate for the intended setting.

      You also want to make sure the language is at the level of your audience. Sometimes scriptural language can be confusing because it uses words that are not common today. When adapting the scriptures for a younger audience, ensure that you use clear, simple language that children will understand.

      Using Attributions

      Whenever you paraphrase a scripture or quote from it directly, you should attribute it on your sheet music. Most of the time, it is enough to say “based on” or “inspired by” and then give the scripture reference. Looking up the reference can help the listener understand the text better and gain a deeper understanding of the original passage.

      Bringing Listeners Nearer to God

      President Spencer W. Kimball once said, “Some of the greatest sermons that have ever been preached were preached by the singing of a song.” (Hymns, ix.) When adapting the scriptures into songs, you are accessing a powerful delivery system that can help the doctrines of Christ reach deep into people’s hearts. Well-crafted songs have the power to inspire and change lives, and there is no better foundation for these songs than the scriptures.

      A headshot of Michael Young.

      Michael D. Young

      Though Michael grew up traveling the world with his military father, he now lives in Utah with his wife, Jen, and their three children. He played for several years with the handbell choir Bells on Temple Square and is now a member of the Tabernacle Choir at Temple Square. He is the author of the novels in The Canticle Kingdom Series, The Last Archangel Series, the Chess Quest Series, and the Penultimate Dawn Cycle (The Hunger), as well as several non-fiction works, including An Advent Carols Countdown, The Song of the Righteous and As Saints We Sing.  Visit his website to learn more.

        Filed Under: Articles, Craft Skills, Faith & Mindset, Gospel Principles, Music

        God Prepares a Way: 5 Lessons from a BYU Student’s Opera about 1 Nephi

        February 7, 2023 By Jeremy Madsen 1 Comment

        CJ Madsen leads the orchestra in the premiere performance of He Shall Prepare a Way

        He Shall Prepare a Way, an opera premiered in Provo in 2022, dramatizes the story of Lehi’s family procuring the Brass Plates and departing into the wilderness. All three performances of the new opera were met with at-capacity crowds and standing ovations.

        On paper, however, the opera should not have happened at all.

        The show was hosted not in a top-notch performance venue, but on a tiny stage in a church cultural hall. The funds came not from ticket sales nor grant money, but from dozens of personal donations. And the composer should not even have had the time to write it.

        The story of the making of He Shall Prepare a Way teaches us 5 powerful lessons about launching creative projects in the Lord’s way.

        Lesson 1: Go and do what the Lord commands—even when it seems “a hard thing”

        Lehi and Sariah ponder the tender mercies of the Lord as they process the implications of Lehi’s prophetic call

        In early 2018, CJ Madsen, a music major at BYU, was in the thick of orchestrating and directing rehearsals for a work based on 3 Nephi named One Fold, One Shepherd. His wife had just had their second child. It was then that a BYU opera professor approached CJ and said, “You know what would be cool? If you wrote an opera about Nephi getting the Brass Plates.”

        Audibly, CJ responded, “Oh, yeah, cool idea!”

        Inwardly, he was thinking, “AAAAAAAA!!! Composing another massive musical work is the last thing I want to think about right now.”

        But God had other plans.

        The idea kept weighing on CJ’s mind. A couple months later, CJ saw the Church’s film Days of Harmony, about Joseph Smith and the translation of the Book of Mormon. CJ recalls, “As I saw Joseph muster the faith to put in the time and energy to translate the Book of Mormon—in the midst of farm work, a growing family, building a home, and opposition—the Spirit rocked my soul, and I knew I needed to do this opera.”

        Lesson 2: If God tells you His timing, follow it

        Lehi rebukes Laman and Lemuel for their murmuring

        Over the next year, CJ intermittently wrote a third of the opera. Then in July 2019, he and his wife felt strongly impressed that he needed to finish the remaining 14 songs by the first day of school—in 4 weeks. Through many early-morning composing sessions, he did it.

        With the score completed, CJ assembled a cast of 40 singers to perform a concert reading (singing only, without acting or props). Some numbers were only rehearsed once or twice before the performance, a remarkable feat considering the opera is packed with sudden key changes, non-Western scales, and 7/4 time signatures.

        The cast performed to a full BYU recital hall in October 2019. The concert reading test-ran the opera and gathered invaluable feedback for refining the score and libretto.

        Six months later, Covid-19 shut down every performance venue for 2020 and 2021. Had CJ ignored God’s timing and delayed the composition process, the pandemic would have set the opera back by several years. 

        Lesson 3: Harness the power of personal connections

        Nephi, dressed in Laban’s robes and carrying his sword, obtains the plates of brass

        By the summer of 2021, CJ had revised the opera and was ready to finally put on a fully staged production. To do so, he would need to assemble a cast of 26 highly skilled opera singers, 14 chorus members, and 26 orchestra players, in addition to a team of techies, ushers, seamstresses, and videographers. All would need to be experts in their role and willing to give dozens of hours of volunteer time.

        CJ gathered his team purely on the power of personal connections.

        “If you’ve done anything with music at BYU, then you know CJ,” a close friend explains. “In his eight years at BYU, he has accompanied, sung in, or directed every choir at BYU. He’s accompanied dozens of instrumental recitals and opera rehearsals. But more than that, he knows your name. He remembers who you are. And he’s always excited to see you, even if you were just somebody in that one class that one semester.”

        When it came time to assemble the cast, CJ sent dozens of personal emails, inviting friends and connections to fill specific parts. His team included BYU students, alumni, friends, family, ward members, friends-of-friends, and even a couple strangers that he met on BYU campus and invited on the spot to join him.

        Lesson 4: Share your vision and invite people to support you

        Nephi restrains Zoram outside the walls of Jerusalem

        As CJ and his wife, Samm, faced the daunting goal of producing a staged opera, they decided they needed to fundraise all the money needed before production started.

        How would they raise the money? Rather than grants or an online Kickstarter campaign, CJ turned to his strength in piano performance. He planned a series of 20 piano concerts in the homes of friends and acquaintances, where he would take requests, play classical and pop favorites, share some of his opera, and ask for donations. The home concerts would serve the added purpose of raising awareness and excitement for the opera. And because each host would invite their circle of friends and neighbors to attend, CJ could reach people he never would have reached otherwise.

        The home concert series faced initial setbacks, but word began to spread. Donations began to come in, and miracles continued. CJ recounts: “One woman, not even a member of the Church, asked to meet with Samm and me privately after a home concert. She explained she had received a large inheritance and wanted to give us $7,000 dollars.”

        Between this and hundreds of other donations, CJ eventually fundraised over $30,000 for the opera.

        Lesson 5: God will prepare miracles to overcome setbacks

        Laman threatens to slay Nephi in the wilderness, when one of the daughters of Ishmael intervenes

        “The title He Shall Prepare a Way is perfect for this opera,” CJ’s wife, Samm, reflects. “Whenever we would face an obstacle, we would just take a step back and say, ‘God will prepare a way.’ And He would.”

        Below are just two of the many obstacles and corresponding miracles in the production process:

        • Orchestrating the opera: CJ’s only available time to orchestrate the 2-hour work was in the early mornings of fall 2021. But with three kids in their two-bedroom student apartment, a sleeping family member occupied almost every room in the apartment. “Most of my writing came at 4 am, in our bathroom,” CJ recalls. “Most of the time I never touched the piano as I orchestrated. I count it as another miracle that I was able to make any of that orchestration work without piano help.”
        • Finding a venue: “We scoured Utah Valley looking for ideal locations,” CJ recalls. Every place they contacted was either not available or too expensive. They started looking into church buildings but had trouble getting permission to take over a cultural hall for several weeks. “The thought came to do it at OUR meetinghouse. At first, we laughed. Our meetinghouse? It was half the size of normal church stages, there was hardly any lighting, and there wasn’t any backstage. How in the world could we do that? But the Spirit insisted.” Thanks to CJ’s (you guessed it!) personal connections with stake leadership, he procured the needed permission, and the building ended up meeting their needs in many unexpected ways.

        After miracle after miracle, the opera premiered on April 7–9, 2022. Because all the expenses had been covered by fundraising, the opera was made available for free. Tickets for all three nights “sold” out, with dozens of people waiting in standby lines to get in. 

        After the opera each night, the projected subtitles displayed a three-word phrase: Soli Deo Gloria. This was an expression used by composers such as Bach and Handel to signify that a work was produced for the sake of praising God: “Glory to God Alone.”

        Conclusion: God will prepare a way to do what He commands

        Lehi’s and Ishmael’s families celebrate the marriage of Lehi’s sons to Ishmael’s daughters

        During the writing, revision, orchestration, and production of He Shall Prepare a Way, CJ and Samm Madsen learned the same principle that Lehi and his family learned 2623 years ago:

        The Lord giveth no commandment unto the children of men, save he shall prepare a way for them that they may accomplish the thing which he commandeth them.

        When we are willing to do what the Lord commands—even when it is hard—and we are willing to do it in His timing, then He will give us the relationships, the support, and the miracles to overcome every setback to make it happen.

        He will prepare a way!

        CJ and Samm give the glory to God at the conclusion of the opera. Samm, who stage directed the opera, gave birth to their fourth child three days after the opera concluded.

        The opera is available in the following formats:

        • Video recording of the staged performance on YouTube
        • Studio recording of the audio on YouTube, Spotify, iTunes, and Amazon Music.
        • Sheet music available from the composer at cjmadsenmusic.com/contact.

        About the contributor

        Jeremy Madsen is a fantasy writer, freelance editor, and biblical scholar. He is also CJ Madsen’s brother and had the privilege of playing “False Prophet #3” in the 2019 concert reading of He Shall Prepare a Way. With CJ and their two other siblings, he runs the website Atrium of Light, a repository for scripture memory songs and other uplifting media. Jeremy currently lives in Columbus, Ohio, with his wife and two young kids. He is also the operations manager for LDSPMA.

          Filed Under: Articles, Craft Skills, Faith & Mindset, Gospel Principles, Music

          Sharing the Gospel of Jesus Christ Through Music

          July 30, 2022 By Kami Pehrson 3 Comments

          As part of a global church, LDS musicians worldwide can use their talents to create musical compositions which share the pure doctrine of Jesus Christ in powerful and inspiring ways. In his conference address “Pure Truth, Pure Doctrine, and Pure Revelation,” President Russell M. Nelson said, “There has never been a time in the history of the world when knowledge of our Savior is more personally vital and relevant to every human soul.” Music is a beautiful way to bring souls closer to the Savior.

          The Power of Lyrics

          Lyrics can speak truth to our hearts and help strengthen our testimony of gospel principles. In response to song lyrics, faith in a particular message can be strengthened through the Spirit. DeNae Handy, a Latter-day Saint musician, speaker, and writer, asserts that, “Music forms belief.” Accordingly, as lyricists consider how to convey doctrine and principles in their work, Handy admonishes writers to “know if what they’re writing about really is doctrine, or if it’s belief, practice, or policy.” She also reminds us to be thoughtful and attentive when writing to be aware of attendant biases.

          “The other way music informs belief,” according to Handy, “has to do with the music itself.” Musicians should consider how tempo and melody evoke emotions as they write songs that reinforce belief and strengthen faith. For example, the hymn “Praise to the Man” was initially set to the solemn, lamenting tune, “Star in the East.” This tune conveyed the Saints’ grief following the prophet Joseph Smith’s death. In contrast, when the words were later set to the tune, “Scotland the Brave,” singers experienced a feeling of “celebration,” according to Handy.

          Singers and listeners alike desire to hear themselves and their culture expressed in lyrics and music.

          Music Can Foster Inclusivity

          Music can help us learn and understand scripture stories, prophetic teachings, and even the nature of God. Doctrine and Covenants 88:118 admonishes to “teach one another words of wisdom.” We love songs with simple lyrics and fun rhymes, but Handy says these songs sometimes lack “nutrition”—she compares them to a type of “comfort food.” Musicians need not be afraid of challenging their audiences, whether young or old. Music can serve as an essential teaching tool. As President Nelson reminded us, “The Lord loves effort.” Effort fosters learning. We can promote faith through music by inspiring listeners to “seek diligently” and “seek learning, even by study and also by faith.”

          The first great commandment declares that we should love God and our neighbors. We can demonstrate this love by considering the diversity of individuals from across many cultures and backgrounds. Singers and listeners alike desire to hear themselves and their culture expressed in lyrics and music. 

          Karli Piennette was raised in Magna, Utah, a city she describes as “rooted in the songs and history of the Mormon pioneers.” Later, Piennette sang professionally with her older sisters in the country music group SHeDAISY; but at age 17, she started her musical education at Lipscomb University, a private Christian university in Nashville, Tennessee. She took six credit hours of religious courses each semester where she grew to love a cappella gospel songs.

          Piennette says she has “come to realize that [inclusivity and diversity] is an area in our church where we can grow and develop to connect more with our other brothers and sisters in Christ.” For example, when she began her musical education at Lipscomb, she recalls that the only hymn she recognized was “How Great Thou Art.” She points out that recognizable songs similar to those in mainstream Christianity “can help investigators have some familiarity and make them feel at home—like how I felt when I sang ‘How Great Thou Art’ in my university chapel.” When Piennette was later put in charge of her Young Women’s camp, she felt it was her mission to expose more members to the powerful message of love through Christian gospel songs. She visited all the wards in her Nashville stake to teach the youth different parts in the a cappella round, “The Greatest Commands.” The result, she recalls, “was beautiful!”

          Celebrate Culture through Music

          Jami Orlando, who also studied music at Lipscomb University, is a convert from the Baptist faith where she served as a worship music leader. Orlando expressed the sentiment that, “Music is the language of Heaven.” She goes on to say, “Our culture is so much a part of our social and emotional DNA, [that] if people really want to worship God in a way that is theirs and really have a personal relationship [with Him], we can’t ask them to take their culture out of it. Music is a language in and of itself. It’s not just notes on a page or sounds we hear.”

          Just as the Spirit speaks to church members in different ways, so, too, can the Spirit speak to us through various types of music. “Music’s purpose is to communicate to our souls,” Orlando says. Latter-day Saint hymns were originally broken down in chorally-oriented ways, Jami explains; whereas African-American gospel music enjoys a heavier beat, because traditional African music uses drums instead of stringed instruments—“their African ancestors literally marched to the beat of a different drum.”

          We must educate ourselves in and experience the cultures we wish to celebrate.

          Respect Diverse Musical Traditions

          How can Latter-day Saint creators thoughtfully incorporate diverse cultures and backgrounds in their compositions? First, we must show consideration and appreciation for the contributions of all types of music without misappropriating a culture’s social and historical background. Thoughtless application of cultural elements hurts those whose cultures are inaccurately portrayed in compositions and lyrics. To avoid causing hurt to our brothers and sisters in the church, we must educate ourselves in and experience the cultures we wish to celebrate. 

          We can pray for inspiration and understanding as we strive to build God’s kingdom through song. Jami Orlando implores, “Let’s research, let’s find out, let’s explore and taste other types of music.”

          Lastly, we must encourage creators worldwide to contribute their musical talents to write and compose songs that represent their native cultures. 

          Music is a powerful way to share the gospel of Jesus Christ through articulating belief and inspiring learning and faith. Moreover, music allows Church members to worship in a manner that is customized to every individual. In writing and composing gospel music, let’s thoughtfully consider the needs of all God’s children. What better way to welcome brothers and sisters into our church than by acknowledging and celebrating them? We can invite musicians from diverse faiths and cultures to bring goodness and unite them with what we have to offer.

          Filed Under: Articles, Craft Skills, Cultural Diversity, Faith & Mindset, Gospel Principles, Music, Professional Skills Tagged With: cultural diversity, gospel of Jesus Christ, missionary work, music

          Religious Freedom: The Cornerstone of a Creative’s Work

          July 8, 2022 By Shaun Stahle 1 Comment

          When Elder Ronald A. Rasband called for Latter-day Saints to “champion the cause of religious freedom,” it hit me with a ton of bricks. His words are still ringing in my ears because his message from the April 2022 General Conference landed a direct upper cut to LDSPMA artists to understand the issue of religious liberty and then apply our unique talents and voices in defending this god-given precept.

          Today’s War over Religious Freedom

          Elder Rasband is close to the fire of this conflict and feels the heat of contentious groups who are not merely seeking balance or equality in the discussion of rights but demand complete eradication of anything religious that stands in their way of living hwoever they choose.

          We see various forms of this classic battle for religious freedom every day in the news, such as the bully leader of one country imposing its might on a defenseless neighbor through violence and raw brutality. 

          Contentious groups…demand complete eradication of anything religious that stands in the way of living however they choose.

          In Africa, we see the agony of millions who languish for want of food and security as their tyrannical leaders strip the once verdant farms of their resources for their gluttonous living.

          We learn about the restriction of religious rights in high school classrooms where teachers use their authority to publicly humiliate and deride any student whose convictions vary from theirs.

          Then there are those who are denied employment or career advancement because of Sabbath day worship. And there are many more stories we seldom hear about.

          As I connect the dots of my life, I see that my passion for this issue began shortly after my mission in the mid-70s. The first incident was subtle, but on that day, lightening struck twice and left a mark.

          My Discovery

          I was going about my business in the production of my father’s newspaper when a news report on the radio quoted a particular politician in a European country who was red-in-the-face angry because the powerful economic engine of the U.S. was putting his country at a disadvantage. He demanded legislation to level the playing field.

          I dismissed it. His comment didn’t deserve any further anxiety on my part.

          A few minutes later, another news report described how the government of this same country was alarmed by possible threats from a growing minority population and was imposing religious restrictions to enforce their conformity to the country’s traditions.

          On the surface these reports seem to have little in common. But with time and experience, I’ve come to see that religious freedom and a robust, safe society are two ends of the same stick. Mess with one, and you mess with the other.

          The powerful economic engine this politician craved on the one hand was being suppressed by legislation that limited the rights of the people to innovate and create and aspire on the other.

          Soon a new appreciation for the First Amendment developed as I studied journalism in college. Beyond learning about dangling participles and misplaced modifiers, I developed a reverence for the power and purpose of the right to speak and worship and assemble without governmental infringement.

          This very right gives power to the economic engine, the exchange of ideas, and a deeper spectrum of understanding from which to draw meaning.

          Religious Freedom and the Plan of Happiness

          I believe the power of religious freedom is the bedrock upon which a robust and peaceful society is built. I believe it is absolutely foundational for the gospel plan of happiness to excel.

          I see that religious freedom is essential to living life in a meaningful and productive way. Perhaps that’s why Elder Rasband’s call in a sacred setting to champion religious freedom resonates with me.

          I suspect most LDSPMA artists have this same bedrock belief, but sometimes in life we are like the fish who have swam in warm waters for so long that they’ve forgotten what a blessing it is.

          “Most of us drink from waters of religious freedom without even knowing it,” said Elder Patrick Keaton of the Seventy in the Conference on Religious Freedom in 2015. “We drink freely from the waters of religious freedom not aware of the contamination in the tributaries.

          “We think of it as a river that will always flow but may not recognize the risks that exist in the tributaries that feed the river.”

          In that address, Elder Keaton said that it might appear that rights just happen and are perpetuated without thought or effort on our part.

          “We cannot forget the extraordinary resolve that went into protecting our abundance,” he said.

          W. Cole Durham, a BYU law professor and proponent of religious freedom, once state that the challenge of preserving religious liberties is a “crisis of apathy, … of gradual erosion, … a crisis of lost moorings.”

          Religious freedom and a robust, safe society are two ends of the same stick.

          This drift is subtle. It proceeds in small steps, preventing public opinion from galvanizing. So gradual is the loss of religious freedoms, it’s as if a social anesthesia is gently lulling us to sleep, explained Professor Durham.

          Our Duty as Latter-day Saints

          While addressing this issue in a recent 2022 Church History Symposium, Elder Gerrit W. Gong taught that principles of religious freedom are part of the Restoration’s rich history and Latter-day Saints have a special duty to speak on behalf of religious liberty for all groups.

          We may think that influencing society is the job of someone else who has more money or power. But who better to answer Elder Rasband’s call that us? He told us that we have the power and tools and skills for the task at hand. It is our turn as spiritual creators to do our part.

          So, what’s an LDSPMA creative to do?

          Counsel from Church leaders suggest:

          • Become educated on the issues and get involved in our communities.
          • Engage in amiable conversations with those with differing viewpoints.
          • Prayerfully create content that strengthens faith.
          • Realize your unique voice and share your perspective with passion and honest respect for others.

          We have the needed gifts and tools

          Perhaps more than any other industry, Latter-day media professionals are equipped with the gift and tools to educate the masses. Seen through this lens, our creative work takes on new relevance and meaning.

          Faith-filled content is the antidote to preserving faith, family, and country from dissonant voices bent on destabilizing and destroying. According to Elder D. Todd Christofferson of the Twelve, without religious freedom, other freedoms “wither and fade.”

          Let us all keep his message ringing in our ears: “Religious liberty enables all to freely pursue truth and the meaning of life, and to live accordingly.”

          Shaun Stahle

          Shaun Stahle wanted to be an architect, but before he knew what was happening, he was graduating with a degree in journalism from BYU. Words and images have been his life ever since grabbing newspapers off his father’s little printing press at age five. Shaun’s lived a life rich in experience, writing for various weekly and daily newspapers, most notably the Church News section of the Deseret News for seventeen years, where he accompanied President Gordon B. Hinckley to visit members in the former Soviet Union. Now semi-retired, Shaun uses the power of words and images to heal and unite.

            Filed Under: Articles, Faith & Mindset, Gospel Principles Tagged With: courage, latter-day saint artists, liberty, religious freedom

            Portrait of a Painter: The Journey of Latter-day Saint Artist Dan Wilson

            May 12, 2022 By Howard Collett 8 Comments

            Dan Wilson began drawing from the time he could pick up a pencil. “I doodled on everything,” he recounts. “My first sale was in 7th grade to one of my teachers. She had me draw John Wayne. I couldn’t believe she gave me $20. But I battled being an artist. I studied chiropractic, fire science, and business, but I always felt a tug to go back to art.”

            “Before graduation, Dan was all over the place,” said Heather, Dan’s wife of 13 years. “He couldn’t figure out what he wanted to do. I asked, ‘Why not art?’, but I never thought he would do it full time.” 

            Early Inspiration

            Born and raised in Salt Lake City, Utah, Dan graduated from Utah Valley University with a bachelor degree in fine arts. “My greatest mentors were Perry Stuart, a UVU art professor, and William Whittaker, who mentored me after college. I was inspired by Danish artist Carl Bloch and French artist William Bouguereau.”

            Dan is also inspired by his wife. “I wouldn’t be able to give it 100% if she wasn’t behind me,” he said. Dan first met Heather at Gold’s Gym. “I didn’t want to be that guy who gets her number at the gym,” he admitted, “then I ran into her at a dance two months later. The rest is history.” The couple has four boys and two girls ranging in age from two to eleven.

            Lightbulb Moment

            “I originally painted just to have a career. I did portrait art and wanted to get into galleries,” Dan said. “Then I painted my first image of Christ, and two families bought simple prints. One mother stopped me the next week at church, got emotional, and said, ‘You have no idea how much that image is uplifting us in our home.’ I thought, ‘That was really cool.’”

            The next week at the exact same spot, another woman stopped Dan. “She also got emotional and said, ‘I gave my print to my sister who’s trying to keep her family together. You have no idea how much it means to them and how much it’s helping.’ She said almost the exact same words. The lightbulb went off and I knew—I’m supposed to be painting for a reason, and that is to uplift people in their homes with images of Christ.”

            I’m supposed to be painting for a reason…

            “When Dan was deciding what he wanted to paint, he was up and down,” said Heather. “When he realized he wanted to paint the Savior, everything just fell into place.”

            Rigors of Aspiration

            But it hasn’t always been easy. To support his art career, Heather cleaned houses and Dan managed a freight forwarding business for FEDEX. “My first year I made $7,000 from my art,” he said, “but Heather never second-guessed the whole thing.” 

            In 2014, Dan started painting full time. “It’s not a normal nine-to-five job,” said Heather. “There’s no paid time off. His schedule varies. At six pm he may be in the middle of something he can’t leave. Sometimes he paints until midnight. But he’s a hard worker and takes on the responsibility of providing for the family. He constantly studies the work of other artists.”

            Inspiration is a Process

            Dan relies heavily on the power and process of inspiration. “If I’m painting the Savior for a temple, I just want to do Him justice. I’m intimidated every time,” he said. “I spend a lot of mental prep work getting ready to paint. I get a father’s blessing. I include it in my fast. Then I do the best painting I can with the Lord’s help.”

            Dan is quick to add that inspiration doesn’t come all at once. “I can take it only so far, and then I get stuck where I just don’t know what the best thing for the painting is. It’s then that I receive more answers.”

            Washington DC Temple Painting

            This process was repeatedly manifested in his largest work to date, “His Return,” a depiction of Christ’s Second Coming for the Washington DC Temple.

            Dan had already completed six paintings for temples of The Church of Jesus Christ of Latter-day Saints when he received a call from the Temple Department to do another: an eight-by-twelve-foot oil painting for the Washington DC Temple. It needed to be completed in time for the temple rededication in the summer of 2022.

            “This Second Coming piece was a big slice of humble pie. I ran into several things I didn’t know how to do,” said Dan. “I’ve never done a mural this size before with 300-plus angels. It stretched me. When I get overconfident and don’t rely on the spirit, I make a lot of mistakes I have to spend the next day fixing. It’s pretty easy to stay grounded when you realize you’re painting stuff you can’t paint by yourself. I learn something new each time.”

            “The temple department gave me the idea for the painting based on scripture, with the Savior coming in the clouds clothed in a red robe surrounded by numerous angels,” said Dan. “I produced preliminary sketches with graphite. When they were approved, I was asked to do a one-by-two-foot painting which the temple interior designer would use for their color palate. When that was approved, they let me loose.”

            Dan went to work finding models and clothing for them, creating concepts for the trumpets, and conducting numerous photoshoots before putting it all together. “I spent hundreds of hours in Photoshop just placing the angels so that they didn’t create a pattern and the diversity was not stacked in one section. I had about 30 models, but as you go further away from Christ the detail isn’t as apparent.” 

            God is in the very details of our work.

            There were more layers of approval for the painting, the last one being a member of the First Presidency of the Church. It took Dan an estimated 2,000 hours to paint “His Return”—a fourth of it in preparation alone. 

            Specific Revelation

            Dan’s original concept was for 120 angels. To give greater depth to the painting, the number grew to more than 300. “I painted one angel at a time,” he said. “It took one to three days per angel. All of them had slightly different contrasts. The hardest thing about painting 300 angels surrounding Christ is to have them not consume all the attention and to have them go back in space evenly and consistently. I was really stressed out about it, and I prayed and fasted a lot.”

            One morning Dan awoke early and visualized the use of a specific white glaze to apply in variation to make the angels complement and not compete with the image of the Savior. It gave them a glowing feel and helped them fit perfectly in atmospheric perspective. 

            “Such a specific revelation is a testimony to me that God is in the very details of our work. That doesn’t just apply to me as a Christian artist working on temple paintings, but it applies to anyone in any career. God is in the details of our work, and He can answer specific questions to help us be better providers, better employees, better employers, better husbands or wives, or wherever we need help. If we’re specific with Him, He’ll be specific with us.”

            Howard Collette

            Author Bio

            Howard Collett has two novels in production, Erika’s War, a spy novel set in contemporary Berlin, and Lost in the Wilderness, the tale of a 10-year-old girl lost in Utah’s Uinta mountains. He has published 1,600 articles and 300 photos in aviation, medicine, software, and education in national and international magazines. His capstone achievement documented life-saving humanitarian aid on four continents. Visit www.howardcollett.net for more information.

              Filed Under: Articles, Craft Skills, Faith & Mindset, Fine Art, Gospel Principles Tagged With: faith as a creator, fine art, inspriation in creativity, latter-day saint artists, Painting, Painting; fine art; faith as a creator; Latter-day Saint artists; Inspiration in creativity Journey of an artist

              Inspiration & Service in the Creative Process

              April 14, 2022 By Steve Dunn Hanson 3 Comments

              Some years ago, I became friends with a man who was a Biblical scholar and a prominent Protestant minister. For several months we discussed the gospel. He agreed with almost every key doctrine and accepted my invitation to meet with our missionaries. When the day arrived, the elders did their best to look relaxed but were obviously intimidated. Then my friend said, “Elders before you begin, I want you to know everything you are going to tell me, I already believe!” With an almost audible sigh of relief, the elders proceeded with confidence.

              Serve God by Serving Others

              Although my friend did not join the Church, my experience with him was profound. In one of the missionary sessions, he picked up his Book of Mormon and read aloud King Benjamin’s words, “And behold I tell you these things that ye may learn wisdom; that ye may learn that when ye are in the service of your fellow beings you are only in the service of your God” (Mosiah 2:17). He explained that to view helping our fellowman as a literal and direct service to the Savior was a fundamental principle among early Christians. Over time, this understanding was lost. Today, too many professed Christians fail to actively practice that belief. That this truth is stated so clearly in The Book of Mormon affected my friend deeply.

              Years ago, he corresponded with Mother Teresa of India. She and her co-workers would regularly visit a muddy, smelly field at night. They would stand in a line holding hands and stretch out so they could barely touch one another’s fingers. Then they would drop their hands and slowly walk forward—listening carefully for the sound of a baby—a baby thrown away by its mother. Once they’d hear the cry, they’d dig through the muck and rescue the child.

              To view helping our fellowman as a literal and direct service to the Savior was a fundamental principle among early Christians.

              This saintly woman walked through the sea of humanity flooding the streets of Calcutta, searching for those who were dying. Her workers carried them back to her home to wash and feed them. She would sit with a stranger’s head upon her lap for hours to give comfort and consolation in his or her last moments of life.

              My friend wrote Mother Teresa a letter asking how she could do this day after day. How could she continuously serve under such horrible, revolting circumstances? Her reply simply stated, “Dear Pastor, don’t you understand? When I am holding a baby covered with slime or a ragged beggar’s head in my lap, I am holding Jesus Christ.” Mother Teresa lived what King Benjamin taught. She followed his direction to “take upon you the name of Christ. . . .  (and) remember to retain the name written always in your hearts” (Mosiah 5:8,12; Emphasis added).

              Create in the Name of the Savior

              What does this have to do with the creative process? After all, there are practical guidelines to help us be effective writers, musicians, artists or any creative endeavor with which we are involved. Who hasn’t heard these principles for success before? Study what others who are successful have done. Get tutored by experts. Be open to honest critique. Practice, practice, practice. Don’t quit! Etc. Etc.

              Mastering technique, however, is not the same as creating something meaningful or life-changing. If our desire is to do that, King Benjamin and Mother Teresa’s perspectives and examples regarding our relationship with the Savior is key.

              The Apostle Paul said this in his letter to the Colossians, “And whatsoever ye do in word or deed, do all in the name of the Lord Jesus” (Colossians 3:17; Emphasis added). As members of The Church of Jesus Christ of Latter-day Saints and as creators, ALL should include the art we create, the novels we write, the music we compose, and so forth.

              Receiving & Recognizing Inspiration

              I strive to consider all my efforts as opportunities to magnify Jesus Christ. When I write, I want to bring about His purposes. I try to remember to do it in His name. Admittedly, I lack consistency here, but when I do this, it opens the door for inspiration. My writing becomes more meaningful…because it isn’t just me creating!

              How does God’s inspiration come? In my experience, the timing and process vary significantly. Usually, it is a slow, imperceptible flow of ideas, though at times I might have a eureka moment. Often, I simply remember something I’ve read, heard, or experienced that is relevant to what I am trying to convey. Either way, we must seek inspiration if we are to receive and recognize it. We should follow Paul’s admonition and do what we do in the name of the Savior. Then we need to listen and humbly receive that gift with gratitude.

              We must seek inspiration if we are to receive and recognize it.

              As creators seeking inspiration, we can apply God’s guidance from Doctrine and Covenants: We “must study it out in (our) mind.” Then “if it is right, (the Spirit) will cause that” we will “feel that it is right” (See D&C 9:8; Emphasis added). As we feel it is right, we are given means to convey that feeling and spirit to those who read, see, or hear what we produce.

              Through this process, we are as blessed as those whom we seek to bless. When we strive to uplift those who experience our work, and when we do what we do in the name of Jesus Christ, we become more like Him. As covenant-keeping creators, that is our eternal quest.

              Steve Dunn Hanson

              Steve Dunn Hanson is the author of several books, including inspirational and adventure fiction and self-help non-fiction, which have been traditionally published and self-published. In addition, he has had articles published in The Ensign, and writes poetry and hymns. He and his wife, Joyce currently live on a scenic hill in northeast Washington.

              Visit Steve Dunn Hanson at https://stevedunnhanson.com/

                Filed Under: Articles, Creativity, Faith & Mindset, Gospel Principles Tagged With: King Benjamin, Mother Teresa, receiving inspiration, service, serving others, using art to uplift others

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