Howard Collett

Portrait of a Painter: The Journey of Latter-day Saint Artist Dan Wilson

May 12, 2022 By Howard Collett 8 Comments

Dan Wilson began drawing from the time he could pick up a pencil. “I doodled on everything,” he recounts. “My first sale was in 7^th grade to one of my teachers. She had me draw John Wayne. I couldn’t believe she gave me $20. But I battled being an artist. I studied chiropractic, fire science, and business, but I always felt a tug to go back to art.”

“Before graduation, Dan was all over the place,” said Heather, Dan’s wife of 13 years. “He couldn’t figure out what he wanted to do. I asked, ‘Why not art?’, but I never thought he would do it full time.”

Early Inspiration

Born and raised in Salt Lake City, Utah, Dan graduated from Utah Valley University with a bachelor degree in fine arts. “My greatest mentors were Perry Stuart, a UVU art professor, and William Whittaker, who mentored me after college. I was inspired by Danish artist Carl Bloch and French artist William Bouguereau.”

Dan is also inspired by his wife. “I wouldn’t be able to give it 100% if she wasn’t behind me,” he said. Dan first met Heather at Gold’s Gym. “I didn’t want to be that guy who gets her number at the gym,” he admitted, “then I ran into her at a dance two months later. The rest is history.” The couple has four boys and two girls ranging in age from two to eleven.

Lightbulb Moment

“I originally painted just to have a career. I did portrait art and wanted to get into galleries,” Dan said. “Then I painted my first image of Christ, and two families bought simple prints. One mother stopped me the next week at church, got emotional, and said, ‘You have no idea how much that image is uplifting us in our home.’ I thought, ‘That was really cool.’”

The next week at the exact same spot, another woman stopped Dan. “She also got emotional and said, ‘I gave my print to my sister who’s trying to keep her family together. You have no idea how much it means to them and how much it’s helping.’ She said almost the exact same words. The lightbulb went off and I knew—I’m supposed to be painting for a reason, and that is to uplift people in their homes with images of Christ.”

I’m supposed to be painting for a reason…

“When Dan was deciding what he wanted to paint, he was up and down,” said Heather. “When he realized he wanted to paint the Savior, everything just fell into place.”

Rigors of Aspiration

But it hasn’t always been easy. To support his art career, Heather cleaned houses and Dan managed a freight forwarding business for FEDEX. “My first year I made $7,000 from my art,” he said, “but Heather never second-guessed the whole thing.”

In 2014, Dan started painting full time. “It’s not a normal nine-to-five job,” said Heather. “There’s no paid time off. His schedule varies. At six pm he may be in the middle of something he can’t leave. Sometimes he paints until midnight. But he’s a hard worker and takes on the responsibility of providing for the family. He constantly studies the work of other artists.”

Inspiration is a Process

Dan relies heavily on the power and process of inspiration. “If I’m painting the Savior for a temple, I just want to do Him justice. I’m intimidated every time,” he said. “I spend a lot of mental prep work getting ready to paint. I get a father’s blessing. I include it in my fast. Then I do the best painting I can with the Lord’s help.”

Dan is quick to add that inspiration doesn’t come all at once. “I can take it only so far, and then I get stuck where I just don’t know what the best thing for the painting is. It’s then that I receive more answers.”

Washington DC Temple Painting

This process was repeatedly manifested in his largest work to date, “His Return,” a depiction of Christ’s Second Coming for the Washington DC Temple.

Dan had already completed six paintings for temples of The Church of Jesus Christ of Latter-day Saints when he received a call from the Temple Department to do another: an eight-by-twelve-foot oil painting for the Washington DC Temple. It needed to be completed in time for the temple rededication in the summer of 2022.

“This Second Coming piece was a big slice of humble pie. I ran into several things I didn’t know how to do,” said Dan. “I’ve never done a mural this size before with 300-plus angels. It stretched me. When I get overconfident and don’t rely on the spirit, I make a lot of mistakes I have to spend the next day fixing. It’s pretty easy to stay grounded when you realize you’re painting stuff you can’t paint by yourself. I learn something new each time.”

“The temple department gave me the idea for the painting based on scripture, with the Savior coming in the clouds clothed in a red robe surrounded by numerous angels,” said Dan. “I produced preliminary sketches with graphite. When they were approved, I was asked to do a one-by-two-foot painting which the temple interior designer would use for their color palate. When that was approved, they let me loose.”

Dan went to work finding models and clothing for them, creating concepts for the trumpets, and conducting numerous photoshoots before putting it all together. “I spent hundreds of hours in Photoshop just placing the angels so that they didn’t create a pattern and the diversity was not stacked in one section. I had about 30 models, but as you go further away from Christ the detail isn’t as apparent.”

God is in the very details of our work.

There were more layers of approval for the painting, the last one being a member of the First Presidency of the Church. It took Dan an estimated 2,000 hours to paint “His Return”—a fourth of it in preparation alone.

Specific Revelation

Dan’s original concept was for 120 angels. To give greater depth to the painting, the number grew to more than 300. “I painted one angel at a time,” he said. “It took one to three days per angel. All of them had slightly different contrasts. The hardest thing about painting 300 angels surrounding Christ is to have them not consume all the attention and to have them go back in space evenly and consistently. I was really stressed out about it, and I prayed and fasted a lot.”

One morning Dan awoke early and visualized the use of a specific white glaze to apply in variation to make the angels complement and not compete with the image of the Savior. It gave them a glowing feel and helped them fit perfectly in atmospheric perspective.

“Such a specific revelation is a testimony to me that God is in the very details of our work. That doesn’t just apply to me as a Christian artist working on temple paintings, but it applies to anyone in any career. God is in the details of our work, and He can answer specific questions to help us be better providers, better employees, better employers, better husbands or wives, or wherever we need help. If we’re specific with Him, He’ll be specific with us.”

Howard Collette

Author Bio

Howard Collett has two novels in production, Erika’s War, a spy novel set in contemporary Berlin, and Lost in the Wilderness, the tale of a 10-year-old girl lost in Utah’s Uinta mountains. He has published 1,600 articles and 300 photos in aviation, medicine, software, and education in national and international magazines. His capstone achievement documented life-saving humanitarian aid on four continents. Visit www.howardcollett.net for more information.

The Power of Asking ‘Why?’: Improving the depth and credibility of your writing

March 24, 2022 By Howard Collett 7 Comments

When I emerged from the diminutive mosque in a remote African village, I had a burning question. It came to mind while sitting reverently during prayers which the Imam had graciously invited us to observe.

I was a writer and photographer in Sierra Leone with two senior missionaries and a two-person video crew for LDS Charities filming a documentary on clean water projects (see more).

The village was home to a thousand people: half Christian, half Muslim. After thanking the Imam for his invitation, I asked him, “How do you get along with the Christians?”

Asking the right questions

The puzzled look on his face mirrored his reply: “What do you mean?”

Stammering, I said, “Well, half of the village is Christian, the other half is Muslim. How do you get along?”

When he gave the same response again, I wondered how much English the Imam understood. Then I realized his point-of-view on world issues was vastly different than mine. The village had no electricity, no running water, no televisions, scant public transportation (unless you call the back of a motorbike or the top of a cargo truck public transportation), few cell phones, and no world news.

To provide perspective, I mentioned that throughout history Muslims and Christians had battled each other. Then I repeated my original question.

We work in the fields side by side just to survive. What is there to fight about?

The Imam answered, “You don’t understand.” Then he gave me perspective. “The Christians helped us build our mosque. We helped them build their houses. We work in the fields side by side just to survive. What is there to fight about?”

Perhaps I should have first asked “why.”

Getting to the point

Not too long after my trip to Africa, I interviewed a science professor at BYU in Provo, Utah. He was renowned for his work in a particular field. I asked him why his work was so important. He answered with a barrage of scientific jargon, little of which I understood.

Unfortunately, I repeated the mistake I’d made with the Imam by asking the professor the same question again. His answer was mingled with words such as “leading research,” “peer-reviewed trials,” breakthrough technology,” etc.

Flustered, I blurted, “Why should I care?”

Startled, he looked at me thoughtfully, then answered, “It’s a possible cure for cancer.”

“Now I have a story,” I said. And a headline, I thought. People don’t care about a process until they can see the potential impact it can have on their lives.

For example, when Joseph Smith walked into the Sacred Grove that spring morning in 1820 to ask which church he should join, he had little knowledge about the nature of God. He received an answer to the “which” question but also learned why. God revealed the nature of Himself and His Son, knowing it is easier for us to pray to a God we can comprehend rather than a nebulous, unknown being. And that understanding would be essential for the revelations that followed in the years to come.

Who knows where “why” will lead

My final story comes from a sister missionary in Germany. My wife and I were senior missionaries and district leaders for an all-sister district. Wanting to know why they decided to serve missions, we asked questions. Our dialogue with this particular sister went something like this:

“What did you do before you started your mission?”

“I played soccer at a junior college.”

“How did you do?”

“I scored a lot of goals.”

When you think you have all the answers, ask one more question.

I could have ended there, but I’d learned when you think you have all the answers, ask one more question.

“Why?”

“I was the smallest player on the team,” she said, “so I knew I had to be faster, smarter, and more determined than anyone else.”

Now I had something to write about. I knew the why as well as the what and how. In fact, the physical characteristics and personality of the female protagonist in my novel are based on our missionary’s answer. You never know where asking why will lead you.

Asking questions leads to discovery

Asking questions while researching your book (or preparing for a presentation, podcast, interview, etc.) will add depth and understanding to your work. Ask questions of your characters to understand them better and make them more believable to your readers. We told our missionaries in Germany to ask questions before they started teaching. It not only endeared them to their friends, but their answers about their joys, concerns, successes, and failures often led to gospel discussions.

The concept of asking the right questions is not new, as Simon Sinek described in his acclaimed book, Start with Why. His Ted Talk on the topic has 56 million views. Simon says every inspired leader or innovator asks the question “What.” A smaller number ask “How,” and very few ask “Why.”

The essence of “why”

The plot in my upcoming novel, Erika’s War, is about uranium being smuggled from Germany to Russia. There, the Russians will generate vast amounts of electricity and sell it to the Germans at an extremely low price. The conspiracy will drive renewable power and other sources of electricity out of business, eventually giving the Russians economic control over Germany on a scale not seen since the Cold War.

Plausibility for my plot is strengthened when I discovered that growth of renewable sources of energy is already faltering in Europe. Asking the right questions gave me the why. For example, I discovered that villages in Germany are taxing wind farms for noise pollution and limiting encroachment to two kilometers. This raises the cost of land acquisition and wind farm operation, and increases the likelihood of acceptance of lower-priced energy from Russia.

“Why” has to do with purpose, cause, or belief, not results. It’s the reason Christians and Muslims get along in Sierra Leone. It’s the reason the science professor spends untold hours of research. It’s the reason my soccer player was so good. And it’s the reason the protagonist in your novel just might prevail.